St. Vincent

"I use – actually I think it’s a pretty cheap pedal – a Z.Vex Mastotron, and it’s like if the Fuzz Factory had girth." - St. Vincent in this interview with The Lab Magazine.

Michael Ross of GuitarPlayer.com asks St. Vincent how she achieved a "clean tone on 'Chloe' and the title song has an evocative, distant, almost underwater sound." St. Vincent responds with "I think that is the Electro-Harmonix Cathedral Reverb pedal."

via GuitarPlayer

St. Vincent uses not one, but two Eventide H9 Max Multi-Effects Pedals. Source.

'I played a ’67 Harmony Bobkat through a Death by Audio Interstellar Overdriver Supreme pedal, usually straight into a late-’70s Fender Princeton— not lots of pedals, more driving the amp pretty hard.' - St. Vincent in this interview with Guitar Player.

This picture from this article, http://www.thecurrent.org/feature/2007/07/24/st_vincen, of Annie's pedalboard from 2007 shows that she used a Digitech Whammy 4.

If you zoom in on this picture of one of Annie's old pedalboard, shows that she owns one of the ZVex Vexter Series Fuzz Factory Guitar Effect Pedal.

You’re known to use a wide range of guitar pedals — what’s on your current pedalboard?

JHS Colour Box, Chris Lord-Alge Reverbs, many things Eventide,** Animal Five: Pit Viper…**

http://www.animalfactoryamps.com/pedals

St. Vincent's Hum Debugger can be seen at the end of her signal chain in this set of live rig photos from 2012.

For a GuitarPlayer interview Annie Clark stated that she used the Sitori Sonics Tapeworm for Northern Lights solo:

"On the “Northern Lights” solo I used a Sitori Sonics Tapeworm pedal. It is a delay pedal with two synth oscillators built in to it. I use it a lot live during the more chaotic bits."

"I am using about five pedals. Two of them are Eventide pedals. One of them is called a PitchFactor and then one of them I think is just called the Space." St. Vincent in this interview with The Lab Magazine.

Nice Rack Canada custom builds this pedalboard for St. Vincent. This two part pedalboard also houses a Boss PS-5 SUPER Shifter Pedal. Source.

Top left of St. Vincent's pedalboard is a Voodoo Lab Pedal Power 4x4 according to this image from Nice Rack Canada.

In this picture of one of Annie's old pedalboard we can see thatshe owns a Boss OC-3 SUPER Octave Pedal. This pedalboard can be confirmed that it is hers by the similarities between this one and the one in this article from 2007 http://www.thecurrent.org/feature/2007/07/24/st_vincent

In this interview, Annie Clark says that she used a Death Audio Interstellar Overdriver Deluxe on "Cruel" from Strange Mercy.

In an interview for GuitarWorld Annie Clark, in reference to her song Regret, says:

"I believe that’s a [Bixonic] Expandora that John [Congleton] had in the studio. I liked it so much I bought one of my own. It’s a Japanese distortion pedal. John said that’s what Billy Gibbons used."

In the bottom left hand corner of St. Vincent's pedalboard rests a Sound Sculpture Switchblade 8F Floor System. Source.

This picture of one of Annie's old pedalboard, shows that that she owns a Line 6 DL4 Delay Guitar Effects Pedal.

"I am using about five pedals. Two of them are Eventide pedals. One of them is called a PitchFactor and then one of them I think is just called the Space."

– St. Vincent, via this interview with The Lab Magazine.

In this picture of one of Annie's old pedalboard we can notice that she owns a Fulltone Fulldrive 2 Pre-Mosfet Overdrive Pedal.

Annie states that she uses this pedal for sustain during an interview for GuitarWorld.

"I think I was using an Electro-Harmonix Micro Synth. The new generation of Micro Synth has a lot of sustain. I used sustain on the record for things like the solo in “Rattlesnake,” which is all on one string. Just a big slidey thing."

An EP-3 can be seen in this photoset of St. Vincent's live rig from 2012.

"The RJM Music MasterMind GT-10 Controller is used in a “home page” fashion with one page of buttons assigned as presets with some audio functions revealed in “IA” mode. Each of the next 15 pages of buttons is assigned as Instant Access switches to provide quick access to routings in the Audio Matrix & favourite presets in the 2x H9?s." - Nice Rack Canada.

St. Vincent uses a Korg Pitchblack Chromatic Pedal Tuner in her two part custom built pedalboard.

According to this article, St. Vincent uses a Voodoo Lab Pedal Power.

As we can see in this picture of one of Annie's old pedalboard, she owns a Boss TU-2 Chromatic Tuner.

At 33s the video displays picture of the pedalboard Annie is using displays the TC Helix phaser.

At 33s the video shows the pedalboard Annie is using, displaying the Boss VB-2.

At 33s the video shows the pedalboard Annie is using, displaying the EHX Memory Boy

At 33s a picture of the pedalboard Annie is using shows the Small Clone

From the interview "So, for the longest time, Queens of the Stone Age were very secretive about their guitar tone. It's a bitching guitar tone, right? But the secret was this Peavey Decade—the amp that you get as a kid, that probably comes in the box with your first guitar. It's this little, little amp that sounds so good, this hidden gem. They used to be $200. But then Josh Homme was on a Mark Ronson show, and finally was like, "Okay, I'll tell you. It's the Peavey Decade." Now they're like $3,000, instantly. Anyway, a guitar tech I work with, Jason Moser, builds pedals and synths. He built the Peavey Decade into its own little pedal.Use the edit icon to pin, add or delete clips."