Scott Lucas

Scott Lucas shows his modified Fender Stratocaster at around 2:40 into this video of his gear rundown. It appears to be a standard Fender Strat, black with white pickguard, with a rosewood neck.

He says, “So, I do this to all of my guitars that I get. So I try not to get the greatest, nicest guitars ‘cause I’m just gonna have to destroy them. What you see here with this Strat that I have, I removed the middle pickup, took the bridge pickup and put an SG pickup in there, and then put the bass pickup there [points to low E and A strings]. The bass pickup only comes under the bottom two strings, and then a separate jack and that’s where the bass comes out. That goes into the Ampeg bass amp.”

He then goes on to say that with this setup, the root note of whatever chord he plays has to be on the bottom two strings, to have the intended bass sound.

In this video, Scott Lucas walks through his rig. Around 0:28 seconds in he says, "Matchless going into the Marshall..." The Matchless head matches up with a Matchless Superchief 120.

Scott plays another Ibanez telecaster here except this one is a copy of a deluxe model instead of the standard tele. This one is modified the same as all of his other guitars with the added bass pickup under the bottom two strings out the seperate jack for bass sound. It seemed to have been used extensively in touring around 02 along with his Ibanez Les Paul. It can be seen in the video around 45:00 minutes in.

Scott can be seen playing his modified 2352 here in this image. There are also many videos of him using it online. It is black with stickers as well as an added bass pickup under the bottom two strings run to a seperate jack to make up for the lack of bass player.

The Ibanez les paul copy can be seen right from the begining of the video and has been owned by Scott for many years. It seemed it was used most heavily from 02-03 during one of their tours.

From Local H's PledgeMusic page: "The signed distortion pedal pictured on the inside of the “As Good As Dead” album. Used on that record and “Hamfisted”."

Bottom row, left to right: Boss Chromatic Tuner used for switching the Matchless, OCD distortion pedal, Boss tuner used for switching the Vox, Boss tuner for switching the Ampeg, DOD phaser, MXR Carbon Copy delay.

Top row, left to right: Boss octave pedal for the bass pickup, MXR bass octave pedal

Matchless 120 Super Chief, Marshall cabinet (two are used), Ampeg bass amp, Vox AC15 combo amp.

at 3:08 you can see the headstock and it's a gibson one

Scott Lucas, known for his work with the band Local H, uses the KHDK Scuzz Box fuzz effects pedal, as highlighted by KHDK Electronics. He describes its sound as "pretty goddamn awesome," underscoring its impact on his music.

The Peavey T-40 bass can be seen being played at 1:45 if the video.

Scott Lucas shows his BOSS GT-5 Guitar Effects Processor at 1:11 of this gear rundown video: “Bunch of pedals down here, it’s a mess. Split out into the different guitar effects of this beat up GT-5, Boss. What do you call these? Processors. If there’s anybody at Boss… we need another one of these. This thing is dying."

In an interview with MusicRadar, Scott Lucas of Local H discusses his unique setup, mentioning his use of the DigiTech Vocal 300 for vocal effects.

Bottom row, left to right: Boss Chromatic Tuner used for switching the Matchless, OCD distortion pedal, Boss tuner used for switching the Vox, Boss tuner for switching the Ampeg, DOD phaser, MXR Carbon Copy delay.

Top row, left to right: Boss octave pedal for the bass pickup, MXR bass octave pedal

He uses it throughout this video and you can tell it's a gibson from the shape of the headstock.

From Local H's PledgeMusic page: "The signed DOD phaser pedal that Scott used on the “As Good As Dead” album and tour."

Bottom row, left to right: Boss Chromatic Tuner used for switching the Matchless, OCD distortion pedal, Boss tuner used for switching the Vox, Boss tuner for switching the Ampeg, DOD phaser, MXR Carbon Copy delay.

Top row, left to right: Boss octave pedal for the bass pickup, MXR bass octave pedal

From Local H's PledgeMusic page: "Scott’s signed tremolo pedal used on the “Pack Up The Cats” record and tour."

Bottom row, left to right: Boss Chromatic Tuner used for switching the Matchless, OCD distortion pedal, Boss tuner used for switching the Vox, Boss tuner for switching the Ampeg, DOD phaser, MXR Carbon Copy delay.

Top row, left to right: Boss octave pedal for the bass pickup, MXR bass octave pedal

Scott Lucas auctions off his Morley Sapphire Flanger on his PledgeMusic page, mentioning that he used it on the "As Good as Dead" tour and the album "Pack Up the Cats."

In the Digital Tour Bus episode of "GEAR MASTERS," Scott Lucas of Local H discusses his use of the Boss TU-2 Chromatic Tuner, highlighting its long-term presence in his pedal setup.

analog pedal used by scott lucas

In the Digital Tour Bus episode of "GEAR MASTERS," Scott Lucas of Local H discusses using the Electro-Harmonix Micro POG Polyphonic Octave Generator pedal, which he likely incorporated into his setup after using the Boss pedal.

In the "GEAR MASTERS" episode by Digital Tour Bus, Scott Lucas of Local H discusses using the EarthQuaker Devices Dispatch Master pedal to enhance his guitar's distortion with its delay and reverb effects.

In the Gear Masters Episode 248 on YouTube, Scott Lucas of Local H discusses using the Verellen Meat Smoke Amplifier, describing it as one of his favorite amps.

In the "GEAR MASTERS" episode by Digital Tour Bus, Scott Lucas of Local H discusses using the Jim Dunlop Tortex Jazz III Black pick.

In the Digital Tour Bus episode of "GEAR MASTERS" (Ep. 248), Scott Lucas of Local H discusses using the Peterson VSS-C Stomp Classic Strobotuner as a spare tuner pedal.

As seen in the clip, this is most likely a Shure SM58

In the video titled "Scott Lucas (Local H) - Nothing Special (Acoustic, Milwaukee, 6-26-03)," Scott Lucas is seen playing a Gibson SJ-200 Standard VS acoustic guitar.

In the "Gear Masters" episode by Digital Tour Bus, Scott Lucas of Local H confirms at the 1-minute mark that he has always used "Dean Markley 52s," indicating his use of Dean Markley NickelSteel Electric Guitar Strings, 10-52.