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Average Price: $2,899
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Description
The UREI 1178 Dual Peak Limiter is a quintessential piece of studio recording gear that merges classic design with modern functionality. Designed for those who crave precision and versatility, this stereo peak limiter is essentially two 1176 Rev H units combined into a single, streamlined 2U rack enclosure. While it may forgo some of the vintage charm of its predecessors by omitting the Class-A amplifier and input transformer, it compensates with simplicity and efficiency, making it an invaluable tool for any professional studio.
The UREI 1178 unifies its dual channels under one set of attack and release controls, offering effortless synchronization when working in stereo mode. However, should you wish to operate it in dual mono, a convenient switch allows for this flexibility. The robust build and intuitive layout ensure that whether you're taming dynamic vocals or smoothing out intricate mixes, the UREI 1178 delivers unparalleled performance and reliability.
Transform your studio sessions with the UREI 1178, where the blend of legendary audio processing and modern convenience meets.
Key Features:
- Dual-channel peak limiter with stereo and mono operation capability
- Combines two 1176 Rev H units in a single 2U rack enclosure
- Unified attack and release controls for synchronized processing
- Switch available for dual mono operation
- Iconic UREI build quality and design
Product specs
| Brand | Urei |
| Model | 1178 Stereo Peak Limiter |
| Finish | Silverface |
| Year | 1970s |
| Categories | Compressors and Limiters |
FAQs
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What are the key features of the UREI 1178 Dual Peak Limiter?
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The UREI 1178 Dual Peak Limiter is known for its stereo peak limiting capabilities, offering precise control over audio dynamics. It features a distinctive silverface design and is a sought-after vintage piece from the 1970s, making it popular for both its sound quality and historical significance in recording studios.
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How does the UREI 1178 compare to the UREI 1176?
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The UREI 1178 is a stereo version of the classic 1176, providing similar fast attack and release times but with dual-channel capabilities. This makes it ideal for processing stereo signals or two separate mono sources simultaneously, whereas the 1176 is typically used for mono applications.
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Is the UREI 1178 suitable for modern studio setups?
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Yes, the UREI 1178 remains a valuable tool in modern studios for its unique sonic character and reliable performance. It integrates well with both analog and digital recording environments, offering classic compression and limiting that enhances contemporary audio productions.
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What types of audio sources work best with the UREI 1178?
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The UREI 1178 excels with a variety of audio sources, including vocals, drums, and stereo mixes. Its fast attack and release times make it particularly effective for controlling transients and adding warmth and punch to recordings.
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Can the UREI 1178 be used for live sound applications?
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While primarily designed for studio use, the UREI 1178 can be adapted for live sound applications where precise dynamic control is needed. However, its vintage design may require careful handling and setup in a live environment.
Videos
WheelieMix
Unbiased Review Pulsar 1178 vs UREI 1178
Reviews
4.5 out of 5
Based on 0 Reviews and 3 Ratings
Artist usage
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During a studio tour with Future Music Magazine, Steve Mac says [@ 26:50] about his Urei 1178 Dual Peak Limiter:
“I've owned three of those and it's my favorite one. There is just a sound about this one that is just amazing."
"For guitar amps, I start with an SM57 typically, but sometimes a RØDE, usually into this UREI 1178 compressor through an API 312 mic preamp. I usually go into this API 550A EQ; or if something really needs to be carved out, I'll go into this UREI 546, an old film mastering EQ, with very specific control. Sometimes I'll send the guitar into this old RCA solid state compressor. The RCA also sounds great on snare."
In the video titled "Epic MIXING Home Studio Setup 2024 | Dave Clauss (studio tour)" by Andrew Masters on YouTube, a Urei 1178 Dual Peak Limiter is visibly placed in a rack beneath the computer monitor in Dave Clauss' mixing room at the 2:24 timestamp, confirming his use of this gear.
Used for the overheads on Why'd I Try, as stated by bandmate Michael Kirsch in this self-written October 5, 2010 SonicScoop article.
Drums (Kentucky)
Bass Drum Front: Beyer M380 -> 1176 Limiter Slow Release, 20:1
Bass Drum Batter: Shure SM98
Snare: Sony C37e -> NTI EQ
Rack Tom: Josephson E22s Top and Bottom
Floor Tom: Josephson E22s Top and Bottom
Overheads: Royer 122 (L&R) -> 1178 Limiter -> GML EQ + 678k + 3726k
M-S Stereo: AKG C24 M.S (0 + ?) -> Electrical M-S Matrix
Room Ambience: Neumann CMV563 + N55k Capsules (L&R) -> 20ms Stereo Delay
Rimshot: Shure SM98 -> GML Limiter
Album Usage
The Urei 1178 Dual Peak Limiter has been featured on the following albums:
Genre Usage
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Used With
Based on how musicians on Equipboard use Urei 1178 Dual Peak Limiter, it is most commonly used with the following gear.
Community setups
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