Owners compare the Status Series II to Steinberger, noting it maintains a traditional bass look with a headless design, unlike the more unconventional Steinberger.

Status graphite basses are compared to Modulus basses, with users suggesting that personal preference plays a significant role in choosing between them.

It's mentioned that the Status Series II plays, sounds, and balances better than a Jaydee Supernatural, Westone Thunder II, and Epiphone T-bird IV.

Enthusiasts appreciate the modern aesthetic of the Status Series II despite its 1980s origin, highlighting its timeless design appeal.

One owner expresses a strong preference for the Status Series II's body shape, noting it's a favorite among all designs, and compares it positively to more niche models like the Entwhistle Buzzard.

A 1994 Status Trace Elliot T-bass with a flamed maple top and tortoise pickguard is highly valued, though production numbers vary from 50 to 1500 units.

A 5-string Status bass with a wooden neck (potentially Series II) is praised, with aspirations for combining a Jazz bass body with a Status graphite neck.

Players note that graphite necks offer a unique feel that may require adjustment, but they maintain consistent playability across varying climates.

Some players prefer the feel of traditional wooden necks over graphite, despite the latter's practical advantages in stability and tuning.

Chris Wolstenholme of Muse uses Status basses live, indicating their suitability for professional-level performances and a wide range of musical genres.

Status graphite necks are praised for their weather resistance and consistent tuning, making them ideal for touring musicians.