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Average Price: $153
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Description
Unleash your creativity with the Electro-Harmonix Cathedral Stereo Reverb, your passport to boundless sonic landscapes. Designed for the discerning guitarist, this pedal boasts eight programmable reverb modes, including the iconic Room, Plate, and Grail Spring. Its unique damping/tone control allows for precise tonal adjustments, while the integrated tap tempo ensures your reverb always stays in sync with your groove. From the vintage warmth of the Fender tweed reverb to the ambient spaciousness of the Boss RV-5, the Cathedral is your gateway to a universe of reverb possibilities.
Key Features:
- Eight programmable reverb modes, including Room, Plate, and Grail Spring
- Damping/tone control for fine-tuning your sound
- Integrated tap tempo for keeping your reverb in time with your music
- Draws inspiration from classic reverb sounds, including Fender tweed and Boss RV-5.
Product specs
| Brand | Electro-Harmonix |
| Model | Cathedral Stereo Reverb |
| Finish | Blue / Purple |
| Year | 2009 - 2020 |
| Categories | Reverb Pedals |
FAQs
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What reverb modes are available on the Electro-Harmonix Cathedral?
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The Electro-Harmonix Cathedral offers eight programmable reverb modes, including Room, Plate, Reverse, Grail Spring, Accu Spring, Hall, Echo, and a special Grail Flerb mode.
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Can the Electro-Harmonix Cathedral save presets?
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Yes, the Cathedral allows you to save and recall up to eight user presets, one for each reverb mode, enabling quick access to your favorite settings.
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Does the Electro-Harmonix Cathedral support stereo output?
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The Cathedral is designed with true stereo inputs and outputs, providing a rich and expansive stereo reverb experience.
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What type of power supply does the Electro-Harmonix Cathedral require?
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The Cathedral requires a 9 - 9.6VDC power supply with a center negative plug, drawing 200mA. It is compatible with standard Boss-style AC adapters.
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Is the Electro-Harmonix Cathedral suitable for live performances?
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Yes, the Cathedral is well-suited for live performances, featuring tap tempo for precise control and the ability to store presets, making it versatile for various live settings.
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How does the Electro-Harmonix Cathedral's tap tempo function work?
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The tap tempo function on the Cathedral allows you to set the pre-delay time for the reverb, giving you precise control over the timing of the effect in relation to your playing.
Videos
ProGuitarShopDemos
Electro Harmonix Cathedral Stereo Reverb
Reviews
PROS
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Offers a wide range of reverb options, including unique reverse reverb
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Ability to mix wet/dry signals for more control over sound
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Stereo output with "ping-pong" effect creates 3D soundscapes
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Infinite reverb switch useful for live transitions and creating loops
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Includes famous Holy Grail reverb among other settings
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Presets allow for saving and recalling detailed reverb settings
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Capable of adding delay, mimicking a chorus effect, and producing psychedelic sounds
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Works well with both guitars and synths, offering versatility
CONS
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Some users report an unpleasant digital whine on certain settings
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Can be challenging to find the perfect balance of reverb
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May reduce volume of dry signal when not in effects loop
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The line between too little and too much reverb is very thin
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Switching between presets not easy, affecting live performance flexibility
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Some users feel it sounds too digital for the price tag
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Electro-Harmonix Cathedral Stereo Reverb.
Features and functionality
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The hold function on the Cathedral is perceived as quieter compared to other pedals with similar features.
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The lack of a "save preset" function on the Oceans 11 contrasts with the Cathedral's capability, influencing user preference based on functionality needs.
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The reverb can sound digital or metallic at high settings, which may not suit all preferences.
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The infinite reverb footswitch relies on the blend knob for volume, often resulting in a quieter output than desired.
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The Cathedral includes an underrated spring reverb from the Holy Grail and a useful predelay feature, adding to its versatility.
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Comparisons
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Users find the Cathedral's sound quality superior to the Oceans 11, despite the latter's smaller footprint and additional effects like shimmer and octave reverb.
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Users often compare it to the Strymon Blue Sky and Flint, noting that while versatile, it may lack the refined tones of higher-end alternatives.
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User experience
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Owners who transitioned from Cathedral to Oceans 11 appreciated the latter's auto preset function, which remembers settings per reverb type.
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Some users find that the pedal squashes the signal slightly, which is more manageable when used through an effects loop or with buffers.
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Some owners report the pedal can sound sterile, but note that this may not be noticeable in a full mix.
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Use cases and applications
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The Cathedral excels in post-rock, shoegaze, and ambient styles, offering deep tones ideal for experimental rock.
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The reverse reverb function paired with distortion pedals creates unique tones suitable for experimental setups.
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It excels in creating thick, gooey reverbs, appealing to musicians seeking rich textures rather than hi-fi sounds.
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The Cathedral is noted for its effectiveness with synthesizers, broadening its appeal beyond just guitarists.
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4.5 out of 5
Based on 16 Reviews and 130 Ratings
449
Creative and Interesting
Not easy to gig with but this is such an interesting and fun piece to play with in the studio.
Great Reverb, Very Fun to Mess With
This pedal is a TON of fun to mess around with. Plug in stereo amps and this thing will blow you away with real 3d soundscapes. The left toggle switch (when held down) holds the reverberated notes infinitely, great for transitions between songs in a live setting. Loads of fun and will hold up to a 30+ second reverb. Though I will say, when putting it at the end of your signal chain on your pedalboard (especially with any overdrive engaged) it does tend to get a bit muddy. It is not a pedal you run though on your board and away you go. It will take time to figure it out and perfect its use, much like many other EHX pedals.
Infinite vibes!
I have just recently added this pedal to my rig. I was very tempted to go for the much smaller easier to use holy grail reverb but decided to go all out and get the cathedral. The main reason I went for this over the holy grail? The infinite reverb switch is nuts! Great for starting and ending sets with and when dialling up the feedback and pre delay it can make a massive echoey loop which is awesome. This pedal also includes the famous holy grail reverb along with some other great options such as reverse and classic plate reverb. This is my new favourite pedal and is going to be used a hell of a lot live.
69
Almost perfect reverb pedal.
While this is a great pedal I have two small complaints. It takes a little bit of volume out of my amp when it's not plugged into the effects loop (I'd like to keep it in the effects loop all the time, but in small gigs this isn't always possible). Also, the line between too little and too much reverb is very, very thin in my opinion. For some this might not be an option, but I find myself tinkering too much to find the right sound more often than I'd like. Still though, great pedal.
108
Excellent pedal
The ambiance this pedal creates is seriously great. Especially love the Grail Spring and Hall setting. It's great that you can set your reverb in perfect detail AND save it as a preset afterwards. The Echo setting makes this pedal even better, this reverb pedal gives you a delay function with tab which is awesome. The only real downside on this pedal is that it reduces the volume of my dry signal.
86
Take me to Space Church
The only reverb pedal you'd probably ever need (unless you don't want to tweak it onstage).
I would say the only con I have for this, is the white preset switch can be easily flicked on which can send you from having a smooth custom tone, to a squall of reverb.
In any case, great reverb pedal.
288
Super versatile, does it all well
The multitude of modes on this thing means you can use it for almost anything. There's plenty of reverb modes and options, it has delay that you can turn into a kind of chorus, and it has more psychedelic effects like the reversal. Lots of room for doing anything between basic reverbs and crazy walls of sound via infinite resonance.
69
I will NEVER get rid of this pedal!
I love this pedal so much. If you use any type of reverb, this is the pedal to use. Though practically, for me, I use the pre-delay settings just as much as the reverb end of things. I have a delay pedal after this in my chain, so I get reverb and some delay stacking that gives me an incredibly beautiful sound.
Amazing reverb.
This reverb pedal is amazing. The ability to save different settings per each preset reverb is amazing, a total game changer for my rig.
Artist usage
Add artist
Seen on Tom’s pedalboard in the Ernie Ball Pursuit of Tone video at the 1hr 22min 55sec mark and for about 4 seconds.
Used live with RHCP, as featured in this May 16, 2012 Electro-Harmonix Blog post
Congratulations to the Red Hot Chili Peppers on their induction into the Rock & Roll Hall of Fame!
Chris Warren (tech + keyboardist) with the band texted Suzi Matthews while on tour to let her know that Anthony Kiedis is using a V256 Vocoder on “By the Way.” And Josh Klinghoffer’s rig includes a Cathedral Stereo Reverb, Freeze Sound Retainer, Holy Grail Reverb and a Deluxe Memory Man Analog Delay/Chorus/Vibrato.
Michael Ross of GuitarPlayer.com asks St. Vincent how she achieved a "clean tone on 'Chloe' and the title song has an evocative, distant, almost underwater sound." St. Vincent responds with "I think that is the Electro-Harmonix Cathedral Reverb pedal."
via GuitarPlayer
you can see the cathedral with his other pedals, although he is not using it for the beat in the video
Toro Y Moi is using the EH Cathedral reverb pedal at the 6:52 mark of this video. It is evident by the its white dial
Lee Malia's guitar tech mentions his Cathedral pedal at 16:47 in this rig rundown video. He says, "We use this purely as a reverse reverb...He uses this only on clean, it's really nice for sort of swelling in."
TC Electronic recently posted this photo to Facebook showcasing Hozier's pedalboard.
Emily Kokal and Theresa Wayman got interesting pedalboards full of great pedals, quite a few of them delays: Electro-Harmonix Cathedral reverb, Electro-Harmonix Memory Boy, Line 6 DL-4 delay modeler, DigiTech Hardwire DL8 Delay/Looper, Boss RC-3 Loop Station, besides Electro-Harmonix Small Clone Chorus and even the very rare Boss VB-2 Vibrato pedal.
Album Usage
The Electro-Harmonix Cathedral Stereo Reverb has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Electro-Harmonix Cathedral Stereo Reverb, it is most commonly used with the following gear.
Community setups
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