Line 6 Echo Farm is included in the "Software Effects" list.

Mike Shinoda uses this item as an echo effect in his productions.

In this interview, Steven Wilson says, "I also use Focusrite's D3 compressor, the Bomb Factory one, and [Line 6's] Echo Farm for old?style tape delay type effects, which are transparent and warm in the mix."

Used on the vocals for "Take Me to Church", as stated by mix engineer Rob Kirwan in this March 2015 Sound on Sound interview.

• Vocals: Bomb Factory 1176, Focusrite Red EQ, SoundToys Echo Boy, Line 6 Echo Farm, Knas Ekdahl Moisturizer, Waves Renaissance Compressor, Avid Trim & Audio Ease Altiverb.

“The two ‘tele’ voices at the top are backing vocals. I think they were ‘oohs’ and ‘aahs’ that came from the demo. They don’t sound like telephone voices at all, so I’m not sure why they’re called that. Instead they almost sound like church voices. Below are two aux tracks for those vocals, with Bomb Factory compression, Focusrite EQ and an Echo Boy delay. The backing vocals below that — ‘BV1–4’ — are the ones with the signature Leslie effect on them, and they again have some Focusrite EQ and Bomb Factory compression, and I gave them some Echo Farm slap delay to add depth to the reverb.

“The next tracks are the verse lead vocals from his Logic session, called ‘Male Creamy Lead Vocals’, on which I put some Renaissance compression and a Trim, and ‘Vox Verb’ is the Moisturizer track, plus two Trim plug–ins, one being +1dB and the other –0.5dB. I hate automating in Pro Tools, so I will often use the Trim to bypass it. Writing automation is a tedious task. Below this are the chorus vocals, called ‘New Vocal’, so we obviously recorded these again at my studio. In order to make them sound like the demo vocal I stuck them through the same chain and EQ’d them heavily. ‘Vox Plate’ is the Altiverb, and there’s a delay track below it which again has the Echo Farm, on a delay setting. Finally there are several more double–tracked chorus vocals, and they also have the Renaissance and Focusrite, and the Moisturizer and Echo Farm aux tracks below them.”

Benny says at the bottom of the article "My go-to plug-ins? There are tons of them. The Sound Toys stuff is probably my favourite. I love the Decapitator, I love Echo Boy and I love [Line 6] Echo Farm"

@ 5min 10sec roughly

Used on Flo Rida and T-Pain's vocals for "Low", as stated by mixer Fabian Marasciullo in this Sound on Sound interview.

"For space around the vocals I used the Digidesign Revibe, and the Echo Farm delay and Waves S1 Imager on the Aux tracks called '1/4', '1/8', 'Tape1/4' and 'Tape 1/8'. Oh, and there was a Metaflanger spread on the 'Spread' aux track, affecting the hook. The '1/4' denotes quarter–note delay and '1/8' eighth–note delay, using the Echo Farm. I use that a lot. It's cool because it simulates tape delay and it gives this kind of old Beatle–esque delay. Basically, '1/4' and '1/8' are the clean–sounding delays, and 'Tape 1/4' and 'Tape 1/8' are dirty–sounding delays. I put the S1 Stereo Imager straight after the Echo Farm, to get the delay just a little bit out of phase, so you're feeling it more than hearing it. I do this pretty much on every record that I do.

Used on Flo Rida and T-Pain's vocals for "Low", as stated by mixer Fabian Marasciullo in this Sound on Sound interview.

"For space around the vocals I used the Digidesign Revibe, and the Echo Farm delay and Waves S1 Imager on the Aux tracks called '1/4', '1/8', 'Tape1/4' and 'Tape 1/8'. Oh, and there was a Metaflanger spread on the 'Spread' aux track, affecting the hook. The '1/4' denotes quarter–note delay and '1/8' eighth–note delay, using the Echo Farm. I use that a lot. It's cool because it simulates tape delay and it gives this kind of old Beatle–esque delay. Basically, '1/4' and '1/8' are the clean–sounding delays, and 'Tape 1/4' and 'Tape 1/8' are dirty–sounding delays. I put the S1 Stereo Imager straight after the Echo Farm, to get the delay just a little bit out of phase, so you're feeling it more than hearing it. I do this pretty much on every record that I do.