Pricing and availability
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Price
Average Price: $1,304
High-end/Boutique
$400
$1001+
Price Tier
Budget
Standard
High-end
Price History
Based on price data from 2 merchants for "Fender Mustang Electric Guitar". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
The Fender Mustang Electric Guitar is a modern reinvention of an iconic instrument, designed to inspire and fuel your creativity. With its offset design, the Mustang has always attracted daring guitarists and has left a significant mark on rock 'n' roll. This American Performer Mustang carries this legacy forward, blending classic features with contemporary upgrades that adapt to your unique playing style.
The heart of the Mustang lies in its Yosemite single-coil pickups, which deliver rich and dynamic sounds perfect for any musical situation. Flat-staggered pole pieces increase output, and a shellac coating allows the coils to breathe, giving you controlled feedback and a wide tonal range.
The modern C-shaped maple neck offers exceptional playability, with a 9.5" fingerboard radius and 22-jumbo frets that allow for comfortable chording and effortless string bending. The 24" scale length makes extended stretches and complex chords easily accessible, especially for players with smaller hands.
An innovative feature is the vintage-modern Mustang bridge, which uses grooved saddles to keep your strings in place during energetic performances. This, along with the alder body, contributes to a balanced tone that's perfect for any genre.
Key Features:
- Yosemite single-coil pickups for expressive tone
- Modern C-shaped neck for supreme playability
- Vintage-modern Mustang bridge for secure string anchoring
- Alder body for balanced tone
- Greasebucket tone circuitry to shape highs without adding bass
- ClassicGear tuning machines for rock-solid intonation
- American-made quality at an unbeatable price
- 24" scale length is perfect for long stretches, smaller hands, and younger players
- Offset alder body is lightweight and tonally balanced
- Easy-playing 9.5"-radius fingerboard with jumbo frets
- Classic Mustang trem system yields haunting vibrato and a wide degree of pitch control
- 2 Yosemite Alnico V single-coils with simplified 3-way toggle
- Greasebucket tone circuit rolls off highs without adding bass or reducing volume
- ClassicGear tuners ensure rock-solid tuning stability
Product specs
| Number of Strings | 6 |
| Left-/Right-handed | Right-handed |
| Body Type | Solidbody |
| Body Shape | Mustang |
| Body Material | Alder |
| Body Finish | Satin Polyurethane |
| Neck Material | Maple |
| Neck Shape | Modern C |
| Neck Joint | Bolt-on |
| Radius | 9.5" |
| Fingerboard Inlay | White Dots |
| Number of Frets | 22, Jumbo |
| Scale Length | 24" |
| Nut Width | 1.685" |
| Nut Material | Synthetic |
| Bridge/Tailpiece | American Performer Mustang Bridge with Tremolo |
| Tuners | Fender Classic Gear |
| Neck Pickup | Yosemite Mustang Single-coil |
| Bridge Pickup | Yosemite Mustang Single-coil |
| Controls | 1 x master volume, 1 x master tone |
| Switching | 3-way toggle pickup switch |
| Strings | Fender USA, .009-.042 |
| Case/Gig Bag | Gig Bag |
FAQs
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What makes the Fender Mustang a good choice for beginners?
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The Fender Mustang's short 24" scale length and comfortable Modern C neck profile make it easier for beginners to play. Its lightweight alder body and simple control layout also contribute to its playability.
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What kind of tones can I expect from the Fender Mustang's pickups?
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The Fender Mustang features Yosemite Mustang single-coil pickups, which offer a bright, clear tone with excellent definition. These pickups are versatile, making the guitar suitable for a range of styles from rock to indie.
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Is the Fender Mustang suitable for small-handed players?
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Yes, the Fender Mustang's 24" scale length and Modern C neck shape make it particularly suitable for players with smaller hands, offering easier reach and playability across the fretboard.
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Does the Fender Mustang come with a case or gig bag?
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The Fender Mustang comes with a gig bag, providing basic protection for transport and storage.
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How does the Fender Mustang's tremolo system perform?
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The Fender American Performer Mustang Bridge with Tremolo offers smooth operation and stable tuning, allowing for expressive playing without significant detuning issues.
Videos
Fender
Vintera Series '60s Mustang | Vintera Series | Fender
Reviews
PROS
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Versatile sound, from Les Paul mud to Strat brightness
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Short scale length enhances playability, especially for smaller hands
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Unique and smooth vibrato system with nylon arm sleeve
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Distinctive tone-shaping controls offer unique sound character
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Lightweight and solid build for comfortable, extended play
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High-quality craftsmanship with no sharp fret ends
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Responsive neck with a satin finish for smooth playing
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Comes with a well-fitting gig bag for easy transport
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Vintage tone without the vintage price
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Great sustain and resonance, even unplugged
CONS
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Stock tuning heads may require upgrading
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Bridge pickup can be too quiet and hard to balance
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Strings may need upgrading for better tone and stability
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Tremolo system requires careful setup for optimal performance
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Toggle switch may not stay in intended positions
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Fender Mustang Electric Guitar.
Features and functionality
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The Vintera Mustang's slide switches offer out-of-phase sounds and a killswitch feature, but can obstruct picking due to their height.
Source -
The Mustang's vibrato system is responsive with a large range, though it requires careful setup and is prone to wear over time.
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Early Mustangs had a smaller neck radius, making them more likely to fret out on bends compared to Stratocasters.
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The American Performer Mustang features a diagonal switch placement, reducing accidental hits during aggressive strumming, though it may contact the leg when seated.
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Comparisons
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Mustang guitars have a shorter scale length than a Les Paul, which affects playability and may suit those who prefer a lighter touch.
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The Mustang's vibrato is considered superior to a Strat's, though it requires more time-consuming setup for optimal performance.
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Mustang pickups are noted to be darker and less powerful than Telecaster pickups, influencing clean and distortion tones distinctly.
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User experience
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Owners highlight that the Mustang design, originally intended as a student guitar, became popular due to its affordability and unique sound, particularly during the 90s grunge era.
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Owners with MIJ MG69 Mustangs note the original pickups deliver unexpectedly good cleans, making upgrades feel unnecessary.
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After three months, owners appreciate the Mustang's comfort, lightweight design, and the unique, fuller sound of its pickups compared to other models.
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Mods and upgrades
Setup and maintenance
Critic Reviews
4.5 out of 5
Based on 19 Reviews and 158 Ratings
102
Great modding platform
My Mustang is a Vintera model. The short scale and 7.25 neck radius are great for the fast and noisy punk rock music that I use this guitar for.
Out of the box, the pickups were woefully underpowered considering my intended use. I couldn't even get them to overdrive my cranked Vox AC amp to a satisfactory level (anyone who knows their Voxes knows that overdrive should not be a challenge). The original PUs were replaced with a set of the Creamery's Sonic 60s Mids. A match made in heaven as far as I'm concerned.
The Mustang's vibrato is often a point of contention on these guitars. I use the vibrato a lot and actually like the Mustang's vibrato. However, it is very limiting as regards the set up. You can get the vibrato to a point where it does what it needs to do (including subtle vibrato and dive bombs) and stays in tune. But, this requires setting it up so that it works which is not necessarily the optimal setting for the player. I replaced the original vibrato with a Goldo Les Trem II. This required some irreversible modifications to the body but the outcome is phenomenal.
Having long ago realised that no off-the-shelf guitar is ever going to meet all my needs, I bought the Mustang with the intention of modifying it. As such, it is an excellent guitar. It's relatively cheap but very well made. I've made extensive modifications, only a couple of which I've mentioned here. This is now my primary guitar for my punk band and the only one that I gig with (have never needed a backup). I give this 4 stars because it was of very limited use for me out-of-the-box, but I expected that and it's proven a perfect modding platform for me.
Preferred Settings + Usage:
Mostly play the bridge PU only through heavy fuzz into an overdriven Vox AC15. Use the 2PU out-of-phase setting sometimes, ex. for octave fuzz stuff.
58
Just cool.
I have had many different guitars, including the most popular ones, but the reason I love the Mustang is that I love the short scale size (especially as a gal), dig the comfortable curves (like a Strat, not just a block body), drool over the possible pickup combinations (out of phase Tele sounds!! And love how you can turn the pickups off so you can flick the switches to cut your sound in and out), and honestly just think it looks so cool. I have the fiesta red (FAVE Fender red...looks amazing in person, like it's a salmon-y/orangish red that has been faded after 50 years.....sigh) Kurt Cobain model. ALSO, I love how the switches don't stick out as much and also love the hot Seymour Duncan JB in the bridge. Can I say love more?
114
http://staytrem.com/Staytrem-for-Mustang-and-Jagstang
This is the answer man, I have it on my mustang, cause I use vibrato a lot, it's amazing, as cool as my jazzmaster's vibrato
114
1966 Daphne Blue
" I have a vintage daphne blue mustang ( 1966 ), it's my main guitar, 100% original, I've just put a "staytrem" on it, now the vibrato is perfect, I love it "
205
true love
Any day playing my Mustang with an out-of-phase setting and a fuzz pedal is a happy day.
608
My dream
I ve learned ( sorry i ve been learning !) to play guitar with kurt cobain songs so.....I had to get this wonderful made in japan. Just bought it in tokyo ochanomizu yesterday 15th january 2018 and tomorrow I m gonna playing at home, can t wait The blue colour is simply amazing and as well the sound is
2423
My 2nd Guitar
This was my 2nd guitar. It had a Sonic Blue finish and a tortishell pickguard. Only mods I have done are the Texas Special Telecaster pickups and Killswitch.
56
This is my very favorite electric hands down.
I had a 90's Fender Strat, an 80's Les Paul and this is the guitar that made me ditch them, I love the tones I can get out of this guitar and the shorter scale is actually easier for me since I have smaller fingers. It is a wonderful guitar.
1171
My old go to do...
Mine is Dakota...25 years of good and loyal service to the hectic concerts and always impeccable ... if we like guitars really reluctant on stage
Artist usage
Add artist
The Kurt Cobain Equipment F.A.Q. extensively documented Cobain's Fender Mustangs, his favorite guitar model. Mustangs featured prominently throughout the Nevermind and In Utero eras of Nirvana.
Guitars Page
A). Fender Mustangs. Kurt said that his favorite guitar was a Mustang (9).
1). One of the most note-worthy of the assorted lefty Mustangs he used was a 1969 Lake Placid Blue "competition" Mustang, serial # F 279651 (59). It was purchased around the same time as his Jaguar (discussed later), just prior to recording "Nevermind" (57). This is the guitar from the "Smells Like Teen Spirit" music video; however, Kurt had been seen using it often during shows (seen 2,10,15). Fender produced the Mustang competition series from around 1968-1973 and they are easily identifiable by the three racing stripes on the body. The "Fender Book" says that the competitions, quote, "sometimes" came with matching headstocks.(11). Kurt's Mustang was lake placid blue with matching headstock. It had two black, single coil sized pickups with a white mother-of-pearl pickguard; the bridge was replaced with a Stewart MacDonald Gotoh Tune-O-Matic (Kurt's favorite)(57) before the Argentina trip. Despite his babying this guitar, he trashed this guitar during the infamous Tree Club show (seen 2). As a result, it had lower edge damage and a broken neck joint (41). This guitar can also be seen on the relatively well-known "Hollywood Rock" festival concert footage shot in Rio de Janeiro, Brazil in 1993 (seen 13, 10). This guitar remained in storage during the "In Utero" tour because Kurt really liked this guitar (57). The Australian Hard Rock Cafe claims they have this guitar, but Earnie Bailey says he saw a photo of the guitar they had and it was right-handed. "The photo said that it had come from Courtney. Either she or Eric had a right-handed one exactly like Kurt's, I'm not sure whose it was, but this is mostly likely that guitar." He goes on to say, "The Hard Rock Cafe does not own Kurt's competition blue Mustang. I recently worked on the real one and its preset owner allowed me to photograph it in detail. Courtney gave it to him a month after Kurt's death, and it is eaxctly as I remember it, ever nick, ding, and solder joint" (59).
2). The March 1995 issue of "Guitar World" magazine mentions Kurt sent out 4 new, stock, Mustangs to be routed for humbuckers (32). Three were sonic blue and one fiesta red (41). The way Earnie modified these guitars is as follows:
First, the nut had to be cut for heavier strings, then the neck shimmed for a better bridge angle with the cardboard backings from hotel stationery pads, and a Gotoh Tune-O-Matic bridge was installed. Earnie also had to modify the tailpiece to block the vibrato, which Kurt hated. He would remove the two springs for the vibrato bar, add washers to the posts beneath the bridge plate, which locked it down to the plate. Lastly, Earnie would flip the tailpiece around allowing the strings to feed directly through the tailpiece, not under, and the ball ends of the strings would fit in the tailpiece's recesses (41).
Fiesta red Mustang (seen 1). Kurt received this guitar right before the first Roseland show. It came with a red swirl pickguard with white pickup covers. Earnie Bailey replaced the red tortoise pickguard with a white pearl pickguard from Chandler. It was used during the In Utero tour, most often seen with the white pearl pickguard. For the first Roseland NY show, Earnie switched the bridge pickup with a Seymour Duncan JB Hot Rails model in white, which is a fairly unusual pickup. When he received the Chandler pickguard, he decided black pickup covers would look better with the pearloid. This guitar was to be Kurt's first Japanese Mustang to get routed for a humbucker, the stock neck pickup only had the cover changed (59), and was fitted with a Seymour Duncan JB. Kurt later wanted all of his Mustangs routed for the JB., that is, except for the '69 competition (41).
Sonic blue Fender Mustang with a full-sized humbucker in the bridge (seen 15, 7). There were three of these guitars, two of them set-up like below (41), one of them had the serial # 0 016988 (59). One had a red-swirl pickguard (seen 7), another a matte red pickguard. These two were sent out for the In Utero tour. The third one was never set-up or modified and stayed at Kurt's house. It never came out of its box because the "In Utero" tour people were waiting for the other Mustangs to be broken, which they never were. Earnie also never swapped out the 250k pots to 500k's when the humbucker was added as he didn't expect these guitars to last very long (59).
Courtney gave one of these guitars to a young man named Bobby Costello in Florida. Last I had heard, the family was looking to sell the guitar and supplied me these pictures: Note from Courtney, Pic #1, Pic #2, Pic #3.
3). Early 60's sonic blue Mustang, serial # F207901, no pickguard. It was used in Geffen's "In Bloom" video (seen 42, 43)(41)(59). Kurt picked up this guitar at the time of the video shoot in Los Angeles. Earnie saw it at Kurt's house and says it was really clean-- it had no body contours and stock hardware. It never toured (41). The Mustang is visible behind the mannequin in the "Sliver" video but with a single-coil pickup in the bridge (seen 36)(59).
4). Early 60's sanded-down Fender Mustang used when Jason Everman was with the band. Had no contours and no decal with unusual hardware. Had a Soundgarden sticker on it (41)(seen pgs. 95, 96 on (25)). Also said to be visible in the "Incesticide" cd insert, but I don't know if it is really the same guitar ("Incesticide" 44). Said to have a cut-up vinyl record for a pickguard (15). Another picture.
5). 1977 sunburst Mustang with black pickguard, serial # S 714567 (59), rosewood neck, and rusty parts(41). It got a Duncan Hot Rails upon returning home from Rio (59). Earnie Bailey tells me he is "fairly certain" this was used for the encore at the Rio show (59)(seen 13). On the video which many of us own, he plays a Univox for the encore and though there is confusion as to what the "Rio" show really was, most consider it to be the Hollywood Rock Festival, January 23rd, 1993 (41). Aneurysm and Dive from 'Live! Tonight! Sold Out!' were taken from this show (seen 16). However, the 'LTSO' book lists this as being in Sao Paulo, while "Come As You Are" says otherwise (25)." Here is what Earnie tells me, "[This guitar] was brought to Rio by Ron Stone of Gold Mountain Entertainment. We received it the day we arrived in Rio. I am fairly certain Kurt grabbed it for the encore. I am not sure if the encore is on the bootleg video. The guitar had a baseball bat neck and I didn't have a hot rails pickup with me in Brazil to install. I really thought he was going to smash it because it didn't feel or sound right yet, but he didn't" (59).
6). Poorly modified Fender Mustang from the early days. Its control plate and weird bridge currently reside in a pink suitcase of Kurt's (15)(59).
Also, despite how many pictures appear, Kurt never used a white Mustang. The sonic blue tend to look white, especially with the crazy light show NIRVANA had during the "In Utero" tour. Jim Vincent's girlfriend did the lighting for the shows and also designed the sleeve for the band's first single. If any of you have any photos of the whole stage from the "In Utero" tour, please let me know! Jim has been looking for pictures of the stage for his girlfriend's portfolio.
Recording of 'Bleach'
Jack Endino says in the early days a Univox guitar (Hi-Flyer (57)) with stock humbuckers was used (54). Jack bought one of these type of stock Univox pickups from Kurt once. It was in pieces, but Jack was able to stick the wires together (57). The Univox(s) was around approximately until "Sappy" was recorded; a new guitar was seen at least by the time Jack did the "In Utero" demos which he remembers as being a small Fender guitar, "perhaps a Mustang." (...)
Recording of 'Nevermind'
(...) The guitars used were his competition Mustang, his Jaguar, and a new Stratocaster(s) with humbuckers in the bridge positions (6). Kurt purchased a bunch of Japanese Strats (had humbuckers installed in the bridges) and effects for this album from Rick King of Guitar Maniacs. Just prior to recording this album Kurt apparently developed a taste for Fender guitars.
(...) Tour Gear Summary
(...) "Nevermind"-era: Initially only the 1965 Jaguar, '69 Mustang, and Japanese strats for guitars; later the sunburst Tele painted blue. Univoxes continually used occasionally. Dean Markley .010-.052 guitar strings and orange Dunlop picks. (...)
"In Utero"-era: Everyone knows Kurt's usual guitar of choice was the Mustang. New sonic blue (red pickguard) and fiesta red (red swirl changed to white pearl) Mustangs used almost all of the time. (...) All the work to his new Mustangs (and Mexican Strats) was done before the band went on this tour. Sometimes Kurt would want one of his Mustangs to smash at the end of a show, instead of the predetermined black Mexican Strat, but they talked him out of it! Kurt agreed by saying, "Yeah, all right, I don't want to break that guitar because it feels really good" (57).
I'm sure there are still some mistakes here and there..
- Still photographs: Roseland new music seminar performance in NYC, 7/24/93.
- The infamous Trees Club show video footage shot in Dallas, Texas on 10/19/91.
- MTV Studios performance of "Smells Like Teen Spirit," "Polly," and "Territorial Pissings" taped in New York, NY 1990.
- Guitar World Online, soundcheck. Web address is: http://www.guitarworld.com/jan96/soundcheck/scfeature1/sft.page1.html
- Saturday Night Live rehearsal footage. 1993 NBC.
- "Guitar World" magazine. May 1996.
- MTV's New Year's "Live and Loud" concert footage at Pier 47 in Seattle, WA, 12/17/93 shown 12/31/93.
- "In Utero," album, 1993 DGC.
- "Musician" magazine interview. January 1992.
- My and Ralph Smith's discussions through e-mail with various people.
- My phone conversation with Fender, 8/19/96.
- Clay Guitars Web Page. Web address is: http://www.geocities.com/Hollywood/1375/fender.html
- "Hollywood Rock" festival concert footage. Rio de Janeiro, Brazil, 1993.
- Concert footage; said to be Trenton, NJ, 1991.
- Various photographs/concert footage.
- "Live! Tonight! Sold Out!" video. Geffen Home Video, 1994.
- Saturday Night Live performance, 1993.
- "Fender Frontline" magazine. Fall 1994 (Vol.14).
- Still photographs: "Nirvana" (Suzi Black, Omnibus Press) 1992.
- "Guitar Player" magazine interview. February 1992.
- "MTV Unplugged" concert video. Fall 1993. Soundtrack released as "MTV Unplugged in New York" (DGC, DGCD-24727) 1994.
- "Guitar World presents Alternative Guitar" magazine interview. Spring 1994. Ralph Smith feels the interview seems to date from the period right around when "Nevermind" was released.
- "Doll Parts" music video by Hole. (DGC) 1994.
- "Guitar Shop" magazine 1994. A review of the 11/15/93 show at the NY Coliseum, NYC.
- Book: "Come As You Are: The Story of Nirvana" by Michael Azerrad (Doubleday). October 1993. Either a picture or in the text.
- "In Utero" sheet music book (Hal-Leonard pub.) 1994.
- "What's the Frequency, Kenneth?" by R.E.M. (Warner Bros.) 1994.
- Book: "Ferrington Guitars, Featuring the Custom-made Guitars of Master Luthier Danny Ferrington" (HarperCollins and Callaway Editions) 1992.
- "Vintage Gallery: Collectable Guitars & Amps" magazine. October 1994, p. 47.
- Ralph Smith's telephone conversation with Fender, 11/4/94.
- "Heart-Shaped Box" music video. (DGC) 1993.
- "Guitar World" magazine (and possibly also a later issue for the item mentioned in parenthesis under the "Recording of 'Nevermind'"). March 1995.
- "Nevermind," album. (DGC) 1991.
- "Bleach," album. (SubPop) 1989.
- "Guitar Shop" magazine. August 1996.
- "Sliver" music video. (DGC & SubPop?) Year?
- "From the Muddy Banks of the Wishkah," album. (DGC) 1996. Photos from insert and cover.
- "Guitar World" magazine. October 1996.
- "Circus" magazine. December 17, 1996.
- My phone conversation with Jim Vincent, NIRVANA's tour tech from later 1993 through all of 1994. 1/28/97.
- Chris Lawrence's Equipment Tutorial which also contains information from Earnie Bailey, Kurt's main guitar technician. Web address is: http://www.geocities.com/SunsetStrip/Towers/5890/kurtseq.html
- "In Bloom" music video (DGC). Year?
- "In Bloom" music video (SubPop). Year? Preceded DGC's video.
- "Incesticide" album. DGC, SubPop 1992.
- L.A. Recycler. Web address is: http://www.recycler.com
- "Lithium" music video (DGC). Year?
- MTV Video Music Award show, 1992.
- Reading Festival. London, England. 8/92.
- "Come As You Are" music video (DGC). Year?
- Saturday Night Live live performance, 1993.
- "NIRVANA and the Sound of Seattle," book (more info?).
- New Year's Eve, 1993, live performance in Oakland, CA.
- "Goldmine" magazine/newspaper. 2/14/97, Vol 23, No 4, Issue 432. Pg. 16.
- Jack Endino's web page http://www.nwlink.com/~endino/
- "Guitar World Presents NIRVANA and the Seattle Sound" magazine. 1993.
- Information from my conversations with Chris Gill of "Guitar World" magazine, who did the equipment article in the August 1997 issue.
- "Guitar World" magazine, August 1997.
- My telephone conversation with Mark Snyder. Mark claims to have built Kurt's amp rack and demoed Kurt Mesa/Boogie gear at the time, Earnie doubts this.
- My conversations and emails with Earnie Bailey.
- Various emails.
- Uncut Legends #2.
In this photo, John Frusciante's red Fender Mustang can be seen next to him. In an interview with Vintage Guitar, he says:
I also have a red Mustang, and it’s fun. I feel like a different person on it, too, but it feels really comfortable, like an extension of me… but also that it’s a toy instead of a guitar. The same for the Duo-Sonic.
Interview found here, originally from Vintage Guitar's April 2009 issue.
Used for the Olympic Studios sessions of Axis: Bold as Love and Electric Lady Land. It was auctioned via Bonhams on November 21, 2004, only to be reauctioned via Julien's on April 27, 2007
Bonhams
A Jimi Hendrix Daytona red Fender Mustang guitar,
1966, serial number 126288, with guitar case, with an affidavit from John Mitch Mitchell, who was formerly the drummer with Jimi Hendrix Experience that states the guitar was used by Jimi Hendrix at the Olympic Studio, London for the recording of "Alxis Bold as Love" and "Electric Lady Land" and was used by him on these two album.
The guitar is part of the L series, which were among the last Fenders made before the company was taken over by CBS and these style of guitars are regarded as some of the best guitars made by the company.
Julien's
1966 Red Fender Mustang, serial number 126288, solid maple neck and body, 22 fret rosewood fret board, double cutaway body, the nut has been flipped to accommodate the fact that the guitar has been
Pictures of the guitar can be found here, here, here and here.
In the website, it said in an interview, Flea said he bought a Fender Mustang and started to jam after he felt confident to play bass after he was thought by his Bandmate, Hillel Slovak, from Anthym
"This is a great Mustang for anyone looking for a cool looking Mustang. It plays better than any Mustang I’ve ever used! And i’m not just saying that!" says Dan Auerbachs, as quoted in this article.
In this photo, Thurston Moore can be seen playing a Fender Mustang. On this website, it is said:
"Used by Thurston: 1988 1988 -- GABDEG?? NOTES:
A sunburst Mustang almost identical to Lee's that Thurston apparently used for a while in 1988. He can be seen using it at a photograph from the Roxy in November 1988, and it's on display (with the other sunburst Mustang) in the "Put Blood in the Music" documentary. I suspect it may have been in GABDEG... Sunburst body 2 black single coils Rosewood fretboard Pearl pickguard"
Album Usage
The Fender Mustang Electric Guitar has been featured on the following albums:
Only God Was Above Us
Vampire Weekend (2024)
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Zoloto (2024)
Notre Dame Made Out of Flesh
UNIVERSITY (2023)
President's Got Me All Night Long
Hataalii (2022)
The Car
Arctic Monkeys (2022)
Shrimp Sessions 2
Viagra Boys (2021)
Slow (Loud)
Black Midi (2021)
Chondromalacia Patella
Black Midi (2021)
Cavalcade
Black Midi (2021)
Pink Elephant
Stand Atlantic (2020)
Live And Loud
Nirvana (2019)
飛行艇
King Gnu (2019)
Fuzzybrain
Dayglow (2019)
You Let My Tyres Down / Back To The Wall
Tropical Fuck Storm (2018)
Put My Head In The Ground
Equal Idiots (2017)
I See You
The xx (2017)
SATURATION
Brockhampton (2017)
If You're Here
Cornelius (2017)
Mellow Waves
Cornelius (2017)
Don't Tip The Delivery Boy
Panucci's Pizza (2014)
Ghost Stories
Coldplay (2014)
1992-1998
Bedhead (2014)
Melophobia
Cage the Elephant (2013)
Rebirth
Pagoda (2013)
She's so Mean
Matchbox Twenty (2012)
ソラニン
Asian Kung-Fu Generation (2010)
Progressive Blues Experiment
Johnny Winter (2005)
Think Tank
Blur (2003)
Souljacker
Eels (2002)
NYC Ghosts & Flowers
Sonic Youth (2000)
No Surrender - Razors Edge Tour 1985
The Groundhogs (1998)
Live 1998
Bedhead (1998)
XO
Elliott Smith (1998)
Transaction de Novo
Bedhead (1998)
Fome
Los Tres (1997)
Beheaded
Bedhead (1996)
Presents Author Unknown
Jason Falkner (1996)
WhatFunLifeWas
Bedhead (1994)
Stoner Witch
Melvins (1994)
Mellow Gold
Beck (1994)
In Utero
Nirvana (1993)
Pure Guava
Ween (1992)
The Pod
Ween (1991)
Nevermind
Nirvana (1991)
Stompin' At The Savoy
Rufus & Chaka Khan & Rufus (1983)
Rufus
Rufus & Rufus (1973)
Johnny Winter
Johnny Winter (1969)
Electric Ladyland
Jimi Hendrix (1968)
Axis: Bold As Love
Jimi Hendrix (1967)
Nashville Rebel
Waylon Jennings (1966)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Fender Mustang Electric Guitar, it is most commonly used with the following gear.
Community setups
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