Ed Cherney

Music producer Ed Cherney uses the ATC Loudspeakers SCM25A Pro for mixing, as confirmed in this article by Lone Mountain Audio.

Music producer Ed Cherney uses the ATC Loudspeakers SCM50ASL Pro, as confirmed in this article by Lone Mountain Audio.

We could turn them up loud, and the low end was defined, the midrange was smooth and silky, and the high end was sweet. The sound was thrilling; it could wash over me and punch me in the chest. These were the first mid-size speakers that could give me the experience of the soffit-mounted loudspeakers that the big studios have.

According to his artist page on the official Lexicon Pro website, music producer Ed Cherney uses the Lexicon PCM96 Stereo Reverb Effects Processor.

The PCM96 is definitely my new ‘go to’ reverb.

Music producer Ed Cherney uses the ATC Loudspeakers SCM45A Pro Studio Monitor, as reported by Trans Audio Group.

When everybody comes back into the control room to have a listen to what we just played and recorded, always is the moment of truth for me. I want to knock their socks off. If they ask to hear the playback again, and want me to turn it up, that’s usually a pretty good sign. Even with veteran musicians like these, if they can hear that they sound and feel great, it can contribute to inspiring a phenomenal performance. Playback on the ATCs helped a lot with that. And do you know how you know that you’ve got it? When they want to hear it again!

In an interview on Bobby Owsinski's Music Production Blog titled "Thank You, Ed Cherney - Part 2," it is confirmed that Ed Cherney used the Audio-Technica ATM25 microphone for recording toms.

In an interview on Bobby Owsinski's Music Production Blog titled "Thank You, Ed Cherney - Part 2," it is confirmed that Ed Cherney used the Sennheiser 421 microphone "fairly close for snap."

In an interview on Bobby Owsinski's Music Production Blog titled "Thank You, Ed Cherney - Part 2," it is confirmed that Ed Cherney used the ADK Microphones Custom Shop Berlin 47-Au FET Large Diaphragm Multipattern Condenser Microphone "about 2 or 3 feet out."

In an interview on Bobby Owsinski's Music Production Blog titled "Thank You, Ed Cherney - Part 2," it is confirmed that Ed Cherney used the Sennheiser MD 441-U "on the snare bottom."

In an interview on Bobby Owsinski's Music Production Blog titled "Thank You, Ed Cherney - Part 2," it is confirmed that Ed Cherney used the Audio-Technica ATM23HE Hypercardioid Dynamic Instrument Microphone to record the "top" of the snare drum.

In an interview on Bobby Owsinski's Music Production Blog titled "Thank You, Ed Cherney - Part 2," it is confirmed that Ed Cherney used the Brüel & Kjær 4011 Condenser Microphone to record hi-hats.

In an interview on Bobby Owsinski's Music Production Blog titled "Thank You, Ed Cherney - Part 2," it is confirmed that Ed Cherney used the Shure Beta 87.

I’ll put up an 87 in omni about 10 feet in front of the drums and maybe about 6 feet high as a room mic just to have a listen to things to get it going. That’s to start. It doesn’t mean it will end up anything like that, but it will enable me to get things going as quickly as we can.

In an interview on Bobby Owsinski's Music Production Blog titled "Thank You, Ed Cherney - Part 2," it is confirmed that Ed Cherney used the Royer R-121 to record guitar amps.

I’ve been liking those and the musicians I’ve been working with have been liking them too. It’s pretty much just put the fader up and they capture what’s going on with the amp. They’ve got a very sweet character.

In an interview on Bobby Owsinski's Music Production Blog titled "Thank You, Ed Cherney - Part 2," it is confirmed that Ed Cherney used the AMS Neve 1073.

I’m still using as much Class A as I can. I’ve got a bunch of 1073’s that I use in critical situations

In an interview on Bobby Owsinski's Music Production Blog titled "Thank You, Ed Cherney - Part 2," it is confirmed that Ed Cherney used the Solid State Logic XL 9000K.

I’ve used the pres on an [SSL] 9K and was really surprised how good they sounded.

In an interview on Bobby Owsinski's Music Production Blog titled "Thank You, Ed Cherney - Part 2," it is confirmed that Ed Cherney used the Groove Tubes The Brick Tube Mic Pre / DI.

In an interview on Bobby Owsinski's Music Production Blog titled "Thank You, Ed Cherney - Part 2," it is confirmed that Ed Cherney used the Electro-Voice RE20.

For rock vocals I’ll use dynamic mics a lot of times like an RE-20

In an interview on Bobby Owsinski's Music Production Blog titled "Thank You, Ed Cherney - Part 2," it is confirmed that Ed Cherney used the Shure SM7.

For rock vocals I’ll use dynamic mics a lot of times like an RE-20 or SM-7.

In an interview on Bobby Owsinski's Music Production Blog titled "Thank You, Ed Cherney - Part 2," it is confirmed that Ed Cherney used the AKG C12.

A lot of times a C-12 sounds good for a female voice. Jagger loves it too.

In an interview on Bobby Owsinski's Music Production Blog titled "Thank You, Ed Cherney - Part 2," it is confirmed that Ed Cherney used the Audio-Technica AT4050.

I’ve used the Audio Technica 4050 and I kinda like that. That’s a pretty good place to start.

In a YouTube video titled "Ed Cherney: GRAMMY & TEC Award-Winning Producer/Engineer - Warren Huart: Produce Like A Pro," Ed Cherney confirms at the 27:27 mark that he uses the Yamaha NS10 Studio Monitor.

In a YouTube video titled "Ed Cherney: GRAMMY & TEC Award-Winning Producer/Engineer - Warren Huart: Produce Like A Pro," Ed Cherney confirms at the 37:33 mark that he uses the Yamaha DM2000 VCM Digital Mixing Console. He notes that it serves as a brilliant control surface for Pro Tools via a digital connection, allowing him to perform automation with real faders.

I actually love this thing. This console is just brilliant.

In a YouTube video titled "Ed Cherney: GRAMMY & TEC Award-Winning Producer/Engineer - Warren Huart: Produce Like A Pro," Ed Cherney confirms at the 35:22 mark that he uses the Softube Tube-Tech SMC 2B.

In a YouTube video titled "Ed Cherney: GRAMMY & TEC Award-Winning Producer/Engineer - Warren Huart: Produce Like A Pro," Ed Cherney confirms at the 35:35 mark that he uses the NTI EQ3. Visual confirmation is present at 37:04.

In a YouTube video titled "Ed Cherney: GRAMMY & TEC Award-Winning Producer/Engineer - Warren Huart: Produce Like A Pro," Ed Cherney confirms at the 37:07 mark that he uses the Solid State Logic G Series Compressor.

In a YouTube video titled "Ed Cherney: GRAMMY & TEC Award-Winning Producer/Engineer - Warren Huart: Produce Like A Pro," Ed Cherney confirms at the 39:48 mark that he uses the Publison Infermal Machine IM90.

I use it like a dark delay. It's just perfect. It sounds like a tape delay.

According to his artist page on the official KRK website, music producer Ed Cherney used the KRK V4 V Series 2-Way 4" Active Studio Monitors (Pair).

According to his artist page on the official KRK website, music producer Ed Cherney used the KRK Expose E8 2-Way 8" Active Studio Monitors (Pair).

With KRK Expose I was looking for a pair of speakers that were consistent; it was a speaker I just bonded with right away.

According to his artist page on the official KRK website, music producer Ed Cherney used the KRK V6 Series 4 2-Way 6.5" Active Studio Monitors (Pair).

According to his artist page on the official KRK website, music producer Ed Cherney used the KRK V8 Series 4 monitor speakers.