Harrison Koisser

In this picture, an Electro Harmonix Cathedral Reverb pedal can be seen at the front of Harry's pedalboard. He uses this for songs such as California Daze and 1998.

In this Instagram picture, Harry shows us his current pedalboard with the Boss MO-2 Multi Overtone pedal clearly to be seen in the bottom right.

In this Instagram picture, Harry shows us his current pedalboard with the Strymon Mobius Modulation pedal clearly to be seen in the bottom right. This is used on songs such as Wraith and Float Forever.

In this interview there is a picture of him using a Squier, however its not mentioned.

Harry:"[Amps-wise] I use a Marshall 1962 Bluesbreaker"

Harri played this live at the rainbow in Birmingham. see here for photos http://www.clashmusic.com/reviews/peace-live-at-the-rainbow-birmingham#view-gallery-image-8

In this picture (which I can confirm is Harry's pedalboard), an Electro Harmonix Micro POG can clearly be seen in the top corner.

Harry: "for the stereo effects I got a new amp from Fender called the Excelsior."

Harry is seen using a Danelectro DC-3, by the number of lipstick® pickups, and color of frets, being different from the 59-MJ or DC-59.

In this Instagram picture, Harry shows us his pedalboard and clearly seen is the Boss PS-6 Harmonist in the centre; used on tracks such as Wraith.

In this Instagram picture, Harry shows us his current pedalboard with the Boss DS-1 Distortion pedal clearly to be seen in the middle.

In this Instagram picture, Harry shows us his current pedalboard with the Digitech Hardwire RV-7 Reverb pedal clearly to be seen in the bottom left.

In this picture (which I can confirm is Harry's pedalboard), a Zvex Fuzz Factory can clearly be seen in the top.

In this picture (which I can confirm is Harry's pedalboard), a Mooer Skyverb pedal can clearly be seen in the bottom left corner.

In this picture (which I can confirm is Harry's pedalboard), aCatalinbread Echorec pedal can clearly be seen on the back row of his pedalboard.

In this photo of Harry and his pedalboard, a Vox Delaylab Delay can be seen in the background. He uses this in his earlier records as he changes it for a Strymon Timeline delay later.

In this article (and video) Harry is using a 1979 Les Paul.

in this instagram post Harrison is seen playing a double neck Gibson SG. He can also be seen playing it in this album walk-through https://www.youtube.com/watch?v=FtMbJOSCArM

When asked 'Outside of bands, what’s the most exciting thing happening in music right now?', Harry replied with 'The first thing I was drawn to was this piece of equipment that I’ve recently bought... It’s a guitar effects pedal that turns your guitar into any number of keyboard sounds. You can do steel drums on it.'

In this Shepherds Bush Empire concert photo, Koisser is visible playing the 12-string Gibson Les Paul Standard.

Harry: "I really like my Mustang. It's a 1976 American. I like how messy it is, and it sounds good with chorus and reverb. I use a Danelectro [DC '59] on a few songs as well"

In this Instagram picture, Harry shows us his current pedalboard with the TC Electronic Polytune Mini Noir Tuner clearly to be seen in the bottom right.

In this Instagram picture, Harry shows us his current pedalboard with the Roland EV-5 Expression pedal clearly to be seen in the top right.

In this Instagram picture, Harry shows us his current pedalboard with the Strymon Timeline Delay pedal clearly to be seen in the middle.

In this Instagram picture, Harry shows us his current pedalboard with the Boss FB-2 Feedbacker Booster pedal clearly to be seen in the middle. He generally uses this as a boost for solos and drops such as in 1998.

In this picture (which I can confirm is Harry's pedalboard), a Jam Retro Vibe pedal can clearly be seen in the front.

In this picture (which I can confirm is Harry's pedalboard), an Electro Harmonix Worm can clearly be seen in the back row.

"Pedals he uses/used include MXR Micro Amp"

Throughout the “Perfect Skin” video we see Koisser performing with a Vox MKIII Teardrop. The guitar can be seen particularly well around 0:20, 1:12, and 1:40.

In this photo we see Koisser performing with a Gibson ES-330 in sunburst