Right at the start of this video, of Arctic Monkeys performing "505," Alex Turner can be seen using a Vox Continental Organ.

This November 1965 photo shows Paul McCartney playing a Vox Continental as the Beatles rehearse at Donmar Rehearsal Theatre in London for their upcoming UK tour.

In the YouTube video "Dan Auerbach - The Prowl," Dan Auerbach can be seen using a Vox Continental organ.

John Lennon commonly played the Vox Continental organ during the Beatles' raucous set closer "I'm Down."

In 2008, the Vox Continental used by John Lennon at the historic 1965 Shea Stadium concert and the Beatles' August 13, 1965 appearance on The Ed Sullivan Show was auctioned off by Christies for $182,500.

The following comes from the Daily Beatle's article about the organ and the ensuing auction:

In front of a crowd of 55,600, Lennon closed out the most famous concert in history with a frenzied rendition of “I’m Down” in which he wildly pounded on the offered keyboard, resulting in the organ not working properly for the next show in Toronto on August 17.

The next day in Atlanta, the organ was traded in for a functioning Vox Continental organ from the Thomas Organ Center – The Vox Shoppe, the exchange being completed by a local Atlanta policeman. At the concert in Atlanta they had a rare opportunity to hear the organ in concert, as the stage was equipped with something of a rarity for the Beatles in those days, monitor speakers!

It was done especially for The Beatles. FB ‘Duke’ Mewborn, the boss of Atlanta hi-fi store Baker Audio, decided to give the group something that had never been done before: monitor speakers on the stage, pointing towards the group, to allow them to hear their voices and instruments.

“It was adequate. We got over it, we were on top of it. You could hear them amidst the screaming,” commented Mewborn.

It wasn’t just on stage that the sound was different. The state-of-the-art setup on the field included four Altec 1570 amplifiers, each giving 175 watts of sound, which in turn powered two stacks of Altec A7 speakers. Although unremarkable today, in 1965 it was an unheard of amount of power for a pop concert. The difference was noted from the stage, with Paul McCartney exclaiming after “She’s A Woman”: “It’s loud, isn’t it? Great!”

Being able to hear themselves enabled The Beatles to play tighter than usual, and they were delighted with the results. Afterwards, Brian Epstein suggested that Mewborn deal with the sound for their other shows, but the offer was turned down.

The organ remained in the possession of the owner of The Vox Shoppe in Atlanta for nearly four decades.

The organ itself is distinguished by a non-standard Vox Continental logo adhered to the front of the case, which is clearly visible in pictures and film from the event and from the set of The Ed Sullivan Show two days prior.

Before auctioning away the organ in 2008 at Christies’s Punk/Rock auction at New York’s Rockefeller Plaza for $182,500, the original organ was repaired, keeping all the original parts (which were in pristine condition) and was fully functional at the time of the auction.

Prior to the auction, the organ was featured in exhibitions at the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio, The Beatles Story in Liverpool, and “John Lennon Unfinished Music” at Cite de la Musique in Paris.

Additional photos of John at the Continental can be viewed here, here, and here.

In this 1969 photo of his Twickenham home studio, a Vox Continental organ is visible to the left. A full studio gear breakdown can be found here.

In the photo, Julian Casablancas is seen with a Vox Jaguar organ, identifiable by its distinctive white base keys and switches, often mistaken for a Vox Continental. Further details can be found in the full article here.

Seen in this Vox advert, and also mentioned in the Rolling Stones Gear book by Andy Babuick.

This photo shows Manzarek with a Vox Continental organ during a Doors concert at the London Fog in 1966. This was the organ Ray Manzarek played in the early years of the band. It can be head on every song from the band's eponymous debut album, as well as several later hits such as "People Are Strange," "When the Music's Over," "Peace Frog," and "Love Her Madly." Manzarek started touring with a Gibson G-101 (Kalamazoo) around August/September 1967, though the Continental made a few more appearances such as on the PBS Critique in April 1969 and at the Aquarius Theater in July 1969.

Ray described his use of the Vox Continental and his subsequent switch to the Gibson G-101 in a 2008 interview with Modern Keyboard:

The very first piano, or the first electric keyboard, I used was a Wurlitzer. We didn’t really play a lot of gigs with it, so it didn’t really count. Then we got a deal with Columbia Records; and Columbia owned Vox. Billy James [the Columbia A&R man who, in 1966, signed the Doors to a contract that ultimately produced no records] said, “Do you guys need any equipment?” We said, “Oh God, yes.” [laughs] He said, “We own Vox.” I said, “Vox…VOX. Oh my God, I can get a Vox organ like the Dave Clark Five. Yes I need an organ.” So we went out to Vox and I got an organ and an amp. I couldn’t believe it. It was free.

I played a Vox Continental for the first half of the Doors’ career. Until Columbia sold Vox to an Italian company. Vox was an English firm originally. And the Italian Vox Continentals just didn’t hold up. They started falling apart. Even the old ones I used to have to replace every six months. I would break them just by playing too hard. The keys would start to stick and I would fuse everything. So I’d have to throw it out, get a new one. Once every six months wasn’t bad. But once Vox was sold to the Italians, it was like once a month, once every other week.

I said, “Well that’s it. I can’t use these anymore. I’ve got to get something else. What else is there?” There was the Farfisa and there was the Gibson Kalamazoo. Now I would have gotten the Farfisa, except the top was rounded and I couldn’t put the Fender Rhodes bass on it. I needed something with a flat top. And the Gibson Kalamazoo was the only one that had a flat top. So that’s what I used—a Kalamazoo—for the rest of the time.

In this photo, Elton John can be seen playing a Vox Continental with his original band Bluesology in 1966 as they opened up for Manfred Mann at the Marquee Club in London.

In this photo, Lord can be seen playing a Vox Continental on The Dating Game (a U.S. television show) in October 1968.

This photo shows Cale playing a Vox Continental Organ. According to this website, John Cale used this organ on Sun Blindness Music and the White Light/White Heat albums.

The Vox Continental organ is listed among Tim Gane's equipment in Stereolab's live and studio setups, as detailed in the 2004 UHF Stereolab Unofficial Historical File on Koly.