Vance Powell

In a YouTube video titled "EPIC RECORDING STUDIO SETUP 2021 | Vance Powell (studio tour)" by Andrew Masters, Vance Powell can be seen using the Retro Instruments Sta-Level Tube Compressor in his studio. This compressor is renowned for its vintage sound and is a key component in Powell's signal processing arsenal.

Vance Powell uses the Empirical Labs EL8 Distressor, a renowned compressor introduced in 1993, known for its versatility and distinctive sound. This tool, often compared to legendary models like the UA 1176 and Teletronix LA-2A, has been a staple in studios worldwide, contributing to thousands of hit records. A user-uploaded photo confirms Powell's use of this essential piece of studio gear.

Vance Powell is known to use the Empirical Labs EL8X Distressor in his studio setup. This advanced effects processor is a derivative of the EL8 Distressor, featuring a British Mode switch that emulates the UREI 1176's full-press mode, adding versatility and vintage warmth to recordings. The EL8X model includes additional options like Image Link for precise stereo compression, making it a favorite for achieving classic analog textures and dynamic control. A user-uploaded photo confirms its presence in Powell's gear collection.

Vance Powell uses the Chandler Limited TG1 Abbey Road SE Limiter in his studio setup. This unit is renowned for its smooth and natural limiting, thanks to its diode element and THD mode, which enhances sound with overtones. It features HOLD/INPUT and RECOVERY controls, a stereo link function, and a large analog gain reduction meter with a classic design. Additionally, it includes a new input control for light compression, all-discrete transformer-balanced inputs and outputs, and a COMP/LIMIT 2 mode. The unit requires an external power supply (PSU-1), which is sold separately. A user-uploaded photo confirms its presence in his gear collection.

Vance Powell uses the Chandler Limited RS124, a tube-based effects processor known for its vintage Abbey Road sound. A user-uploaded photo confirms its presence in his studio setup.

Vance Powell uses the Universal Audio 1176LN, a renowned effects processor known for its ultra-fast attack time and classic sound. This unit, meticulously crafted by Universal Audio, features the distinctive "all button" mode, enhancing its versatility in studio settings. A user-uploaded photo confirms Powell's use of this gear, highlighting its role in achieving unique sonic characteristics in his recordings.

Vance Powell is shown using the Universal Audio LA-2A, known for its gentle, program-dependent optical compression and expertly crafted tube amplifier, in a user-uploaded photo. This effects processor is a staple for professional mixers, with Universal Audio setting the standard for analog emulation since its release in 2001.

Vance Powell uses the ACME Audio Opticom XLA-3, a versatile optical compressor known for its robust tube sound and opto-electric character. Ideal for applying LA-2A style leveling on drum busses or adding grit to vocal tracks, this unit features military-grade components for reliable performance. A user-uploaded photo confirms its place in Powell's setup.

Vance Powell utilizes the Retro Instruments 176 Limiting Amplifier in his studio setup. This compressor, inspired by the original Universal Audio 176 designed by Bill Putnam, captures the iconic 1960s sound while offering modern enhancements. Key features include a variable mu design, a large knob for easy recall, continuously variable attack and release, multiple ratio settings (2:1, 4:1, 8:1, 12:1), and a wide frequency sidechain HPF. Additionally, it includes an asymmetry function, hard wire bypass, interstage transformer, and a high-precision VU meter. The unit employs carefully selected NOS tubes and components, achieving a maximum 20dB gain reduction and an excellent signal-to-noise ratio of 76dB or more. The proof of Powell's use is evident in a user-uploaded photo.

Vance Powell utilizes the Manley Massive Passive Stereo Tube EQ, known for its luxurious components like metal film resistors and hand-wound inductors, to achieve precise sound correction and bold sonic coloration in his studio work. This EQ's unique tube stage provides a musical treble boost without emphasizing sibilance, delivering a rich and intense sound quality. A user-uploaded photo confirms its presence in Powell's gear setup.

Renowned producer and engineer Vance Powell utilizes the Fairchild 670 Compressor-Limiter to infuse warmth and character into his tracks. This classic piece of studio gear is known for adding harmonics and punch to vocals and drums, thanks to its tube-driven gain control and advanced sections. A user-uploaded photo confirms Powell's use of this iconic equipment in his setup.

Vance Powell is known to use the Pultec EQP-1A3 Equalizer in his studio setup. This legendary equalizer is revered for its ability to deliver a rich, warm sound with precise control over both low and high frequencies, a feature that has made it a staple in iconic recordings from Motown to The Beatles. A user-uploaded photo confirms its presence in Powell's gear collection, highlighting its continued influence in modern music production.

At 2:41 in the video titled "Vance Powell: Recording Rock," Grammy-winning producer and audio engineer Vance Powell is seen explaining his mixing process using Avid Pro Tools on his Apple computer. This segment is part of a Sound On Sound magazine feature where Powell demonstrates the techniques used to record and mix a track for Tyler Bryant & The Shakedown.

In the video titled "Vance Powell: Recording Rock" by Sound On Sound magazine, at 6:28, music producer and audio engineer Vance Powell states that he uses a Sony C-38B large-diaphragm condenser microphone to capture the baritone guitar sound.

In the video titled "Vance Powell: Recording Rock" by Sound On Sound magazine, at 6:30, Vance Powell mentions using a Shure SM57 cardioid dynamic instrument microphone to capture the sound of the baritone guitar.

In the video titled "Vance Powell: Recording Rock" by Sound On Sound magazine, at 8:07, music producer and audio engineer Vance Powell demonstrates the use of the Universal Audio Fairchild Tube Limiter Collection plugin for mixing purposes.

At 11:19 in the video titled "Vance Powell: Recording Rock" by Sound On Sound magazine, a Caroline Guitar Company Kilobyte Lo-Fi Delay pedal is clearly visible in Vance Powell's pedal setup.

At 11:19 in the YouTube video "Vance Powell: Recording Rock," produced by Sound On Sound magazine, an EarthQuaker Devices Organizer V2 pedal is clearly visible in Vance Powell's pedal setup, confirming its use by the music producer and audio engineer.

In the video titled "Vance Powell: Recording Rock" by Sound On Sound magazine, at the 11:19 mark, a Boss TR-2 Tremolo pedal is visible in Vance Powell's pedal setup.

In the video titled "Vance Powell: Recording Rock," produced by Sound On Sound magazine, Vance Powell is observed using the Massenburg DesignWorks MDWEQ5 plugin by Universal Audio for mixing purposes at the 14:41 mark.

In the video "Vance Powell: Recording Rock," provided by Sound On Sound magazine, Grammy-winning producer and engineer Vance Powell is seen at 14:59 demonstrating the use of the Universal Audio SPL Transient Designer Plug-In within Pro Tools.

In the video titled "Vance Powell: Recording Rock" by Sound On Sound magazine, Vance Powell demonstrates the use of the Universal Audio 1176LN Legacy Classic Limiting Amplifier plug-in at 15:09, which he employs for mixing the track "Loaded Dice & Buried Money."

At 18:35 in the video "Vance Powell: Recording Rock" by Sound On Sound magazine, music producer and audio engineer Vance Powell discusses the Fulltone Custom Shop Tube Tape Echo pedal, which is visibly connected to his console.

In the video titled "Vance Powell: Recording Rock" by Sound On Sound magazine, at the 19:48 mark, Vance Powell demonstrates the use of the RCA 77-DX microphone in recording the track "Loaded Dice & Buried Money."

In the video titled "Vance Powell: Recording Rock" by Sound On Sound magazine, at 20:06, music producer and audio engineer Vance Powell mentions the use of the Analog Outfitters "The Sarge" amplifier connected to an Ampex microphone. This setup is employed in the recording of the track "Loaded Dice & Buried Money" by Tyler Bryant & The Shakedown.

In the video titled "Vance Powell: Recording Rock" by Sound On Sound magazine, at 20:06, Vance Powell confirms the use of the Analog Outfitters "Super Sarge" amplifier alongside "The Sarge" amplifier, both connected to an Ampex microphone for the track "Loaded Dice & Buried Money."

In the video titled "Vance Powell: Recording Rock" by Sound On Sound magazine, at 26:20, music producer and audio engineer Vance Powell is seen using the FabFilter Pro-DS De-Esser Plugin within Pro Tools.

At 27:25 in the video "Vance Powell: Recording Rock" by Sound On Sound magazine, Vance Powell demonstrates the use of the Soundtoys EchoBoy Analog Echo Processor plugin within his Pro Tools session.

In the video "Vance Powell: Recording Rock" by Sound On Sound magazine, at the 27:25 mark, music producer and audio engineer Vance Powell demonstrates the integration of the UAD AKG BX 20 Spring Reverb plug-in within his Pro Tools session.

In a video by Sound On Sound magazine titled "Vance Powell: Recording Rock," at the timestamp 28:16, Vance Powell discusses the Moog Little Phatty synthesizer, which is also utilized in the deconstruction of the track "Loaded Dice & Buried Money."