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Description
The Memphis A2-TR solid body electric guitar is designed for musicians who crave versatility and reliability. Perfect for both stage and studio settings, this guitar combines classic styling with modern performance features. The dual humbucker pickups provide a rich, full-bodied sound that can easily handle anything from bluesy riffs to high-gain rock solos. Its sleek, contoured body ensures comfort during long play sessions, while the maple neck with a rosewood fingerboard offers smooth playability and quick response.
Crafted with a solid alder body, the Memphis A2-TR delivers a balanced tone with enhanced resonance, making it an ideal choice for players of all styles. The 22-fret neck, adorned with dot inlays, provides a traditional aesthetic with a modern edge. A 3-way pickup selector switch allows you to easily toggle between pickups, offering a wide range of tonal possibilities. The guitar also features a fixed bridge for increased tuning stability and sustain.
Whether you're a beginner looking to step up your game or a seasoned guitarist in need of a reliable workhorse, the Memphis A2-TR is a solid choice that won't disappoint. Its combination of quality craftsmanship and versatile sound makes it a standout in its class.
Key Features:
- Solid alder body for balanced tone and resonance
- Maple neck with rosewood fingerboard
- Dual humbucker pickups for versatile sound
- 3-way pickup selector switch
- Fixed bridge for enhanced tuning stability
- 22-fret neck with dot inlays
Reviews
2.5 out of 5
Based on 2 Reviews and 3 Ratings
2937
Great Tone, not so Great Setup......
I picked this one up for $45.00 in early 2016 as an "office guitar" - it has since been used for parts and to create a functional yet decorative addition to a friend's livingroom. But here's my thoughts on the Memphis A-2TR.
Memphis is a Korean, Samick built guitar, and a badge for an Illinois music store. They made guitars from the late 1970's till the late 1980's. The A-2 is one of the lowest end models they had made. This version is an update on the original A-2 - which was a shortscale guitar int he Harmony H-802/Mahar vein - with practically 60's Teisco hardware and a Bill Lawrence style humbucker jammed in the middle - this guitar improves on it by using a Stratocaster block-less tremolo unit and one of the excellent DiMarzio humbucker clones that Memphis started putting in their guitars in the early 1980's.
The TR Designation means "Tremolo". This guitar takes the original A-2 shape, removes the pickguard and outdated Teisco hardware, and outdated 60's style neck, and replaces it with a rather mid-80's Washuburn like 21 fret Mahogany neck with a rosewood fretboard and black binding (hidden under red, black, or metallic blue paint), mated to a Plywood mini-Super-Strat style body routed for a through body "C" plate Strat style trem, with a DiMarzio super-distortion style humbucker in the bridge rating in at around 12K, 1 Volume, 1 Tone, top mounted input jack, and a set of budget tuners at the headstock. It's a rather simple, but effective guitar.
Sonically this guitar is very close to an old Fender shortscale with a humbucker at the bridge - like a Mustang or Duo-Sonic. Clean evokes very Nirvana-esque tones, and distorted is very thick and grungy. The Vibrato stays in tune excellently, thanks to a fairly decent set of inexpensive machine heads and a rather well done nut and so on.
Where this guitar falls short is the action adjustment. First off, it falls prey to the Memphis curse of a fretboard that was not properly leveled at the factory, making for much fret-leveling off the bat to get any sort of decent action out of it.
Another problem is the neck slot was cut too deep, causing the heel to sink too deep into the body, and causing the guitar to have high action even with the bridge saddles "decked" to the bridgeplate. This is not good, this means you NEED a shim to get a good setup out of it once you get the fret situation sorted out.
And speaking of action adjustment, the screws on the bridge are odd - rather than the usual Allen key screws used on most Strat-style bridges, Memphis, for some odd reason, opted for a stratocaster tremolo that uses FLAT HEAD screws that require a Jeweler's or eyeglass screwdriver to adjust the action for each string. The screws are, of course, made of brass and tend to seize up in their holes so adjusting the action is almost undoable after 30 years of gunk got into the threads, as the soft brass wil lbreak splitting the flat-head screws. If you want to fix this problem, you will need to remove those flat head screws via Pliars or any other means necessary, and replace them with metric thread Allen screws like a regular Strat trem.
Another small issue is if you want easy vibrato action on .009's, using 2 springs, you are going to need some strong springs, or you are just going to have to chock it up to issues and use 3, because there is no way to deck the tremolo to the body with .009's without 3 springs - which on a 24" scale guitar where the string tensions are lower, is a bit ridiculous, I think they did not cut the bridge spring cavity long enough for proper adjustment for my type of action.
But outside of that, the issues stop there. The Truss rod is very responsive, so it should not take much.
64
decent
This my first guitar and i got for free from a guy that works with my dad. It definitely not a bad guitar but not a good one either. the strings are too high off the fret board, the construction is fairly poor and the tone is kinda flat sounding, but maybe that just me. the only reason you would want to get this guitar is if its your first and your not sure if you really want to do this.
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