5 Best Condenser Microphones: Finding Your Sound

I don’t know about you, but microphones always kind of intimidated me when I was starting out. I never knew where I should put them in relation to my amp (or mouth, depending on whether or not I was making another attempt to convince myself I could sing), and I never knew how to pick out a mic that would suit my needs.

If you’ve ever faced a similar issue, you’re in luck! This article will give you the breakdown on condenser mics, a few tips on how to use them, as well as five great recommendations!

What is a Condenser Microphone?

Simply put, condenser microphones are sensitive microphones. They’re more sensitive to abuse (moisture, rough handling, the perils of the road, etc.), more sensitive to dynamics, and boast a more sensitive frequency response. This makes them more of a studio microphone fit for recording in a controlled environment; whereas a dynamic mic (like the Shure SM58) is more fit for live performance. However, that’s not a hard and fast rule by any means. If you’re doing an intimate acoustic show at your favorite (but probably overpriced) coffee house a condenser microphone might be a good option. On the other hand, if you’re knocking out some down and dirty blues-rock you may want to consider using a dynamic microphone.

Why Would I Need a Condenser Microphone?

A condenser mic is useful when you require accuracy above all else. You work hard to get your tone, you work hard to write a song or arrange a cover, and you spend a lot of money on gear that sounds good. A condenser microphone is your best option for reproducing the fruits of your labor faithfully.

Tips on Using A Microphone

1. Don’t Cup the Mic- Cupping the mic (holding it close to your mouth with a hand around it) kills your frequency response and makes you sound like everybody’s favorite blue Muppet. Unless that’s what you’re going for, I would advise against doing this.
2. Avoid Sound Bleed When Recording- While condenser microphones are good for guitars and vocals, drums benefit from using dynamic microphones. Because condensers are so sensitive, the sound from the various pieces of a drum kit will bleed over into the other tracks for the drum (you hear floor tom on the snare track, snare on the high-hat etc.) and you’ll have a harder time getting a crisp sound.
3. Live Performance is an Exercise in Compromise- You’re never going to sound as good on stage as you do in the studio. The acoustics generally aren’t in your favor, and because of the volume you can’t use really sensitive mics that will produce a more accurate sound. So learn to live with compromise when it comes to how you sound live. Your fans would rather hear muddy vocals than microphone feedback. They’re there to see you. They want a show, not perfection.
4. Invest in Quality- You can get away with a cheap guitar or bass. In fact, one of my favorite guitars ever is the Recording King Dirty 30s parlor guitar. However, if you want good results with a microphone you should be ready to shell out some cash. Reproducing a sound accurately is a very technical and labor intensive process, and if you’re gear isn’t working for you it will be working against you.