RM

In BTS' May 2018 interview in the Zach Sang Show, RM mentioned in 2:10-2:13 that they (him and the rest of the producers) use Cubase.

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RM and V can both be seen using the headphones throughout the video.

At 8:05, you can see the RME Ladyface.

at 7:48, you can see him using these headphones. You can tell they're the 650's and not 600's because of the silver sticker on the side, rather than blue.

You can see the audio interface on his desk very clearly at 7:19 in the video.

RM uses a custom blue rhinestoned Sennheiser SKM 6000 on the BTS Love Yourself: Speak Yoursef tour

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At 6:14 in the video, you can see the speakers in the background. These are on either sides of RM's desk.

In a screenshot from the LGO video call, RM's studio setup includes a Neve 1073DPX Dual Mic Preamp/EQ alongside an Apollo x8, visible in the background.

In this video you can see Namjoon rapping into a Blue Bottle microphone

The item can be seen at 2:11

12:12 into the live stream, Rap Monster, shows the Lewitt DGT650 on a stand with a pop filter infront.

it can be seen on his desk at 2:39 in the video

At 8:05, you can see the Keystation Mini 32.

Used for BTS' vocals on "Fake Love", as stated by producer James Reynolds in this August 2018 Sound on Sound interview.

‘All Vocals’ bus: Overloud Tapedesk, DMG Audio EQuilibrium & Kazrog KClip.

“This is pretty much my standard chain. I have the Tapedesk as my first plug-in. I love mixing into this, because I love the saturation that it gives to vocals. This is followed by the EQuilibrium, which notches out some high end. The Eiosis Air EQ Premium is next and does something slightly more interesting, because I am automating it with the green automation line. I use the automation to turn the Strength slider fully up for the pre-choruses and the choruses, which adds real excitement to all the vocals in these areas. Then there’s the Pro-DS de-esser set to a pretty high threshold, because I have already de-essed on the individual tracks. It’s just to catch anything else that I may have missed. Finally the KClip is just catching any remaining peaks.”

Used for BTS' vocals on "Fake Love", as stated by producer James Reynolds in this August 2018 Sound on Sound interview.

‘All Vocals’ bus: Overloud Tapedesk, DMG Audio EQuilibrium & Kazrog KClip.

“This is pretty much my standard chain. I have the Tapedesk as my first plug-in. I love mixing into this, because I love the saturation that it gives to vocals. This is followed by the EQuilibrium, which notches out some high end. The Eiosis Air EQ Premium is next and does something slightly more interesting, because I am automating it with the green automation line. I use the automation to turn the Strength slider fully up for the pre-choruses and the choruses, which adds real excitement to all the vocals in these areas. Then there’s the Pro-DS de-esser set to a pretty high threshold, because I have already de-essed on the individual tracks. It’s just to catch anything else that I may have missed. Finally the KClip is just catching any remaining peaks.”

At 1:41 seconds you can see RM rapping into the shure Beta 58. He uses it for most of the intro: Persona performace at Melon Music Awards

At 00:36 and other parts of the video BTS is seen recording with the Telefuken 251. It is used to record most of their songs

Throughout this video RM is seen dancing and rapping with CM311 which is used for extensive choreographies

In this picture, you can see RM with a Shure SM58, just before it catches fire in the performance of Intro: Persona for their concert MOTS ON:E

Used for BTS' vocals on "Fake Love", as stated by producer James Reynolds in this August 2018 Sound on Sound interview.

‘All Vocals’ bus: Overloud Tapedesk, DMG Audio EQuilibrium & Kazrog KClip.

“This is pretty much my standard chain. I have the Tapedesk as my first plug?in. I love mixing into this, because I love the saturation that it gives to vocals. This is followed by the EQuilibrium, which notches out some high end. The Eiosis Air EQ Premium is next and does something slightly more interesting, because I am automating it with the green automation line. I use the automation to turn the Strength slider fully up for the pre?choruses and the choruses, which adds real excitement to all the vocals in these areas. Then there’s the Pro?DS de?esser set to a pretty high threshold, because I have already de?essed on the individual tracks. It’s just to catch anything else that I may have missed. Finally the KClip is just catching any remaining peaks.”

Used for BTS' vocals on "Fake Love", as stated by producer James Reynolds in this August 2018 Sound on Sound interview.

‘All Vocals’ bus: Overloud Tapedesk, DMG Audio EQuilibrium & Kazrog KClip.

“This is pretty much my standard chain. I have the Tapedesk as my first plug-in. I love mixing into this, because I love the saturation that it gives to vocals. This is followed by the EQuilibrium, which notches out some high end. The Eiosis Air EQ Premium is next and does something slightly more interesting, because I am automating it with the green automation line. I use the automation to turn the Strength slider fully up for the pre-choruses and the choruses, which adds real excitement to all the vocals in these areas. Then there’s the Pro-DS de-esser set to a pretty high threshold, because I have already de-essed on the individual tracks. It’s just to catch anything else that I may have missed. Finally the KClip is just catching any remaining peaks.”

Used for BTS' vocals on "Fake Love", as stated by producer James Reynolds in this August 2018 Sound on Sound interview.

‘All Vocals’ bus: Overloud Tapedesk, DMG Audio EQuilibrium & Kazrog KClip.

“This is pretty much my standard chain. I have the Tapedesk as my first plug-in. I love mixing into this, because I love the saturation that it gives to vocals. This is followed by the EQuilibrium, which notches out some high end. The Eiosis Air EQ Premium is next and does something slightly more interesting, because I am automating it with the green automation line. I use the automation to turn the Strength slider fully up for the pre-choruses and the choruses, which adds real excitement to all the vocals in these areas. Then there’s the Pro-DS de-esser set to a pretty high threshold, because I have already de-essed on the individual tracks. It’s just to catch anything else that I may have missed. Finally the KClip is just catching any remaining peaks.”

Throughout the Life Goes On video call version you can see the kii three speakers in the background

In the right side of the room you can see a pair of Audeze LCD-X