Stephan Bodzin

Custom built MIDI controller, based on two Livid Brain v2 MIDI control surfaces, controlling ableton via Max for Live: 16x2 button step sequencer (bottom of controller), 4x4 drum rack button grid (bottom left), navigation buttons (top right), clip launch buttons (top left) and oversize retro knobs for use with track volumes, sends and device chains. Everything is fitted in a dedicated methacrylate enclosure.

In this Instagram post, by Stephan Bodzin, an Elektron Analog Rytm can be seen.

Stephan Bodzin says: "All the stuff beyond the kick is to find here!! up2date-loops that wil*l push your production to the pro-level.* innovative ideas & a very sophisticated sound-desing make this one a secret weapon ....TIP."

He uses moog sub 37 for production and also seen with hardware in live setups

Stephan Bodzin uploaded this photo to his Instagram from his studio. The text with te post:

stephanbodzinBOUNCE!!! @marcromboy #hypernova #stephanbodzinremix #PowersOfTen

He is showing us his new percussion synth, a Kick Lancet.

The MPK Mini is in the middle of the table. This is his live setup from Hard Pop, Juarez.

Stephan Bodzin uploaded this photo to his Instagram from his studio. The text with te post:

stephanbodzinBOUNCE!!! @marcromboy #hypernova #stephanbodzinremix #PowersOfTen

In this picture he is showing us a disassembled MS-20.

In this picture, he shows us his new System 100's.

There is a MacBook Pro on the holder, connected to a Traktor Audio 10 interface and the controllers.

The RME Fireface UCX can be seen at 0:15

On the left side, we can barely see a Traktor Audio 10 DJ interface, connected to the rest of the gear.

In an Instagram post, Stephan Bodzin shares a photo of his Focal Spirit Professional Studio Headphones, noting they will be his monitors during his 8-week stay in Africa.

In a Facebook photo shared by Stephan Bodzin, a Focal SM9 Active Studio Monitor is visible in his studio setup, indicating his use of this equipment.

In a video on his official Facebook page, Stephan Bodzin showcases the Electro-Harmonix Stereo Memory Man with Hazarai, positioned next to his Moog Sub Phatty.

In a video on his official Facebook page, Stephan Bodzin is shown using the Moog Sub Phatty synthesizer.

In a video from Fbcdn, Stephan Bodzin's studio setup features the MOTU 828mk3 Hybrid Firewire Audio Interface prominently on the table, indicating its use in his audio production.

The Korg MS-20M can be spotted in the background of the studio

https://d.facebook.com/dutchanddutch/photos/a.374451906069441/1058871680960790/?type=3&__tn__=EH-R

The item can be seen in the middle, above the PC keyboard.

In the picture we can see his custom DT 880's.

In this Instagram post, by Stephan Bodzin, a Korg Volca Keys can be seen.

Stephan got a Moog One right on the release day.

In this picture from an older setup, he is using Traktor Pro on the MacBook Pro.

S: Powers of Ten is your homage to Bob Moog. What does Moog mean to you, in relation to the album and how important has his products been to you and your musical journey? If you had to sum up your favourite thing about a Moog synth, what would it be?

SB: Bob Moog was the inventor of some the most exciting and powerful synth engines ever built - the minimoog and the moog modular - and has always been one of my heroes. When I was a little boy of 4 years I started playing on those machines as my father owned a unbelievable collection of analogue gear those days. The warm sound of a moog just touched me so much, I can´t help it, I grew up with that.

The favourite thing about a moog is the very unique warmth and pressure of its sound engines. It’s totally different from any other synth, it´s just more alive, it´s more powerful, it’s breathing, it has soul. Most of the basslines on the album weren’t even equalised much or edited dynamics-wise. The sub37 just did a great job, it’s one of the best moogs ever built.

In a photo on Facebook, Stephan Bodzin's Apple Mac Pro (2006-2012) is visible under his studio table, indicating its use in his music production setup.

Stated by Stephan Bodzin this DJMag interview regarding the album and liveshows for 'Boavista':

"I also have the Moog Matriarch semi-modular synthesizer. I love the complex possibilities of this synth. Its character is so different to the Sub37 and it also played an important role in producing the ‘Boavista’ album. For me what’s very important is that this synth doesn't save any presets. That means I have to create any sound from scratch and very much live. This will lead to random results, random errors and random highlights too, I assume.”