Pricing and availability

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Amazon
5.0 (3)
$199.00
Reverb
5.0 (11)
$199.00 New
$8.00 Used
Thomann
4.7 (11)
$220.00 $219.00 $1.00 · All time low
Vintage King
5.0 (1)
$199.00

Average Price: $171

Standard/Professional

$149

$350+

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Based on price data from 4 merchants for "Make Noise STO". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.

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Description

The Make Noise STO is a compact yet powerful Eurorack module designed for electronic music enthusiasts and sonic explorers. This sub-timbral oscillator is a versatile addition to any modular synthesizer setup, offering a range of rich and dynamic sound possibilities. Designed with a triangle-core architecture, the STO features outputs for sine, sub, and variable shapes, allowing for a variety of timbral expressions.

Whether you're aiming for simple, pure tones or more complex harmonically rich textures, the STO delivers with its intelligent design and analog warmth. The module includes a linear FM input with depth control, providing you the flexibility to craft intricate frequency modulation and sync sweeps. Additionally, the Exponential input lets you transpose sequences with ease, offering greater creative control over your compositions.

The STO is also equipped with an S-Gate input, allowing for independent gating or syncing of the sub oscillator. This feature enhances the module's adaptability, making it suitable for a wide range of musical applications. Whether you're crafting deep basslines or intricate melodic sequences, the Make Noise STO is an essential tool for any modular synthesis enthusiast seeking to expand their sonic palette.

Key Features:

  • Compact Eurorack oscillator module
  • Triangle-core oscillator with outputs for sine, sub, and variable shape
  • Linear FM input with depth control for advanced modulation
  • Exponential input for frequency modulation, sync sweeps, and sequence transposition
  • S-Gate input for gating or syncing the sub oscillator
  • Size: 8HP, 30mm deep
  • Power consumption: 40mA (+12V), 30mA (-12V)

Owner's manual

Make Noise STO User Manual

Product specs

Type VCO Eurorack Module
Waveforms Sine, Sub, Variable Shape
Depth 1.18" (30mm)
HP Size 8HP
Power Supply Requires Eurorack case and power supply

FAQs

What waveforms does the Make Noise STO offer?

The Make Noise STO provides sine, sub, and variable shape waveforms, making it versatile for creating a range of sounds within a modular synth setup.

How much space does the Make Noise STO take in a Eurorack setup?

The Make Noise STO occupies 8HP in a Eurorack case, which is a compact size suitable for various modular configurations.

Does the Make Noise STO require a specific power supply?

Yes, the Make Noise STO requires a Eurorack case and power supply, as it is designed to integrate into a modular synthesizer system.

Can the Make Noise STO be used to create sub-bass sounds?

Yes, the Make Noise STO includes a sub waveform output, which is specifically designed for generating deep sub-bass tones.

What is the depth of the Make Noise STO module?

The Make Noise STO module has a depth of 1.18 inches (30mm), making it suitable for most Eurorack cases.

MAKEN0ISE

MAKEN0ISE

Make Noise Sub Timbral Oscillator (STO)

Video thumbnail for Make Noise Sub Timbral Oscillator (STO) by MAKEN0ISE

Make Noise Sub Timbral Oscillator (STO)

MAKEN0ISE

MAKEN0ISE

Video thumbnail for Molten Modular 15 - Discovering oscillators with the Make Noise STO by Molten Music Technology

Molten Modular 15 - Discovering oscillators with the Make Noise STO

Molten Music Technology

Molten Music Technology

Video thumbnail for Make Noise STO Demo by Perfect Circuit

Make Noise STO Demo

Perfect Circuit

Perfect Circuit

Video thumbnail for Make Noise Sub Timbral Oscillator (STO) complex melodies by MAKEN0ISE

Make Noise Sub Timbral Oscillator (STO) complex melodies

MAKEN0ISE

MAKEN0ISE

Video thumbnail for Patch from Scratch: The Singular Timbral Oscillator? by MAKEN0ISE

Patch from Scratch: The Singular Timbral Oscillator?

MAKEN0ISE

MAKEN0ISE

Video thumbnail for 3 Quick Tips for the Make Noise STO by Hermbot

3 Quick Tips for the Make Noise STO

Hermbot

Hermbot

Video thumbnail for Make Noise STO: S-Gate Input Basic Usage by MAKEN0ISE

Make Noise STO: S-Gate Input Basic Usage

MAKEN0ISE

MAKEN0ISE

Video thumbnail for MakeNoise STO | Sub-Timbral Oscillator by Cinematic Laboratory

MakeNoise STO | Sub-Timbral Oscillator

Cinematic Laboratory

Cinematic Laboratory

Video thumbnail for Make Noise STO Module by Let's Listen

Make Noise STO Module

Let's Listen

Let's Listen

Video thumbnail for STO + OPTOMIX - Make Noise - DEMO (NO TALK) | Andy Morello - Milano Modulare by Milano Modulare

STO + OPTOMIX - Make Noise - DEMO (NO TALK) | Andy Morello - Milano Modulare

Milano Modulare

Milano Modulare

Reviews

PROS

  • Capable VCO with multiple waveforms for diverse sound design

  • Excellent for bass with a powerful sub oscillator

  • Stable tuning, rarely needs readjustment after initial setup

  • Compact size with powerful features, easy to integrate

  • Built-in wave-shaping and FM capabilities add versatility

  • Independent sine, variable sine-to-pseudo-saw, and square wave outputs

  • Linear and exponential modulation inputs for dynamic sound control

  • Sync input for VCO synchronization adds creative possibilities

  • Well-arranged control panel in a compact 8 HP module

  • Intuitive and musically patch-programmable interface

CONS

  • Lacks an internal mixer for simultaneous main and sub wave output

  • No octave switch, making octave shifts cumbersome

  • Precision tracking issues across 4 octaves, slightly off-tune

  • Sub wave can't be turned off with a gate, limiting flexibility

  • Shape control changes to attenuation with external signal, which might not suit all users

  • Bottom frequency limit of 4hz restricts its utility as an LFO

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Make Noise STO.

Features and functionality

  • The STO's shape control and gated sub-oscillator provide notable sound variation, enhancing its versatility in small setups.

    Source
  • The STO's sub-oscillator can be triggered independently using a gate input, allowing for rhythmic bass patterns alongside a main sequence.

    Source
  • The STO's waveshaper affects even and odd harmonics differently, providing a unique tonal character distinct from external wave multipliers.

    Source

Use cases and applications

  • It's particularly suitable for ambient, experimental, and drone music, aligning well with a West Coast modular setup.

    Source
  • The STO's sub-trigger feature is particularly useful for creating rhythmic interplay in sequences, enhancing its utility in complex modular setups.

    Source

Comparisons

  • The Endorphines Godspeed is an alternative, offering more options and sturdy knobs while being slightly smaller.

    Source
  • Ts-L and NANO Ona are suggested as more feature-rich alternatives, with the Ona described as a blend of STO and Dixie characteristics.

    Source
  • Plaits, with its waveshaping mode, can emulate STO's sounds, offering more exploration potential in a small setup.

    Source
  • The ALM MCO is noted for its digital sound and diverse waveforms, but lacks the STO’s ability to be driven into very low frequencies.

    Source
  • The Paradox by Noise Reap, while cheaper, offers dual oscillators with cross-oscillation capabilities, providing a different sound-design approach compared to the STO.

    Source
  • The Pittsburgh Modular Primary Oscillator offers additional outputs like 'blade' and 'fragments' with distinct timbres, presenting a more feature-rich alternative to the STO.

    Source
  • The Tiptop Fold Processor is a budget-friendly alternative to more expensive wave shapers like the Random Source Wave Multipliers, though with limited features.

    Source

Mods and upgrades

  • Pairing the STO with Optomix for mixing and VCA functions can create a unique musical signature akin to a TB-303's bass sound.

    Source

User experience

  • Owners note the STO's wood-like tonal quality and its capability to produce a range of harmonics with complex modulations.

    Source
  • Owners find the STO’s FM capabilities appealing, offering unique sound manipulations not typically available in similar priced oscillators.

    Source
  • Some owners feel the sub-out is thin, resembling a square wave with approximately 30% pulse width, contrasting the fuller sound others describe.

    Source

5.0 out of 5

Based on 0 Reviews and 6 Ratings

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Artist usage

Add artist
See how Four Tet uses Make Noise STO

Four Tet

Music Producer, DJ

...
Verified via Photo

Visible in this April 21, 2018 Instagram post and this photo from this August 2021 Sound on Sound interview.

See how Jean Michel Jarre uses Make Noise STO

Jean Michel Jarre

Keyboardist, Music Producer

The Dustbins

...
Verified via YouTube

can be seen at 1:55 in the video

See how Andrew Huang uses Make Noise STO

Andrew Huang

Singer, Guitarist

First Of October

...
Verified via YouTube

Visible in this November 30, 2020 video at 0:58.

See how Rhys Fulber uses Make Noise STO

Rhys Fulber

Music Producer

Fear Factory

...
Verified via Photo

In a post on Instagram, Rhys Fulber showcases his modular synthesizer setup, highlighting the Make Noise STO among his new additions.

See how Drumcell uses Make Noise STO

Drumcell

Music Producer

...
Verified via YouTube

You can notice it at 0:47 of this video in the right bottom side.

See how Mebitek uses Make Noise STO

Mebitek

Composer, Music Producer

...
Verified via Photo

Sardinian electronic music and video producer Mebitek is known for crafting dark ambient cinematic atmospheres. In an Instagram post, Mebitek showcases the Make Noise STO as part of a modular synth setup, highlighting its role in creating his signature blend of melancholic and cinematic soundscapes.

Genre Usage

Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.

Used With

Based on how musicians on Equipboard use Make Noise STO, it is most commonly used with the following gear.

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