WMD PM Channels - What To Know & Where To Buy

Pricing and availability

We compare 600+ stores and found this item at 1 store. Prices updated February 3, 2026.

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Average Price: $299

Standard/Professional

$149

$350+

Price Tier

In the Modular Synthesizers category, WMD PM Channels is priced in the upper end of the Standard/Professional range. This is quality gear at a fair price point, suitable for beginners, hobbyists, and pros alike.

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High-end

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Description

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The WMD PM Channels is an essential addition to any modular synthesizer setup, designed to effortlessly integrate into your existing system. This module excels at expanding your sonic palette with its precise control and seamless connectivity options. With six stereo input channels at your disposal, it allows you to craft intricate, layered soundscapes with ease. Each channel features level, pan, and auxiliary send controls, providing comprehensive management over your audio signals.

Whether you're a seasoned modular enthusiast or a beginner looking to explore the world of synthesis, the PM Channels offers a user-friendly interface that doesn't compromise on functionality. Its intuitive layout ensures that musicians can focus on creativity rather than complex configurations. The module's robust build quality and reliable performance make it a staple for both studio and live environments.

Key Features:

Six stereo input channels for expansive sound layering
Individual level, pan, and auxiliary send controls on each channel
Compatible with a wide range of modular synthesizer systems
User-friendly layout designed for quick and intuitive operation
Ideal for both studio production and live performance scenarios
High-quality build for lasting durability and reliable performance

Reviews

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Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about WMD PM Channels.

Comparisons

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The 1010 Bluebox offers configurable mono/stereo inputs and multitrack recording, but lacks a fader bank and may be unreliable at times compared to the ES-9.
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The PM Mk2 is quieter with a lower noise floor compared to the Mk1, enhancing audio clarity and reducing unwanted background noise.
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Sound quality between PM2 and Excelon may differ, with PM2 potentially offering more pleasing color and drive.
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The Excelon offers two aux returns, unlike the PM2, providing more flexibility for effects routing.
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Excelon lacks presets or a menu system, unlike some other mixers, potentially affecting ease of use for live settings.
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Mods and upgrades

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Potential expansion with a channel EQ/compression expander is being considered, which could add significant functionality to the PM Mk2.
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User experience

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Some users find the fader caps on the PM Mk2 too large for short throw faders, suggesting a potential mod with switch sleeves for better handling.
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Transfer of tracks from the Bluebox's SD card is considered efficient, taking roughly an extra 60 seconds in the mixing process.
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Use cases and applications

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The PM Mk2's Groups feature allows for saving up to 8 group slots with memory of mutes, enabling quick setup changes during performances.
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The Tascam Model series records all inputs as separate tracks and can function as both a standalone recorder and an audio interface, providing flexibility for recording and performing.
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Build quality

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Ergonomics on the PM Mk2 are improved with consolidated patch points, leading to a cleaner work area and potentially easier navigation.
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Features and functionality

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The PM Mk2 offers a post-fader option for DB25/direct outs, providing flexibility for routing and recording setups.
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The WMD PM Mk2 has two FX sends but only one return, affecting complex signal routing options.
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The WMD Performance Mixer lacks tape out jacks, complicating direct multi-track recording without pre-fader splitting.
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Using the Excelon requires an output module for headphone monitoring, adding extra space demands.
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The PM2's level inputs function as audio VCAs, but post-fader treatment can complicate direct outs usage.
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Setup and maintenance

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Splitting line signals from individual voices for pre-fader recording can introduce impedance and level issues, requiring careful management.
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