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Average Price: $1,109

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Description

Discover the perfect blend of vintage charm and modern engineering with the Extinct Audio 'Black Ops' Ribbon Microphone. This microphone is a testament to meticulous craftsmanship, offering a distinct midrange character that sets it apart in the world of studio recording gear. Ideal for both professional and home studios, the Black Ops delivers a warm, natural sound that captures the essence of every performance with stunning clarity. Its muted proximity effect ensures that vocals and instruments are recorded with fidelity and precision, making it a versatile tool for any recording scenario.

The Black Ops is housed in a robust, aesthetically pleasing body, and comes with a hard-tail mount and a wooden box for added protection and style. Whether you're capturing the subtle nuances of a vocal performance or the dynamic range of an instrument, this ribbon microphone excels in delivering exceptional audio quality. Its unique design makes it a must-have for audio engineers and musicians who seek to elevate their recordings with a touch of vintage elegance and modern reliability.

Key Features:

  • Distinct midrange character for unique sound quality
  • Muted proximity effect to enhance audio precision
  • Comes with a hard-tail mount and a wooden box
  • Ideal for vocals and instruments
  • Perfect for professional and home studio use
Adam Steel

Adam Steel

Extinct Audio Black Ops - Review - Hand-made Ribbon mic from the UK

Video thumbnail for Extinct Audio Black Ops - Review - Hand-made Ribbon mic from the UK by Adam Steel

Extinct Audio Black Ops - Review - Hand-made Ribbon mic from the UK

Adam Steel

Adam Steel

Reviews

Critic Reviews

Extinct Audio: BM9 Ribbon Microphone | Tape Op Magazine | Longform candid interviews with music producers and audio engineers covering mixing, mastering, recording and music production.

tapeop.com

Extinct Audio's BM9 ribbon microphone delivers exceptional performance with a rich sound that outshines many competitors, making it a must-try for any serious audio engineer. The build quality and aesthetics impress right out of the box, while the unique "Black Ops" variant is especially effective for high SPLs. However, the included shock mounts leave much to be desired, though improvements are on the way. Overall, these mics are a stellar find at a competitive price, capable of elevating your recordings significantly.

positive

Extinct Audio BMx2 & Black Ops

soundonsound.com

Extinct Audio's 'Black Ops' Ribbon Microphone showcases impressive engineering and a robust design, making it a reliable option for close miking in loud environments. Its thicker ribbon material enhances durability, and it effectively captures vocals and instruments with a classic ribbon sound. However, while it excels in sound quality, the accompanying Fenrir mount, though beautifully designed, falls short in vibration isolation compared to traditional elastic suspensions. Overall, the 'Black Ops' holds its own in the competitive ribbon mic market, but potential buyers should weigh the mount's limitations against its remarkable audio performance.

positive

5.0 out of 5

Based on 1 Review and 1 Rating

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jim_garrison

A true modern successor of the B&O BM3, and BM4.

For those who have no idea about the B&O microphones from the '50s this microphone will remind them of the Royer R121. Yes indeed, they are similar because both of them are based on old B&O BM3, and BM4 microphones but that's where the similarity ends.

Here's a thing about the Royer R121. It not only requires lesser gain than the B&O microphones, but it also solved the issue pertaining to the proximity effect on the B&O microphones. This made it a far more suitable microphone for close miking than the B&O microphones, but in doing so it lost a lot of things that made those B&O microphones great. First was the mid-range, although the Royer R121 retained the clarity in the mid-range just like the B&O, it lost the three dimensional feel of the B&O microphone. The next thing is the high end, for some reason the high end of the R121 lost the clarity and extension that the B&O microphones used to possess and it became harsher. The third thing is the low end, although I do agree that B&O microphones were more prone to proximity effect, nevertheless they had a very clean low end response, unfortunately the low end response of the R121 is rather choppy and hollow.

So, this is where the Extinct Audio 'Black Ops' shines. It combines the best qualities of the old B&O ribbon microphones with the modern functionality of Royer R121. It perfectly preserves the clear and three dimensional sounding mid-range of the old B&O ribbon microphones. It high end is as clean, and extended as the old B&O microphones. As of its low end, it's as clean as the old B&O ribbon microphones. However, at the same time just like the Royer R121 it ain't prone to the proximity effect and it too requires less gain to drive than the old B&O microphones. I ain't sure how the guys at Extinct Audio have done it, but the Black Ops avoids proximity effect without being choppy and hollow in the low end.

This microphone is everything that the Royer R121 should have been, and by all means a far better successor to the old B&O ribbon microphones than the Royer R121. If you're looking for a Royer R121 alternative then don't even think twice, get this microphone. As for all B&O BeoMic fans out there who want a modern take on their favorite microphone, this microphone is made far y'all folks.

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