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Average Price: $290

High-end/Boutique

$75

$201+

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Description

Dive into the sonic legacy with the Sennheiser MD 421-U, a dynamic microphone that blends historical acclaim with modern precision. Esteemed for its clear, presence-boosting sound, this mic surpasses the ordinary, making it a staple in studios worldwide. Its versatility is enhanced with a switchable high-pass filter, catering to both music and speech applications effortlessly.

Key Features:

  • Clear and present sound quality, surpassing many dynamic microphones of its era
  • Tight cardioid polar pattern, nearing "supercardioid" at various frequencies
  • Switchable high-pass filter with "M" (music) and "S" (speech) settings
  • Equipped with a 3-pin XLR connector for professional use
  • Compatible with both 3/8" and 5/8" stand mounts, adaptable for different studio setups

Product specs

Brand Sennheiser
Model MD 421-U Cardioid Dynamic Microphone
Finish Black, White
Year 1960s
Made In Germany
Categories Microphones
Electronics Passive
Microphone Type Dynamic
Polar Pattern Cardioid
Wired/Wireless Wired

FAQs

What is the primary use of the Sennheiser MD 421-U microphone?

The Sennheiser MD 421-U is ideal for recording instruments with high sound pressure levels, such as drums and guitar amps, due to its large diaphragm and dynamic element. It also performs well for group vocals and broadcasting.

Does the Sennheiser MD 421-U require phantom power?

No, the Sennheiser MD 421-U is a dynamic microphone and does not require phantom power to operate.

What polar pattern does the Sennheiser MD 421-U have?

The Sennheiser MD 421-U features a cardioid polar pattern, which helps to isolate the sound source and reduce background noise.

Is the Sennheiser MD 421-U suitable for live performances?

Yes, the Sennheiser MD 421-U is well-suited for live performances due to its robust build and ability to handle high sound pressure levels without distortion.

How does the Sennheiser MD 421-U differ from other dynamic microphones?

The Sennheiser MD 421-U is distinguished by its full-bodied cardioid pattern and five-position bass control, allowing for versatile use across various recording and broadcast applications.

Reviews

PROS

  • Excels in capturing mid-range and upper pick attack

  • Versatile for vocals, drums, and guitar

  • Features a 5-position bass roll-off for flexibility

  • Recognized as a widely used professional microphone

  • Delivers a smooth sound across applications

  • Offers a significant improvement over other industry-standard mics for toms

  • Historical significance with use in broadcasting since 1960

  • Still prominently featured in Sennheiser's product line

CONS

  • Mic clip design is problematic

  • Considered to have a low output, requiring a strong preamp

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Sennheiser MD 421-U.

Use cases and applications

  • The MD421-U5 is considered superior for voice-over work, offering a smooth and exceptional performance according to user experience.

    Source
  • The MD 441, often compared with the 421, is highlighted for its specific sound that suits certain vocal styles, adding context to the 421's versatile reputation.

    Source
  • The MD 421 Kompakt's frequency response is suggested to work well for vocals, particularly those with high frequencies, such as screaming.

    Source
  • The MD 421 is praised for its versatility, performing well on vocals and spoken word, as well as traditional applications like toms and guitar amps.

    Source
  • The MKII is praised for producing rocking, grindy overdrive tones on bass cabs, highlighting its effectiveness in achieving aggressive sound profiles.

    Source
  • The MKII's brighter, scooped character makes it ideal for aggressive guitar cabs and toms, while the U5's warmth is suited for vocals and horns.

    Source

Comparisons

  • The Sennheiser Blackfire 541 is noted as a cheaper alternative to the MD 421 with similar sound characteristics, appealing to budget-conscious buyers.

    Source
  • The MD 421 is preferred over the SM7B by some users for vocal applications, highlighting its unique tonal qualities.

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  • The MD 421 Kompakt is noted for its darker tone compared to the 421-II, making it a potential choice for vocals needing warmth.

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  • The original white MD421s are noted for their superior sound quality compared to later versions, though they are deemed too costly for live performances by some users.

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  • Vintage U5 models are praised for their thicker sound and lack of nasal midrange compared to the MKII, which some users describe as having a "weird nasal midrange."

    Source
  • The BF521 model is favored over the MKII for having no high-pass filter to check and a more pleasing sound, especially compared to the latter's increased brightness.

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Features and functionality

  • The clip on the U5 is less sensitive, reducing the risk of accidental detachment compared to other models.

    Source
  • The MKII is noted for its louder output and presence peak, making it seem to have more bass, while the U5 is described as having clearer sound.

    Source

Value and pricing

  • A U5 priced at $200 is considered a good deal if in decent condition, with potential resale profit or personal studio use benefits.

    Source

User experience

  • Owners highlight a lack of iron in the MKII's transformer, which affects its sound compared to the vintage U5's thicker tonality.

    Source

Mods and upgrades

  • Adjusting preamp impedance can help the MKII sound more like the warmer U5, with lower impedance settings recommended for smoothing out dynamics.

    Source

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Artist usage

Add artist
See how Ulrich Wild uses Sennheiser MD 421-U

Ulrich Wild

Music Producer, Audio Engineer

Deftones

...
Verified via YouTube

In this video, Ulrich Wild lists some of the mics he uses, including the Sennheiser MD 421.

See how Alan Wren uses Sennheiser MD 421-U

Alan Wren

Drummer

The Stone Roses

...
Verified

Used for the toms on Second Coming, as mentioned by producer Simon Dawson in the January 14, 1995 Melody Maker interview "Diary of an LP: the Stone Roses' Second Coming, Part One" by Tom Doyle.

"Oh yeah, the same old skins and everything. I don't think he changed a skin in the whole time — they've probably been on there for years. Sometimes we'd use an acoustic tunnel if there was too much ambience, but not very often because we quite liked the live-sounding bass drum. The snare was miked up by a straight Shure SM57, the toms were all Sennheiser 421s, the overheads — which are probably the best overhead mikes I've heard in my life — were Neumann 56s, which are valve pencil mikes. In fact, you get a great kit sound just from the overheads, so we tended to build up the sound of the kit around those. We'd also use a pair of straightforward Neumann U87s and maybe an SM2 valve, either Telefunken or Neumann — it's a stereo mike and we used that sometimes in the corridor that runs along the side of the live room. We'd open the door and record the sound of the corridor as well."

See how Dave Jerden uses Sennheiser MD 421-U

Dave Jerden

Music Producer, Audio Engineer

...
Verified via YouTube

In the YouTube video titled "Engineering tips from Dave Jerden - 1 Minute Mixing Madness Ep. 111" at the 0:40 mark, music producer and audio engineer Dave Jerden confirms his use of the Sennheiser MD 421-U microphone, stating, "Sometimes I add the Sennheiser 421."

See how Ed Cherney uses Sennheiser MD 421-U

Ed Cherney

Singer, Music Producer

...
Verified via Bobby Owsinski's Music Production Blog

In an interview on Bobby Owsinski's Music Production Blog titled "Thank You, Ed Cherney - Part 2," it is confirmed that Ed Cherney used the Sennheiser 421 microphone "fairly close for snap."

Album Usage

The Sennheiser MD 421-U has been featured on the following albums:

Genre Usage

Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.

Used With

Based on how musicians on Equipboard use Sennheiser MD 421-U, it is most commonly used with the following gear.

Shure SM57
Shure SM57 Dynamic Microphones
2
Marshall JCM800 2203
Marshall JCM800 2203 Guitar Amplifier Heads
1
Boss BD-2 Blues Driver
Boss BD-2 Blues Driver Overdrive Effects Pedals
1
Shure Beta 87
Shure Beta 87 Condenser Microphones
1
Audio-Technica AT4050
Audio-Technica AT4050 Condenser Microphones
1
Sennheiser MD 441-U
Sennheiser MD 441-U Dynamic Microphones
1
Royer R-121
Royer R-121 Ribbon Microphones
1
Marshall 1960A 4x12'' Cabinet
Marshall 1960A 4x12'' Cabinet Guitar Amplifier Cabinets
1
Electro-Voice RE20
Electro-Voice RE20 Dynamic Microphones
1

Community setups

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joaoribeiro

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