Geddy began using the Steinberger L2 during the Signals tour in 1982 and used it until he purchased an XL2 (improved version of the L2, scroll down for more) around 1985. Grace Under Pressure was recorded using the L2. He used it in the music videos for Mystic Rhythms and Distant Early Warning.

From a 1984 issue of Guitar World magazine: “I like the Steinberger a lot. I started using it just before the Signals tour, somebody said ‘try this’ and it sounded great. It’s got quite a different sound from my other bass-the bottom end is really rich, deep, it almost has a synthesized bottom end. It doesn’t sound like it should sound going by the theory that big-bodied basses have a deep, resonant sound. This has got a little plastic body with a battery in the back and the bottom end sounds rich as hell. It doesn’t sound natural, but it sounds real interesting. On some of the new songs I like the punch of the Steinberger but on some of the older things like ‘Digital Man‘ I still use the Rickenbacker. I still love the Rickenbacker and I’m actually more comfortable on it. I sort of feel obligated in a way to represent its sound on the songs that were written around it. It’s kind of nice to switch back and forth.”

Sting can be seen on the cover of guitar world magazine holding his Steinberger L2.

At 1:08 in the video, it is seen clearly that John was playing a Steinberger L2 bass (which surprised be because I never thought he used them). It only appears he used it in a few songs on the "Face Dances" album (1981), the song above "Don't Let Go The Coat" being one of them.

In this video we can se Mike playing a fretless Steinberger L2 bass, recording "Second Home by the Sea".

The picture shows John Taylor playing the item on stage.

In this video (2:30) he mentions that in 1984 one of his main basses was a Steinberger.

Pratt's L2 was stolen in the 1990's and has never been found. It's serial number was 712.

In this photo, Benjamin is shown using his Steinberger L2 bass. He purchased it in 1982 (after the devastating apartment fire that destroyed much of his gear, including his silver StingRay, Ibanez Rocket Roll V, Vox basses,etc.), and used it on and off throughout the rest of his life.

Here we can see Zeta playing a Steinberger, back in 2007

Smith purchased the bass in September of 1982 with the intent of exclusively using it for live performances, but it ended up being used in the studio for their first album The Hurting and second album Songs From The Big Chair.

In an over the phone interview with Tony Bacon in 1984 Smith said, "We had trouble getting a bass sound on the album and I went through a few basses, a Yamaha BB1200, an Aria Pro, and an Alembic, but we still had trouble getting a roundness and a depth. The Alembic was the best of those, but still wasn't smooth enough. I use the Steinberger all the time now. I'm going to get another bass for studio work but I wouldn't want to use anything other than the Steinberger for live."

After the conclusion of the Big Chair Tour in 1985 it is alleged he gave the bass to their monitor engineer.

He has not used a Steinberger since and the whereabouts of the bass are unknown.

According to Wikivisually, Jean-Jacques Burnel has used the Steinberger L2 bass guitar.

In a photo from the Forecastle Festival, Gerald Casale is pictured playing a Steinberger L2 bass guitar.

In this YouTube video at 15:41, Yamane can be seen using the Steinberger L2.