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Description

The Ampex MM-1200 is a stalwart of studio recording gear, renowned for its exceptional sound quality and reliability. Revered by audio professionals, this tape deck offers unparalleled analog recording capabilities, making it a favorite choice for those seeking to capture the warm, rich tones that only tape can provide. The MM-1200 is engineered to deliver pristine recordings with its robust construction and precise mechanics, ensuring consistent performance across sessions.

Its integrated 24-track design allows for extensive multitrack recording, catering to the needs of complex music projects, from full bands to orchestras. The Ampex MM-1200 is equipped with individual track controls, providing flexibility and precision in audio management. Its intuitive interface and controls make it accessible for both seasoned engineers and those new to tape recording.

Designed for durability and longevity, the MM-1200 is built to withstand the demands of professional use. Its reliability is further enhanced by user-friendly maintenance features, ensuring that it remains a staple in your recording setup for years to come. Experience the distinctive characteristics of analog sound with the Ampex MM-1200, a true testament to the art of recording.

Key Features:

  • 24-track recording capabilities
  • Individual track controls for precise audio management
  • Integrated design for seamless operation
  • Renowned for warm, rich analog sound
  • Built for reliability and longevity in professional settings
eddie ciletti

eddie ciletti

Ampex MM-1200

Video thumbnail for Ampex MM-1200 by eddie ciletti

Ampex MM-1200

eddie ciletti

eddie ciletti

Video thumbnail for Ampex MM-1200 recap e recap by Lisciel Franco

Ampex MM-1200 recap e recap

Lisciel Franco

Lisciel Franco

Video thumbnail for Ampex MM-1200 não fuma mais! by Lisciel Franco

Ampex MM-1200 não fuma mais!

Lisciel Franco

Lisciel Franco

Video thumbnail for Ampex MM1200 Final do RECAP e ai da fuma! by Lisciel Franco

Ampex MM1200 Final do RECAP e ai da fuma!

Lisciel Franco

Lisciel Franco

Video thumbnail for Ampex - Analog Obsession (Graziano Mossuto, Jarathstudio, Ampex MM1200) by Jarathstudio - Graziano Mossuto Produzioni

Ampex - Analog Obsession (Graziano Mossuto, Jarathstudio, Ampex MM1200)

Jarathstudio - Graziano Mossuto Produzioni

Jarathstudio - Graziano Mossuto Produzioni

Video thumbnail for AMPEX MM 1200 16 CHANNEL MULTITRACK TAPE RECORDER IRS! by PAST TO FUTURE

AMPEX MM 1200 16 CHANNEL MULTITRACK TAPE RECORDER IRS!

PAST TO FUTURE

PAST TO FUTURE

Reviews

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Ampex Corporation MM-1200.

Comparisons

  • The Ampex MM-1200 is considered less sonically advanced than the Studer A800 mk3 and Ampex ATR124, which offer superior sound and signal-to-noise ratios.

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  • Consider Handsome Audio’s Zulu as an alternative to traditional tape machines, offering a robust analog solution without maintenance hassles.

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Use cases and applications

  • Transferring old 2" 24-track tapes requires studios familiar with both baking tapes and using high-quality digital converters.

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  • Playing a 4-track tape on a 2-track machine results in two tracks playing back on each stereo channel, demonstrating versatility in playback scenarios.

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  • Recording one source to multiple tracks on tape enhances signal-to-noise ratio and signal fullness, a technique favored in mastering with half-track machines.

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  • For recording, EQ and compression before tape can mitigate limited dynamic range and enhance sound, a common practice for those working exclusively with tape.

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Setup and maintenance

  • Properly functioning 2" tape machines are scarce; many studios claim to have them but often face issues like misalignment or needing parts like pinch rollers.

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  • 456 tapes typically require baking before transfer due to their tendency to deteriorate over time.

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  • It's crucial to use a facility experienced in tape transfers, as older tapes have limited passes before potential degradation.

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  • Fresh tape is crucial; 30-year-old NOS tape can flake and become unusable after minimal use, emphasizing the ongoing cost and maintenance of tape machines.

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Features and functionality

  • The Ampex MM-1200 exhibits a low-frequency 'head bump' effect due to head design, which diminishes at higher tape speeds, affecting frequency response perception.

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  • At 30ips, the Ampex MM-1200 shows reduced low-frequency response, with the head bump shifting, influencing the specified frequency range cutoff.

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  • The frequency of the head bump increases with tape speed, affecting the low cutoff of useful frequency response, demonstrating a limitation of the medium.

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  • Using an Apollo 16 for monitoring allows digital conversion from the start, facilitating total recall of panning and balances through saved UAD console sessions.

    Source

User experience

  • Some users use digital desks like the X32 Rack for monitoring before transferring recordings through higher-quality AD converters, enhancing workflow efficiency.

    Source

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Artist usage

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See how Prince uses Ampex Corporation MM-1200

Prince

Singer, Guitarist

The New Power Generation

...
Verified via Tapeop

According to this interview with Rogers from Tape Op magazine, when she first started working with Prince, "the first thing I was asked to do was pull the old console out of his home studio, install his new API, and fix his tape machine, which, at that time, was the Ampex MM-1200."

Plus, as per Duane Tudahl's Prince and the Purple Rain Era Studio sessions 1983 and 1984 book, "Little Red Corvette" was the first song Prince recorded on the Ampex MM1200 24-track on May 20, 1982.

Prince's Ampex MM1200 was used for the Warehouse sessions in August 1983, which produced "Let's Go Crazy" and "Computer Blue".

See how Robert Schneider uses Ampex Corporation MM-1200

Robert Schneider

Singer, Guitarist

The Apples in Stereo

...
Verified via Atlanta Magazine

As the band’s stature grew, Schneider became an avid collector of vintage musical equipment. In 1999, his Ampex MM-1200 tape machine—a giant piece of analog recording equipment that was integral to the album he was working on—broke down. The repairman made a suggestion: Learn how to fix it yourself. Schneider had always fiddled with electronics; as a kid, he had a RadioShack electronics experiment kit and a bunch of primitive recording gear that he constantly toyed with.

See how Phil Ek uses Ampex Corporation MM-1200

Phil Ek

Music Producer

...
Verified via Tapeop

re: There's Nothing Wrong With Love, which was recorded at Word of Mouth studio (AKA John and Stu's)..."I think we had a 2" 16-track Ampex MM1200. We had a 12 channel API and Mackie 16 channel...overdubbed at Avast!...the more overdubs and mixed at John and Stu's on a Quad Eight Ventura board they had just gotten"

Album Usage

The Ampex Corporation MM-1200 has been featured on the following albums:

Genre Usage

Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.

Used With

Based on how musicians on Equipboard use Ampex Corporation MM-1200, it is most commonly used with the following gear.

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