Peter Mengede's Gear
Peter Mengede uses the Marshall JMP-1 Tube MIDI Guitar Preamp, as noted on the Guitar Lessons Brisbane website.
Peter Mengede is associated with a 1992 Gibson Les Paul Classic 1960 Reissue, as noted by Guitar Lessons Brisbane, highlighting its use in his musical endeavors.
Peter Mengede is associated with a Gibson Les Paul Standard, as detailed in the Guitarnerd article titled "Peter Mengede’s Honeyburst Les Paul."
Peter Mengede, known for his work with Helmet, used a 1972 Gibson Les Paul Standard, as detailed on the Guitar Lessons Brisbane website. Mengede's gear collection also included a diverse range of equipment for both recording and touring, such as the 1982 Gibson Les Paul Standard with a custom Seymour Duncan JB pickup, a 1985 Fender Telecaster, and various amps and effects.
Peter Mengede is associated with the Marshall JCM800 2205 50-Watt Amplifier Head, as noted in the Guitar Lessons Brisbane section of the Sunnybank Studios website.
Peter Mengede uses a 1985 Fender Telecaster equipped with a bridge Hotrail, as detailed by Guitar Lessons Brisbane.
Peter Mengede is associated with the Gibson Les Paul TV Special, as noted by Guitar Lessons Brisbane on their website.
Peter Mengede uses a Marshall JVM410H guitar amplifier head, which features modifications such as a choke, negative feedback mod, and C83 bypass. This information is provided by Guitar Lessons Brisbane, as noted on the Sunnybank Studios website.
Peter Mengede uses the Boss PS-6 Harmonist for creating seasick warbles, as noted by Guitar Lessons Brisbane.
Peter Mengede is associated with the Burny FLG 90, an exceptional early MIJ Les Paul model known for its superior quality compared to Gibson Les Pauls of the same era. This information is documented by Guitar Lessons Brisbane.
Peter Mengede uses the Marshall Silver Jubilee 25/55 100W Amp Head, as noted on the Guitar Lessons Brisbane website.
Peter Mengede is associated with the Bradshaw 3E preamp, as noted on the Guitar Lessons Brisbane website.
Peter Mengede uses a Les Paul 40th Anniversary guitar equipped with a Bill Lawrence bridge pickup, as noted by Guitar Lessons Brisbane on their website.
Peter Mengede uses a 1982 Les Paul Standard equipped with Custom Wound Juarez JB pickups, as detailed by Guitar Lessons Brisbane and Guitar Lessons Sunnybank.
Peter Mengede uses a 1971 Gibson Custom Shop Standard, known for its factory PAF route, as documented by Guitar Lessons Brisbane and Guitar Lessons Sunnybank.
Peter Mengede uses the TC Electronic Booster + Line Driver & Distortion pedal, as noted on the Guitar Lessons Brisbane website.
Peter Mengede utilizes the VHT Classic EL34 Power Amplifier, as noted on the Guitar Lessons Brisbane website.
Peter Mengede uses the Dunlop 535Q Cry Baby Multi-Wah pedal, as noted by Guitar Lessons Brisbane on their website.
Peter Mengede uses the ISP Technologies Decimator noise gate pedal to manage noise during performances, as noted by Guitar Lessons Brisbane.
Peter Mengede uses a Splawn Quick Rod, as noted by Guitar Lessons Brisbane on their website.
Peter Mengede is associated with the EVH 5150 III 100-Watt Tube Head, as noted by Guitar Lessons Brisbane on their website.
Peter Mengede uses the Marshall 1960A (1971-1981) guitar amplifier cabinet, as noted by Guitar Lessons Brisbane.
Peter Mengede uses the Marshall 1960B cabinet, as noted by Guitar Lessons Sunnybank.
Peter Mengede uses the Eventide ModFactor for comprehensive modulation effects, as noted on the Guitar Lessons Brisbane website.
Peter Mengede uses a modified Boss SD-1 Super OverDrive with stacked chips, as mentioned by Guitar Lessons Brisbane on their website.
Peter Mengede uses the TC Electronic Flashback Delay for its reverse delay effects, as noted by Guitar Lessons Brisbane.
Peter Mengede uses the EarthQuaker Devices Avalanche Run, a delay effects pedal, described as delivering a "post-rock in a box" experience, according to Guitar Lessons Brisbane.
Peter Mengede utilizes the Loopi Pedals 7 Channel True Bypass Strip to effectively manage his pedalboard setup. This device is instrumental in isolating any pedal from the signal chain, particularly useful for mitigating tone loss from multiple pedals. Its design allows for easy control of pedals placed at the back of the board from a single location at the front. This information is sourced from Guitar Lessons Brisbane, highlighting its practical application in Mengede's setup.
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Album Credits
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Producer