In this YouTube video, you can see the J37 at 5:10.

J37: A juicy tape emulator that can be used on literally ANYTHING. I have used this on entire stereo mixes, and it made them sound as if they were recorded next to a warm fireplace!

He uses the Waves j37 Tape for almost every track in "Wait Up" as you can see in this video.

In a YouTube video by 180 Spaces, William Basinski discusses using the Waves J37 Tape plugin for its tape emulation features, including controls for bias, wow, flutter, tape speed, and delay, highlighting its role in his sound production.

At 1:50:28, OMFG Explains that he put the J37 Tape Saturation plugin on the master of his first song 'Hello'

Used for vocals on "Sum 2 Prove", as stated by mix engineer Tillie in this June 2020 Sound on Sound interview. An image of the settings can be found here.

"All Lil Baby's vocals go through an aux track," says Tillie, "on which I have the Waves DeEsser, Avid EQ3 7-band, Waves SSL Channel and Compressor, Waves RCompressor, UAD J37 and the FabFilter Pro‑DS de-esser. There are two sends to reverb aux tracks and one to a half–note delay. The Waves DeEsser is there because I felt the vocal was too bright. The EQ3 has a pretty involved curve, with a low cut at 69.8Hz, notches at 184.7Hz and 425.2Hz, and me adding at 2kHz and high end at 5.37kHz, because I wanted some more presence. The SSL Compressor is not doing much, it's just there for vibe. I do the actual compression with the RCompressor.

"The J37 adds analogue vibe — it's one of my favourite plug–ins on vocals. It really brings them to life. I did all the heavy lifting with the first de-esser, and the Pro‑DS is just to catch anything that's the result of the EQ curve that I added. There's also a Vocal Parallel aux with the Softube Tube‑Tech CL‑1B to add more body and a bit of beef. I think that compressor just makes everything sound better. It gives you a different tonal character.

"The first send goes to the Verb aux track, which has the DVerb, set to a Large Hall, and an EQ3 7-band, taking out low end below 100Hz. The second send goes to the Verb 2 aux, with the Waves RVerb, the Waves REQ, again rolling off low end, and the Waves S1 Stereo Imager. I use the Imager on my reverbs probably 75 percent of the time. My style of mixing is very wide, so I tend to spread out my instruments and my effects, and I place things in different places in the stereo mix. I always like to add width and depth, so you can feel things and they are not necessarily right up in your face. But I leave the vocals to be the centre point of the mix."

This Snapshot was taken from 13/02/2021 Twitch Stream (https://www.twitch.tv/helloimlenno), proving that Lenno is using this Plugin.

Time stamp ~ 9:50

In this YouTube video Bad Snacks mentions using this plugin at 8:22.

In this YouTube video [at 1:30:50] Luke uses the Waves J37 plugin to add tape saturation to one of his synths.

"Even though the SSL E-Channel is my go-to for most everything, I do grab the SSL G-Channel if I want to get a bit more aggressive. I miss having a physical plate, but the Abbey Road Reverb Plates plug makes up for it. I also love the Abbey Road Reel ADT and of course the J37 Tape – old-school saturation and delays!"

In this video at 19:52 we can see Waves J37 Tape Plugin on vocals