Bootsy Collins

Featured in this November 23, 2017 Premier Guitar interview.

This Bass Player interview states that Collins uses this pedal.

Featured in this November 23, 2017 Premier Guitar interview.

Featured in this November 23, 2017 Premier Guitar interview.

Featured in this November 23, 2017 Premier Guitar interview.

Visible in this June 18, 2015 Facebook post and throughout this September 30, 2013 video.

Used with Parliament and Funkadelic, as mentioned by Collins in this excerpt from a 1979 Guitar Player interview as transcribed TalkBass here and here from a reprint in Bass Heroes: Styles, Stories & Secrets of 30 Great Bass Players,

What kind of amps do you use in your setup?

The entire system is divided into three different parts - high, mid, and low. But we're not just talking about amplification, we're talking about the effects in each part. On my highs I use a Big Muff fuzz, a Mu-tron III [envelope-following filter], an MXR digital delay, a Morley Fuzz/Wah, a Morley Power Wah, and an Eventide Harmonizer. The Harmonizer sits in a case that looks like R2D2 from Star Wars. It looks just like a little robot, so I call it R2FunkU. There's a sign hanging on it that says, "Can I Play?" Inside of it, there's also a keyboard for the Harmonizer that enables me to preset harmonized intervals to what I'm playing. That way I can play a note and have a fifth or a third coming out at the same time.

All of that equipment just for the highs?

Right. For the mids, I have a Big Muff fuzz, a Mu-tron III, and an MXR digital delay. On the lows, I use a Mu-tron Octave Divider, two Roland Space Echos, a Big Muff fuzz, and a Mu-tron III. I keep all my effects in one box called the Space Case. The highs and mids each have an Alembic preamp, two Crown DC-300A amps, and four Cerwin-Vega speaker cabinets.

What's in each cabinet?

The cabinets used for the highs are called V-32s. They have two 12s, one midrange horn, and two tweeters. The midrange cabinets are basically the same, except there's one 15" speaker instead of two 12s. Those are called V-34s. On the bottom end are three Acoustic 370 heads and six Cerwin-Vega cabinets. Two have one 18" speaker and one 12", two more have an 18 and a 10, and two have one 18" and an 8.

Isn't that a lot of equipment for onstage?

I don't play it that loud. I've just got it there so that I don't have to strain the equipment and everybody can hear. As a matter of fact, the whole stage is set up like that. The guitar player, the keyboard player, everybody is set up like that so there is no real strain.

At 0:35 in the YouTube video titled "Bootsy Collins Tours His Incredible Home Studio 'The Boot Cave'” by Reverb, a DigiTech Whammy II pedal is visible on a pedalboard in Bootsy Collins’s studio setup, confirming its use by the artist.

At 2:23 in the Reverb video "Bootsy Collins Tours His Incredible Home Studio 'The Boot Cave'," an Ampeg SCP-OCT Sub-Blaster Bass Octave pedal is visible in Bootsy Collins's studio setup, positioned at the top left corner of the screen.

In the video "Bootsy Collins Tours His Incredible Home Studio 'The Boot Cave'" by Reverb on YouTube, at 18:12, a DigiTech Whammy DT Drop Tune guitar effects pedal is visible on the floor in Bootsy Collins's live room, confirming its use by the artist.

In the YouTube video titled "Bootsy Collins Tours His Incredible Home Studio 'The Boot Cave'" by Reverb, a Moog Moogerfooger MF-102 Ring Modulator is clearly visible in Bootsy Collins' pedal setup at the 18:17 mark, confirming its use in his studio equipment.

At 27:10 in the video titled "Bootsy Collins Tours His Incredible Home Studio 'The Boot Cave'" by Reverb on YouTube, a DOD Meatbox Subharmonic Synthesizer Pedal is visibly placed on top of a rack near the Ampeg Portaflex in Bootsy Collins' studio.