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Brüel & Kjær 4011 Condenser Microphone

$1,690.00 to $2,285.00 Price Tier: High-end

This product is Vintage or Discontinued

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Page last updated Jul 01, 2026

Pricing and availability

We compare 600+ stores and found this item at 5 stores. Prices updated May 29, 2026.

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5.0 (5)

$2,285.00

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5.0 (2)

$2,285.00

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$2,285.00

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5.0 (7)

$1,690.00

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5.0 (1)

$2,285.00

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Average Price: $2,186

High-end/Boutique

$100

$401+

Price Tier

In the Condenser Microphones category, Brüel & Kjær 4011 Condenser Microphone is priced in the High-end/Boutique range. This premium gear is built to very high standards and offers premium features.

Budget

Standard

High-end

Price History

Based on price data from 5 merchants for "Brüel & Kjær 4011 Condenser Microphone". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.

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Description

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The Brüel & Kjær 4011 Condenser Microphone is a versatile tool designed to capture the true essence of your sound. Whether you're in the studio or on stage, this small diaphragm condenser microphone promises to deliver pristine audio reproduction. Its cardioid polar pattern excels in isolating the sound source while minimizing ambient noise, making it ideal for acoustic instruments, vocals, and as an overhead for drums.

A standout feature of the 4011 is its ability to handle high sound pressure levels up to 159 dB, ensuring clarity even in the most dynamic performances. The switchable 20 dB pad further enhances its versatility, providing added headroom and reducing distortion during intense recording sessions. Expect detailed and natural sound with a frequency range from 20 Hz to 20 kHz, preserving the nuances of each note.

For musicians and producers seeking a reliable and high-quality microphone, the Brüel & Kjær 4011 is a solid choice that offers both interchangeable capsule options and a robust build to withstand the rigors of professional use. Its seamless integration into any audio setup via XLR connection, combined with the requirement of 48V phantom power, ensures compatibility with a wide range of equipment.

Key Features:

Cardioid polar pattern
Frequency range: 20 Hz - 20 kHz
Sensitivity: 10 mV/Pa, -40 dB re 1 V/Pa
Impedance: 200 Ohm
Maximum SPL: 159 dB
Switchable -20 dB pad
Requires 48V phantom power
XLR connectivity

Product specs

Microphone Type	Condenser
Polar Pattern	Cardioid
Frequency Response	20Hz-20kHz
Max SPL	139dB
Output Impedance	200 ohms
Signal to Noise Ratio	76dB (A weighted)
Self Noise	18dB (A weighted)
Pads	-20dB
Connector	XLR
Weight	0.3 lbs.

FAQs

What is the polar pattern of the Brüel & Kjær 4011 Condenser Microphone?: The Brüel & Kjær 4011 Condenser Microphone features a cardioid polar pattern, which is ideal for capturing sound from the front while minimizing ambient noise from the sides and rear.
What is the frequency response range of the DPA 4011A Cardioid Microphone?: The frequency response of the DPA 4011A Cardioid Microphone ranges from 20Hz to 20kHz, providing a full spectrum capture suitable for a wide variety of recording applications.
Is the DPA Microphones 4011A suitable for high SPL environments?: Yes, the DPA Microphones 4011A can handle a maximum sound pressure level (SPL) of 139dB, making it suitable for recording loud sources such as drums and amplified instruments.
Does the Brüel & Kjær 4011 require phantom power?: Yes, the Brüel & Kjær 4011 Condenser Microphone requires 48V phantom power to operate, as is typical for condenser microphones.
How would you describe the sound signature of the DPA 4011A Cardioid Microphone?: The DPA 4011A Cardioid Microphone is renowned for its neutral and accurate sound reproduction, with extremely low distortion, making it ideal for both studio and live applications.

Reviews

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PROS

Exceptional clarity and transient detail for accurate sound reproduction
Outstanding off-axis response minimizes phasey-destructive bleed
Captures full spectrum including low end with high fidelity
Versatile use across various instruments and genres
Ideal for acoustic instruments with 3D natural sound
Reliable for both studio and live sound applications
Maintains true frequency response at all dynamic levels
High-quality construction for long-term use
Minimal need for post-processing with natural sound capture
Handles high SPL, suitable for percussion and vocals

CONS

High price point may not suit all budgets

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Bob Dylan

Singer, Guitarist

Traveling Wilburys

Verified via EMusician

Used to record the acoustic guitar on "Someday Baby", as mentioned by sound engineer Chris Shaw in this December 31, 2008 Electronic Musician article.

Bob Dylan won the GRAMMY Award for Best Solo Rock Vocal Performance in 2006 for the song “Someday Baby,” from the Modern Times LP, which itself garnered a GRAMMY for Best Contemporary Folk/American Album. Chris Shaw was looking for a dense, Muddy Waters-like sound for the track. He placed a Neumann KM 84 microphone on the bottom of a snare drum purposely selected for its “crappy” sound, with a Shure Bullet microphone on the top on a stand over the kick drum, and rounded the center of the kit off with a Shure SM57 on the rack tom. Dylan’s Gibson Everly Brothers model acoustic guitar is usually recorded using one B&K 4011 pointed at the 12th fret. The distant-sounding slide guitar, played by Larry Campbell, is mixed hard left and owes its spooky allure to the Neumann U87 room microphones.

Sara Bareilles

Singer, Guitarist

Verified via Photo

"The remainder, Yamaha CP80 electric piano, Mellotron, guitars, backing vocals, were overdubbed at my own studio, Squawkbox. Howard Christopher Willing engineered the NRG sessions, and we recorded the piano with a pair of B&K 4011 mics close on the strings, a pair of Royer ribbon mics in a more classical configuration standing further away, and a Telefunken 251 in between the Royers, standing back a further six inches from them," says Eric Roses, on recording Sara Bareilles, in this article.

Ed Cherney

Singer, Music Producer

Verified via Bobby Owsinski's Music Production Blog

In an interview on Bobby Owsinski's Music Production Blog titled "Thank You, Ed Cherney - Part 2," it is confirmed that Ed Cherney used the Brüel & Kjær 4011 Condenser Microphone to record hi-hats.