Sean Lennon

According to this article on Premier Guitar where all the gear he mentioned in the interview are written, this is one of his Guitars.

According to this article on Premier Guitar where all the gear he mentioned in the interview are written, this is one of his Guitars.

According to this article on Premier Guitar where all the gear he mentioned in the interview are written, this is one of his Guitars.

"and a 1999 ’59 Reissue Gibson ES-335."

"Fender recently gave me an Olympic White 60th Anniversary American Standard Strat."

Its a green Bilt Guitar

"I was always using the [Ampeg] B-15, which is great, but it’s soft and doesn’t punch like that. It doesn’t get edgy."

"I have an old, crusty Fender Deluxe from the ’50s that still has the original speaker cone. It only has volume and tone controls. If I put it up at 12 o’clock, it’s the most distorted thing that you’ve ever heard."

According to this article on Premier Guitar, this is one of his effects.

According to this article on Premier Guitar, this is one of his effects.

According to this article on Premier Guitar, this is one of his effects.

"I really like the [Sarno Music Solutions] Earth Drive, which sounds like an amp—more like an overdrive than a fuzz."

According to this article on Premier Guitar where all the gear he mentioned in the interview are written, this is one of his effects.

According to this article on Premier Guitar where all the gear he mentioned in the interview are written, this is one of his effects.

"But my favorite delay of all time is the pink Ibanez [AD-80] delay. I have, like, 10 of those. Every time I find one, I get it, because they always break. It’s the darkest delay. Not the other Ibanez that came out later, which looks almost the same, only it’s pale pink, and it takes one 9V battery. It has to be the 18V one."

According to this article on Premier Guitar where all the gear he mentioned in the interview are written, this is one of his effects.

According to this article on Premier Guitar where all the gear he mentioned in the interview are written, this is one of his effects.

According to this article on Premier Guitar where all the gear he mentioned in the interview are written, this is one of his effects.

He said that he uses it when was asked "With so many sounds on the GOASTT record to reproduce live, I imagine you need a well-stocked pedalboard. What do you have on it?"

He said that he uses it when was asked "With so many sounds on the GOASTT record to reproduce live, I imagine you need a well-stocked pedalboard. What do you have on it?"

He said that he uses it when was asked "With so many sounds on the GOASTT record to reproduce live, I imagine you need a well-stocked pedalboard. What do you have on it?"

He said that he uses it when was asked "With so many sounds on the GOASTT record to reproduce live, I imagine you need a well-stocked pedalboard. What do you have on it?"

He said that he uses it when was asked "With so many sounds on the GOASTT record to reproduce live, I imagine you need a well-stocked pedalboard. What do you have on it?"

He said that he uses it when was asked "With so many sounds on the GOASTT record to reproduce live, I imagine you need a well-stocked pedalboard. What do you have on it?"

He said that he uses it when was asked "With so many sounds on the GOASTT record to reproduce live, I imagine you need a well-stocked pedalboard. What do you have on it?"

He said that he uses it when was asked "With so many sounds on the GOASTT record to reproduce live, I imagine you need a well-stocked pedalboard. What do you have on it?"

He said that he uses it when was asked "With so many sounds on the GOASTT record to reproduce live, I imagine you need a well-stocked pedalboard. What do you have on it?"