Peter Stroud

"The @greeramps @elliottguitars #lilsampson kicked ass on last night's gig. More like "Whoah! What pedal did I just hit??" It has earned permanent pedalboard status...along w #lightspeed. ????????????????"

In this photo, EHX Soul Food overdrive is visible in Stroud's pedalboard.

"A simple, all-around and great-sounding 3-knob delay that tucks firmly in your tone. But it’s even more of a pleasant surprise to find that that’s not all it has going for it. Turn the feedback all the way up, and it creates an infinite repeat that does not regenerate and amplify into an exploding racket. It’s a great effect to have, but the Deluxe Memory Man already does that trick splendidly. Instead, the #1 Echo allows you to keep stacking riffs on top of each other, “sound on sound” style that will stack and repeat indefinitely. If you want, screw with the repeats by giving a quick twist to the speed knob, and it’ll repeat that action as well. But again, the key thing is that it sounds good—a digital delay with analog warmth. It has become a mainstay on my pedalboard. "

"Yeah, I’m very proud of it. It’s essentially their Dragster set up with a Multibender bridge for slide and bender tricks. We added a neck pickup, as well, and they put a really cool short-throw Tone pot on it."

Peter Stroud uses Dunlop Ultex Sharp 1.0mm guitar picks, as shown in his Instagram post featuring a Fender Telecaster during a warm-up session.

In this photo, Stroud's Danelectro U3 is visible.

"I’m constantly trying out new compressors and this one has excellent tone and feel. I use it for heavily compressed “pedal steel” parts. The Blues Driver mod has added germanium transistors for extra gain and a Phat tone mod."

"This compressor has been out for a while, but I’ve just discovered it in recent months and have been using it quite a bit. It seems you can never have enough compressors, and this one has inked out a spot of it’s own. If you’re looking for the super jangly tone à la the Byrds’ Roger McGuinn’s Rickenbacker 12-string, this stompbox will be all you need (along with a 12-string Rick, of course). Also think “Ticket to Ride.” It compresses hard with plenty of gain and perfect amount of pick attack, and has a three-way tone switch that I leave on Bright the majority of the time. It sounds like your bestrecorded, super-compressed guitar, without any weird, cruddy compression artifacts. I’ve noticed they’ve come out with the JB2, with additional controls for tone, gain and attack. Added extra fun. "

"Deluxe Reverb and Ampeg through the 65amps 2x12” cab, loaded with both a Celestion Alnico Blue and a G12H-30 “Anniversary.” The speakers have distinct individual characteristics, allowing for both to be mic’d and brought up separately or together at the console."

"Deluxe Reverb and Ampeg through the 65amps 2x12” cab, loaded with both a Celestion Alnico Blue and a G12H-30 “Anniversary.” The speakers have distinct individual characteristics, allowing for both to be mic’d and brought up separately or together at the console."

"@seymourduncanpickups #prails appropriately have found a new home in my '98 Les Paul Studio Dbl Cut. Wired w push-pull vol & tone for all pickup combos. Incredibly versatile. Thinkin #LPSpecial on steroids. This guitar is done."

"@seymourduncanpickups #prails appropriately have found a new home in my '98 Les Paul Studio Dbl Cut. Wired w push-pull vol & tone for all pickup combos. Incredibly versatile. Thinkin #LPSpecial on steroids. This guitar is done."

"Diggin into @jhspedals' updated Pulp n Peel & Twin Twelve. Dove deep into PnP tonight. Soundin' good!! Lotta fun along w @catalinbread #Echorec."

"A little evening practice. No flies on this little setup. '71 #SGSpecial #nobels #bajatech #compressor"

"The @greeramps @elliottguitars #lilsampson kicked ass on last night's gig. More like "Whoah! What pedal did I just hit??" It has earned permanent pedalboard status...along w #lightspeed. "

"A little jam out on my retro rig. This woulda been the total shizz in the 80's club giggin'. #Fender #VibroluxReverb #DeluxeReverb #ibanezue405 @elliottguitars @thejamesduke #357"

"Been using the strings for the past year & love em. @ernieball Coated Slinky. #tone"

"A guitar in my collection that hasn't surfaced often, but is a straightforward great sounding & playing baddass. Use for recording quite a bit. Need to take this one out. #PRS #Mira"

In this photo, the EHX Stereo Polyphase is visible in Stroud's pedalboard.

In this photo, the Vox Joe Satriani Time Machine delay pedal is visible.

In this photo, EHX Super Pulsar tap tremolo pedal is visible in Stroud's pedalboard.

"While discovering a ceiling water leak in my basement studio I uncovered this...an EARLY Laney Supergroup 100watt patiently waiting to be restored. One day"

"For Big Hat, I’m not sure what I’ll use live, but probably the 65 Empire. In the studio, I used a nice old Park 75 head for “Delilah.”"

"I also used a blackface Deluxe Reverb; the slide on “Supersonic” was a ’59 double-cut Les Paul Junior through a late-’60s Ampeg Gemini. I played the last part through that amp before it bit the dust – power transformer blew. I had blown the output transformer a few years earlier… and the speaker. That amp’s had a tough life!"

In this photo, the Marshall 1987X amplifier head can be seen on the left side of the photo.

In this photo, the Marshall 1959SLP tube amplifier is visible below the Marshall 1987X amp.

In this photo, Echoplex EP-3 is visible right above the Fender Deluxe Reverb amplifier.

"New to the fold, @Gibson 2014 Melody Maker. USA made $620 street price. Can't beat that w/ a stick."

In this photo, EHX Stereo Memory Man with Hazarai is visible on Stroud's pedalboard.

In this photo, the Xotic RC Booster Clean Boost is visible.