This article on the making of Marr's 2018 Call the Comet album by MixOnline.com touches on some of the gear used during the recording process. "The Beyer is mainly placed outside drummer Jack Mitchell’s kick drum. An SM57 is placed at the top of the snare, with Coles 4038 and Neumann KM 184 as overheads, equidistant from the snare. These might have some compression through a UREI 1178, all going through the Neve 1081 preamp, with a few of the microphones going into a UA 2-610." (While the engineer is providing this feedback, the gear is housed in Marr's own Crazy Face studios, which contains gear he's collected over his decades in the music industry.)

"Main Rack." The 2-610 can be seen upper center.

Visible in this January 21, 2018 Facebook post.

There are four of these in Tommy Lee's studio rack, used for microphones on Hi-Hats, Toms and Overheads.

Used for the acoustic guitar on A Sailor’s Guide to Earth, as stated by producer David Ferguson in this May 4, 2016 Mix Online interview.

On the songs that include acoustic guitar, such as the second track, “Breakers Roar,” Simpson plays while he sings and Ferguson captured his guitar with an AKG 451, into a UA 2-610 preamp, and to Pro Tools HD11.

Used for Jones' Wurlitzer organ on "Feelin' the Same Way" and the background vocals on Come Away With Me, as stated by producer Jacquire King in this Universal Audio interview.

The 2-610 I used pretty extensively once we got back to her place for bass and Wurlitzer. I did some background vocals with it.

The 2-160 was later used for the "Wurlitzer, guitars, and bass" on The Fall, as stated by King in this February 1, 2010 Electronic Musician interview with Jones, King and his assistant engineer Brad Bivens.

The only thing I brought along was the Universal Audio 2-610. [“And the Massenburg MDW Hi-Res Parametric EQ to add extra fluidity to every channel,” Brad Bivens adds.] The Magic Shop and Sunset Sound have wonderful Neve desks and lots of outboard gear, and Norah has wonderful microphones. So instead of carting things around, I just brought guitar pedals undefined, speakers, and the 2-610, which is a tube mic pre with EQ. It was used for Wurlitzer, guitars, and bass. The vocals were recorded through a Neve 1073 module.

Can be seen beneath his left studio monitor

RAC in this video show his gears for everybody: 2:18

In this Sound On Sound article there is a photo of Visconti's gear, which includes a Universal Audio 2-610.

Sold on Reverb.com.

From YTG: Great dual channel pre-amp used in my smoke free home studio! I've used this on stereo synths, vocals, and guitar, and It is in excellent condition.

Processors

Antares ATR1a Auto-Tune voice processor. Avalon VT747SP compressor/equaliser. Behringer Virtualizer multi-effects processor. Frostwave The Resonator filter, Funk A Duck envelope filter and Spacebeam. HHB Radius 20 equaliser. Lexicon Vortex multi-effects processor. Line 6 Bass Pod bass processor. Melos tape echo. RME ADI8 Pro A-D/D-A converter. Roland Space Echo. TC Helicon Voice Prism voice processor. TLA Fatman mic pre/compressor. Universal Audio 2-610 mic preamp.

Visible in background rack throughout