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Description

The Aria Pro II CSB-380 bass is a tribute to the golden era of bass guitars, combining vintage charm with modern playability. Designed for both budding musicians and seasoned players, this electric bass offers a robust sound profile that's versatile enough for various musical genres. Its dual humbucker pickups ensure a rich, full-bodied tone that can be adjusted to suit your style, whether you're laying down grooves in jazz, rock, or funk.

Crafted with precision, the CSB-380 features a solid body that resonates with deep, warm tones and a smooth neck that facilitates effortless playing. The fingerboard is designed for comfort, allowing for agile finger movements up and down the frets. This model's classic design is an homage to traditional bass aesthetics while incorporating modern enhancements for improved sound quality and durability.

Key Features:

  • Dual humbucker pickups for a versatile sound range
  • Solid body construction for enhanced resonance
  • Smooth neck and comfortable fingerboard for ease of play
  • Classic design with modern performance enhancements
  • Suitable for diverse musical genres from jazz to rock
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Aria Pro II CSB-380

Video thumbnail for Aria Pro II CSB-380 by guitarsib

Aria Pro II CSB-380

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Reviews

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Aria Pro II CSB-380 bass.

Value and pricing

  • Aria Pro II CSB-380's value ranges from $400 to $600 CAD, influenced by condition and shipping; $580 CAD is within a reasonable range.

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User experience

  • Owners note variability in sound quality; some basses may arrive with pickups that sound thin, suggesting a potential need for personal testing before buying.

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  • Owners describe the bass as lightweight and easy to play, with a warm, powerful sound that enhances distortion effects.

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  • The bass sits well on the lap once the right hand is positioned, making it comfortable for seated play.

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Build quality

  • The CSB-380 from the 1980s is likely from the Matsumoku factory, known for strict quality control, which could contribute to a more reliable build.

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  • The bass reportedly has a durable finish that maintains its condition well, even with age.

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  • Despite looking like a neck-thru design, it's a bolt-on model; shipping disassembled is noted for secure transport.

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  • The CSB-380 from 1981 is confirmed to be made in the Matsumoku factory, indicating a focus on craftsmanship and quality materials.

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Comparisons

  • One owner prefers their Aria Pro II over a USA Fender, indicating its potential as a favorite among other high-quality instruments.

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Features and functionality

  • Some players find the strap button placement awkward, but using a wide strap can improve balance and comfort.

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  • The Aria Pro II CSB-380 features a 32" medium scale, which is favored by some players for its balance between playability and tone.

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Mods and upgrades

  • Some owners have added a Hipshot lever to the E string for easy Drop-D tuning, enhancing its versatility for different playing styles.

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Use cases and applications

  • It's noted that flats can be used on the CSB-380, which may appeal to players seeking a smoother, more vintage tone.

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3.5 out of 5

Based on 1 Review and 2 Ratings

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engels

A bargain middle scale bass

ARIA Cardinal Series Bass series from the early 80's includes CSB-300, CSB-380, CSB-450 and Deluxe models with 300 model featuring the most simple matte finish, 380 having transparent gloss color finishes showing wood grain and 450's being the fanciest with some sort of carved top. Deluxe model had two pickups and all the rest one. The CSB series bodies were made from scrap ash wood blocks glued together which didn't look really nice but allowed the price to be low and surprisingly the sound of the basses was still pretty decent. All CSB basses featured medium 32" scale, master volume and tone knobs. The neck joined the small body around 18th fret so it appears pretty long. It was relatively wide at the nut but was not getting as wide as most other basses remaining almost straight all the way. The high mass cast bridges had narrow string spacing and were Aria's own designs that I admit are quite good.

Deluxe basses had a different sound from the rest of the series due to different pickup configuration, but all the rest sound more or less the same, only the finishes were different and 450 having a different (but similar looking) pickup model. That pickup is a large unit that's a rather distant relative of Precision split humbucker. It has a very high output and located somewhere between the P and Stingray's positions, which results in a sound that indeed resembles both. It's sharper and more burpy than P but more mellow than Stingray. Tone knob works wonders and you can have many shades of that sound - from cutting funky tone to dark Motown.

My 1982 380 is a very nice bass and it is highly playable. For the price it's a steal. I admit it's not as universal as my Fender Jazz and will not sound good on any amp and with any preamp. However its direct signal is good enough without any EQ applied. You have basses like Thunderbird that you really need a premp to shape the signal into something, but this little bass is more in the Fender camp - you can use the direct signal and get away with it. The body is smaller and lighter than P or J but it's ash which is one of the best options for bass so it sounds good.

The two problems of these basses are ergonomics and the neck. The body has short upper horn so it's not balancing good on a strap and not comfortable to play compared to Fenders. Of course compared to Steinbergers or Some BC Riches it's very comfy. The neck problem is based on the fact that the neck is not supported up to the very last frets. This puts a lot of tension on the truss rod and I've heard of CSB basses that are not possible to set up because the neck is curved. Mine is okay and truss rod functions but I still cannot get the action as low as I would like to.

One noteable user of CSB-380 was Kim Deal during the early Pixies' years. The other one is myself. I may recommend it to players with smaller hands as it's a bit smaller overall, girls may enjoy it. Also Les Claypool fans should take notice of this bass. His main basses today feature 32" scale and P pickup around the same position as CSB's, so they sound relatively similar. You can have your Claypool on budget with bonus Pixies with CSB and that's pretty good for the price.

Artist usage

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See how Kim Deal uses Aria Pro II CSB-380 bass

Kim Deal

Singer, Guitarist

Pixies

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Verified via Photo

Aria Pro II Cardinal Series

Deal has always favoured solid bodied basses. She initially played an Aria Pro II Cardinal Series in the Pixies, which actually belonged to her sister and Breeders bandmate Kelley. This guitar can be heard throughout the Pixies’ first two albums, Come On Pilgrim and Surfer Rosa, and then again in The Kelley Deal 6000, Kelley’s mid-nineties solo project.

“It was the weirdest sounding bass,” said Deal to Bass Player magazine in 2004. “At first I was always like, ‘I’m playing a dumb bass, it’s not a Fender so it’s not cool.’ But then we played with My Bloody Valentine, and that’s band’s bass player had an Aria Pro too.”

See how Tim Bagshaw uses Aria Pro II CSB-380 bass

Tim Bagshaw

Guitarist, Bassist

Electric Wizard

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Verified via Photo
Color/Finish: Black

In the photo, Tim Bagshaw is seen using the Aria Pro II CSB-380 bass.

See how Henny Vrienten uses Aria Pro II CSB-380 bass

Henny Vrienten

Composer

Doe Maar

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Verified via Photo

In this (vintage) pic you can spot the Aria bass

Album Usage

The Aria Pro II CSB-380 bass has been featured on the following albums:

Genre Usage

Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.

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Gear Guides

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