Josh Wink

"Been getting into Ableton’s Push Controller, my 808"

In this picture, Josh Wink is at Tomorrowlands in Belgium and he posted this picture saying that it is his workstation.

Sometimes I use the actual 303 on my acid tracks. For ‘Selecta’ I used the ABL3 software plug-in. When making acid tracks, I don’t use my hardware, I spend a lot of time with plug-ins to make the virtual 303 sound as authentic as possible.

The Fabric "In The Studio With: Josh Wink" interview shows a photo of a 19" rack containing the S950 below other gear from Roland, Yamaha and Doepfer.

The Fabric "In The Studio With: Josh Wink" interview shows a photo of a 19" rack containing the Super JD alongside other gear from Roland, Yamaha, Doepfer and Akai.

The studio photos at the end of the Mixmag article show close-ups of some gear, including his SH-101 synth.

The studio photos at the end of the Mixmag article show close-ups of some gear, including two Faderfox controllers on the desk.

"Been getting into Ableton’s Push Controller"

"Been getting into Ableton’s Push Controller, my 808, 909"

"Been getting into Ableton’s Push Controller, my 808, 909 and 303’s."

The Fabric "In The Studio With: Josh Wink" interview shows a photo of a 19" rack containing the MAQ 16/3, alongside other gear from Roland, Yamaha and Akai.

The Fabric "In The Studio With: Josh Wink" interview shows a photo of a 19" rack containing the MS-404 above other gear from Roland, Yamaha and Akai.

The Fabric "In The Studio With: Josh Wink" interview shows a photo of a 19" rack containing the MKS-7 alongside other gear from Roland, Yamaha, Doepfer and Akai.

The Fabric "In The Studio With: Josh Wink" interview shows a photo of a 19" rack containing the TX81Z alongside other gear from Roland, Doepfer and Akai.

The studio photos at the end of the Mixmag article show close-ups of some gear, including his Technics turntables and Pioneer mixer.

The studio photos at the end of the Mixmag article show close-ups of some gear, including his TB-03 (in front of its box).

The studio photos at the end of the Mixmag article show close-ups of some gear, including his TR-09 on the desk.

The studio photos at the end of the Mixmag article show close-ups of some gear, including his nanoKONTROL on the desk.

The studio photos at the end of the Mixmag article show close-ups of some gear, including his n12 mixer on the desk.

The studio photos at the end of the Mixmag article show close-ups of some gear, including two Faderfox controllers on the desk.

Josh Wink's favourite music software

By Computer Music published July 16, 2013

Ableton Live

“Live is a great DAW for forgivable, quick movements. With others, as soon as you record something or print something down, if you don’t like it, you have to redraw, and that takes time. With Ableton, it’s really easy and quick. I like the fact that I can make a lot of mistakes.”