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Description
The PG-300 MIDI Guitar by Casio
The Casio PG-300 MIDI Guitar is a rare hybrid instrument that combines a traditional electric guitar with an onboard MIDI synthesizer system. Built in Japan (often by FujiGen), it features a Strat-style design with standard magnetic pickups alongside a hexaphonic MIDI pickup for triggering synth sounds. The guitar includes an internal sound engine capable of producing a wide range of tones such as bass, organ, and sax, which can be blended with the regular guitar signal. It can also output MIDI data to control external synthesizers or recording equipment, making it highly versatile for studio and experimental use. Power is supplied via battery or adapter, allowing it to function as a self-contained synth guitar. Due to its unique design and limited production, it is considered a collectible among vintage gear enthusiasts.
Specs:
• Body Type: Solid body (Strat-style design)
• Neck: Maple neck (typical configuration)
• Pickups: Standard single-coil pickups + hex MIDI pickup
• Synth Engine: Built-in digital sound generator (dozens to hundreds of tones depending on cards)
• Sound Cards: Supports external ROM cards (e.g., RC-100, RC-140)
• Outputs: Standard guitar output + MIDI output + mix output options
• Controls: Ability to switch between guitar, synth, or blended sounds
• Power Supply: 9V battery or external adapter
• Manufacturing: Made in Japan
• Additional Features: Separate routing of guitar and synth signals; onboard tone selection
Videos
The Ruby Red. Oficina das Guitarras
Casio Pg-300 turquoiseburst Electric guitar with Midi pickup and on board Synth sounds! MIJ
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During Masayoshi Takanaka's performance of "Sheba the Freak" at Kawasaki Club Citta in 1990, as part of the 'One Night Gig', he is seen using a 1987 Casio PG-380 MIDI Guitar. This information is supported by the footage available on YouTube, provided by ccl1022, titled "高中正義 ONE NIGHT GIG - Sheba The Freak."
Credit to K-Studio (https://k-studio.music.coocan.jp/contents.htm) for information about the guitar.
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