In this video at 3:32 minutes see Trilian Total Bass Module for bass transients

Shoji Meguro is confirmed to use the Spectrasonics Trilian Total Bass Module, as he is seen utilizing it in a live compositional stream for his indie game "Guns Undarkness".

Time for massive upgrade ;)

He has a list of what he uses on the source page. You can clearly see Trilian under his Bass category.

"I'm sleepy as heck right now and am fighting the urge to crawl back into my futon while editing a bass. Hang in there, Trilian!!"

ベース音源なのですが、 実はコレの前のバージョンをG5を使っていた頃使っていました。 Trillogyって音源。

立ち上げるだけでサクっと芯のあるベース音が出て、MIXでそんなに大きく出さなくても、ちゃんとベースとして存在してくれるという。 なんて便利なんだ！

ゴッドハンドやスマブラX作ってた頃のベース音源は、殆どTrillogy使っていました！ 生っぽく聞こえるのも、ほぼコイツです。

で、intelMacに移行後色々あって不自由をしていたのですが、遂に新しいバージョン発売！ 待ってました～。

Spectrasonic TRILIAN

In this blog post, he says he uses Spectrasonics Trilian.

At 1:47 you can see Trillian running on David's laptop.

I consistently use a soft synth made by Spectrasonics called Trilogy. I’d say I create 99% of my subs and basslines from it. They released a new-and-improved version last year called Trillian, which, for me, works even better than Trilogy

It is almost impossible to go a day without hearing the work of Eric Persing. The thousands of original sounds he has created are used constantly by top composers, producers, remixers and musicians from all over the world.

Persing is the founder of Spectrasonics, a company specializing in developing World Class software 'virtual instruments' since 1994. He has produced dozens of the sampling industry's top selling titles and gone on to create the award-winning Omnisphere, Keyscape, Stylus RMX, Trilian, Atmosphere and Trilogy software virtual instruments. Eric's ground-breaking instruments and sound libraries are the best selling and most widely used in the world. Spectrasonics products are in constant use on thousands of major film, television, music, game and multimedia productions.

In addition to being the Creative Director of Spectrasonics, Eric was a longtime consultant and the Chief Sound Designer for Roland Corporation Japan from 1984-2005, creating the key sounds for many popular Roland synthesizers, samplers, CD-ROMs, expansion boards, processors and groove devices - from the vintage Jupiter and JX series, to the legendary D-50, D-70, JD-800/990, R8, S-series samplers, JV-880/1080/2080, the Sound Canvas, JP-8000/8080, MC-505/909, The V-Drums, XV-5080, Fantom series, the V-Synth and many more.

As a studio musician, remixer, producer and composer/arranger in Los Angeles, he has also contributed to numerous Grammy award winning albums and Academy award winning film scores, working with an eclectic group of artists including Herbie Hancock, Michael Jackson, Hans Zimmer, Nile Rogers, Knower, Quincy Jones, Danny Elfman, Marcus Miller, Sergio Mendes, Luther Vandross, James Newton-Howard, Chaka Khan, Eddie Jobson, Michel Colombier, Diana Ross, Arif Mardin, Mezzoforte, Ellis Hall, Bette Midler, Roby Duke, Deniece Williams, The Katinas, Larry Carlton, Sandi Patti, Leonard Cohen, Bon Jovi, Richard Souther, Randy Newman and Celine Dion, amongst many others.

Eric's lifelong love of the creative process is the driving force behind his pursuit of musical excellence.

Can be seen at 0:20 in this video in the open project file of "Sanageyama".

"Right now I use the Stylus RMX for a lot of drums, but also any “cut up” type samples – guitars, anything to be cut up and sequenced in that fabulous format that he’s designed. Omnisphere is a big part of my sound as well as Trilian. Those three give a very solid background, a very flexible group of instruments."