Boss KM-60

$481.49 Price Tier: Standard

4.5 (8)

3 Reviews

This product is Vintage or Discontinued

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3 wishlisted

12 saved

Page last updated Jun 09, 2026

Pricing and availability

We compare 600+ stores and found this item at 1 store. Prices updated June 9, 2026.

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Price

$481.49 7 available Used

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Average Price: $481

Standard/Professional

$200

$1001+

Price Tier

In the Mixers category, Boss KM-60 is priced in the Standard/Professional range. This is quality gear at a fair price point, suitable for beginners, hobbyists, and pros alike.

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Description

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Dive into the world of vintage audio with the Boss KM-60, a classic piece of studio recording gear that has earned its place among the most respected mixers in the industry. Originally crafted in the late 1970s, the KM-60 is a mixer that combines nostalgic design with straightforward functionality, making it a beloved choice for musicians and audio enthusiasts who appreciate the warmth of analog sound.

Engineered with six channels, the Boss KM-60 provides versatile connectivity, allowing you to blend multiple audio sources seamlessly. Each channel is equipped with independent volume, bass, and treble controls, offering granular control over your sound mix. This mixer is ideal for both live performances and studio settings, ensuring that your audio output is as authentic and rich as possible.

The KM-60 is revered for its robust build and reliable performance, characteristics that have allowed it to withstand the test of time. Its intuitive layout makes it accessible for both novice and experienced audio technicians, while the vintage aesthetic offers a visual appeal that complements its sonic capabilities. Whether you’re a seasoned professional or a passionate hobbyist, the Boss KM-60 delivers a unique fusion of retro charm and practical audio management.

Key Features:

Six channels with individual volume, bass, and treble controls
Classic analog design for warm, authentic sound
Robust construction with a user-friendly interface
Suitable for both live performances and studio recordings
Vintage aesthetic with timeless appeal

Product specs

Brand	Boss
Model	KM-60 6-Channel Mixer
Finish	Black
Year	1970s
Made In	Japan
Categories	Audio Mixers, Consoles and Summing Boxes
Electronics	Analog, Solid State
Format	Desktop Standalone
Number of Analog Inputs	6
Number of Analog Outputs	4
Number of Channels	6
Number of Digital Inputs	0
Number of Digital Outputs	0
Number of Headphone Outputs	0
Number of MIDI Inputs	0
Number of MIDI Outputs	0

FAQs

What type of inputs and outputs does the Boss KM-60 mixer have?: The Boss KM-60 mixer features 6 analog inputs and 4 analog outputs, allowing for versatile connectivity with various audio sources and outputs.
Is the Boss KM-60 mixer suitable for modern digital recording setups?: While the Boss KM-60 is an analog mixer with no digital inputs or outputs, it can be integrated into modern setups using analog-to-digital converters for those seeking a vintage sound.
Can the Boss KM-60 mixer be used for live sound applications?: The Boss KM-60 is primarily designed for studio use, but it can be used in small live sound setups due to its straightforward analog design and 6-channel input capacity.
What makes the Boss KM-60 mixer unique compared to modern mixers?: The Boss KM-60 offers a vintage analog sound characteristic of the 1970s, with solid-state electronics that provide a warm, classic tone not typically found in modern digital mixers.
Does the Boss KM-60 mixer have built-in effects or EQ?: The Boss KM-60 does not include built-in effects or EQ, focusing instead on straightforward mixing capabilities with its solid-state analog design.

Videos

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Alex Ball

Processing Drum Machines with a 70s Boss KM-60 Mixer

Alex Ball

606 clone Behringer RD-6 + Boss KM-60 Mixer Distortion Test | Riemann Studio Trick 007

Riemann Kollektion

Boss Km 60 Demo

JrOrlow

Boss Roland KM60 KM-60 mixer - Reverb.com sale

StudioSoba

Boss KM 60 Mixer fs on ebay

JrOrlow

Reviews

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PROS

Retro, vintage mixer with unique visual appeal
Distinct step up in sound quality from similar era mixers
Durable build, described as "built like a tank"
Features like simple high and low shelves enhance sound customization
Independent output volumes offer flexible control
Excels when overloaded, producing a unique fuzzy vibe
Backlit VU-meters for easy visual monitoring
Versatile use with instruments beyond its original Roland Synth design
Capability to create submixes of live performances without quality loss
Warm characteristics and distortion achievable through overdrive

CONS

Independent output volumes can be problematic if not managed carefully
Limited to six channels, which may not suffice for larger setups
Specific sound characteristics may not suit all music styles

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Boss KM-60.

Comparisons

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The Boss BX series, including BX-8 and BX-16, are noted for their ability to add a dirty texture to sound, particularly favored for electronic music applications.
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The KM-60 is compared to the CR1202 and BX series, with owners noting its superior sound quality but potential sub-bass cut issue.
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User experience

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Owners report the KM series excels when used with synths, while the BX series is preferred for drum processing, offering distinct tonal qualities.
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Value and pricing

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In Australia, a KM-60 with missing buttons and noisy pots can cost around $650, highlighting regional price discrepancies and scarcity.
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Use cases and applications

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The KM-60 is praised for enriching synthesizer tones, whereas the BX series effectively adds grit to drum sounds, enhancing electronic music production.
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KM-60 is preferred for single-channel overdrive applications rather than full mixing, valued for unique coloration.
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0 0

Octatrack users seek submixers like KM-60 for aesthetic unity in synth coloration, disliking Octatrack's specific color and effects.
Source

Other

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The BX series is often used as an effect to add a distinct character to sounds when integrated with larger mixing setups, such as Midas mixers.
Source

Features and functionality

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The KM-60's send level per channel is queried, indicating user interest in its precise channel output specifications.
Source

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4.5 out of 5

Based on 3 Reviews and 8 Ratings

5 star

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jimmarchi1

40997

almost 6 years ago

pretty good for what it is

6 channel line level 'keyboard mixer'... had oen of these as a kid to replace a similar knob laden 4 channel radioshack mixer in the early to mid 90s. Purchased for like $40 from barracks trading post on street road just north of the philly line (no 1% city sales tax). I remember this being a distinct step up in sound quality from a realistic mixer LOL.... the pots were nice, you had simple high and low shelves that sounded okay and those big 70s VUs were very helpful. I actually used this to make little submixes of live performances onto 2 tracks of a 4 track to avoid having to bounce and degrade quality. So I would get 6 channels of music sounding good to me, maybe ram into a symmetrix or dbx stereo compressor to smooth out the spikes and then tell the live musicians to do a take and hope everything worked. Or I would have midi going which was easier. At that point I had 2 channels for out front stuff with zero tape generation degradation. But you had to commit. This is what it'll be, print it. I think commonly I would have DI bass guitar, a drum machine and then the other channels were wildcards. The independent output volumes per side could a be a blessing or curse. The straight sound is good, but it excels at being overloaded where it ha more of a fuzzy fibe than anything like this form the late 80s or 90s. Not a hard clip sound really. I really wonder what happened to this.

Also, I always thought it was a KM-6B, that's how it looked to me at the time.

Roles:

Guitarist Bassist Keyboardist

Genres:

Electronic Orchestra Alternative rock

kugupu

1294

about 10 years ago

Love this Roland/Boss vintage mixer

This is a very rare and cool looking 6-channel vintage mixer (build in the late 70’s in Japan) with level, treble, bass, effect level, pan and 3-stage input attenuator per channel. In the master section you will find the master and the effect return controls for the left and right channels. Also the monitor output control, the switch for low cut filter on/off and power on/off and, not to forget, these two coll looking backlid VU-meters are there. It is build like a tank as many gear off these old times. The size is 19" x 3,7" x 10,8" and has a weight of aprox. 4,7kg. I used it a lot for summing drum machines, samplers and synths with the benefit to overdrive it, to get the warm characteristics and distortion out of this wonderful piece of gear..."