Pricing and availability
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Average Price: $240
High-end/Boutique
$75
$201+
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High-end
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Description
The Audio-Technica ATM25 is your dependable partner in capturing rich and detailed sound on stage and in the studio. Designed with versatility in mind, this high-intensity hypercardioid microphone excels in handling the robust demands of kick drums, toms, and other dynamic instruments. Its ability to manage very high SPLs ensures that even the loudest sounds are captured with clarity and precision. The ATM25 doesn't just stop at instrumental prowess; its full-bodied sound makes it a remarkable choice for vocals and dialogue recording, delivering excellent presence and warm low-frequency response.
Crafted with a rugged construction, this microphone is built to last, whether you're touring the world or setting up shop in the studio. Its low-mass diaphragm and wide-range moving coil dynamic design guarantee a responsive and nuanced performance, capable of capturing every sonic detail. The multi-level grille not only enhances durability but also aids in delivering a pristine sound profile.
Whether you're a seasoned professional or just starting out, the ATM25 is a valuable addition to your recording arsenal, offering professional-level features without breaking the bank. Discover the difference it makes in your sound recordings and elevate your auditory experience.
Key Features:
- Ideal for kick drum, toms, and other highly dynamic instruments
- Offers very full sound on close-up vocals and dialogue
- Handles very high SPL at close range
- Big, warm low-frequency response with excellent presence
- Multi-level grille and rugged construction
- Hypercardioid pattern
- Low-mass diaphragm
- Wide-range moving coil dynamic design
Product specs
| Brand | Audio-Technica |
| Model | ATM25 Hypercardioid Dynamic Instrument Microphone |
| Finish | Dark Gray |
| Year | 2000s |
| Made In | Japan |
| Categories | Microphones |
| Electronics | Analog, Passive |
| Microphone Type | Dynamic |
| Polar Pattern | Hypercardioid |
| Wired/Wireless | Wired |
FAQs
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What is the polar pattern of the Audio-Technica ATM25 microphone?
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The Audio-Technica ATM25 microphone features a hypercardioid polar pattern, which is designed to provide excellent off-axis rejection and minimize pickup of unwanted ambient sounds, making it ideal for close instrument miking in live and studio settings.
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Is the Audio-Technica ATM25 suitable for recording drums?
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Yes, the Audio-Technica ATM25 is well-suited for recording drums, particularly for close miking of toms and kick drums, due to its robust build and ability to handle high sound pressure levels.
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What type of microphone is the Audio-Technica ATM25?
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The Audio-Technica ATM25 is a dynamic microphone, which means it is durable, does not require external power, and is capable of handling high sound pressure levels, making it ideal for live and studio instrument applications.
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How does the hypercardioid pattern of the ATM25 affect its performance?
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The hypercardioid pattern of the ATM25 provides focused sound capture with reduced pickup of sounds from the sides and rear, enhancing isolation of the intended sound source, which is particularly useful in noisy environments or when miking multiple instruments.
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Is the Audio-Technica ATM25 a good choice for live performances?
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Yes, the Audio-Technica ATM25 is a good choice for live performances due to its durable construction, ability to handle high sound pressure levels, and hypercardioid pattern that minimizes feedback and background noise.
Videos
Declan White
Kick In Microphone Comparison - Shure Sm7b, Audio Technica ATM25, Shure Beta 91a, Sennheiser e902
Reviews
PROS
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Excels in capturing warm bass tones, ideal for guitar cabs and bass drums
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Versatile, fitting in tighter spaces than competitors like the MD421
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Pleasant high-mid coloration enhances horn sections
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Durable and reliable, suitable for both live and studio settings
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Tight polar pattern, simplifying gate setup for drums
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Built-in swivel mount improves positioning flexibility
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Offers a unique sound character, differentiating it from other dynamic mics
CONS
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Transient response may be sluggish, affecting sharpness on some sources
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Ergonomics could be better, especially cable management with regular XLRs
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Slightly better performance on rack toms than floor toms
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Audio-Technica ATM25.
Build quality
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The ATM25 can endure long-term mishandling and still perform, as evidenced by a unit used in a club for 15 years without degradation in sound quality.
Source
Comparisons
Use cases and applications
Value and pricing
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The ATM25 was re-released as a special anniversary edition, priced around $500, highlighting its perceived value in the market.
Source
4.5 out of 5
Based on 1 Review and 3 Ratings
40997
Not bad at all.
This is a decent tom mic and can work on snare too. It's small, takes a pounding and has a tight polar pattern that makes it easy to setup a gate. Its better on rack than floor. Transient response is sluggish which can be good or bad. It's similar to the longer bodied atm63 so you could probably put it on a guitar speaker. I like that there's a swivel mount built right into it (probably to put it on something that clips to the tom for live use) but wish the XLR wasn't directly opposite the diaphragm. Its okay if you have right angle XLRs around but with regular ones it makes a big cable mess really close to the drum due to the short body. At any rate, the ergonomics could've been thought through better but that's true of lots of dynamic drum mics that were available in sets like this was. A lot of people swear by these little fellas on stage and in the studio. I would take some of these over 57es for tomtoms any day.
Artist usage
Add artist
In this article Mieszko names the microphones used in the album: "Microphones on the cabinet:
Neumann TLM 103 Audiotechnica ATM 25 Sennheiser MD 421"
Used on the toms for Donald Fagen's Morph the Cat, as stated by mix engineer Elliott Scheiner in this August 2006 Sound on Sound interview.
According to Elliott Scheiner, the following mics were used on the Morph The Cat recording sessions.
- Kick drum: AKG D112.
- Snare: SM57 (only on top).
- Hi-hat: Neumann KM81 or 84.
- Toms: Audio-Technica ATM25.
- Overheads: Neumann U67.
- Room mics: Electrovoice RE20.
- Electric guitar: Shure SM57 right on speaker cone.
- Piano: 2x AKG C12 mics, about 12 inches from the strings.
- Trumpet and trombone: Coles ribbon.
- Tenor sax: Neumann U67.
- Baritone sax: Neumann FET47.
In the Video "https://www.youtube.com/watch?v=fSyJWDHI3AI" we can see the Drums of Mila de la Garza get Recorded by some Audio-Technica ATM25. Link: https://youtu.be/fSyJWDHI3AI?t=74 Time: 1:14
Album Usage
The Audio-Technica ATM25 has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Audio-Technica ATM25, it is most commonly used with the following gear.
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