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Average Price: $147
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$100
$251+
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Description
The Ibanez AD-80 Analog Delay is a classic tool for musicians seeking to add depth and resonance to their sound. With a simple interface and robust functionality, this pedal offers a rich bucket-brigade analog delay of up to 300 ms. Its controls for Delay Time, Repeat, and Blend allow for a highly customizable musical experience. This is more than just a delay pedal, it's a gateway to sonic landscapes.
Key Features:
- Bucket-brigade analog delay up to 300 ms
- User-friendly controls for Delay Time, Repeat, and Blend
- Robust and durable construction
- Classic tool for enhancing depth and resonance in music
- Highly customizable sound experience
Product specs
| Brand | Ibanez |
| Model | AD-80 Analog Delay |
| Finish | Pink |
| Year | 1980 |
| Made In | Japan |
| Categories | Delay Pedals |
| Pedal Format | Standard |
FAQs
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What type of delay sound can I expect from the Ibanez AD-80 Analog Delay?
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The Ibanez AD-80 provides a warm, vintage delay sound characteristic of analog circuits, with a natural decay that complements both clean and overdriven tones.
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Does the Ibanez AD-80 Analog Delay have a true bypass?
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The Ibanez AD-80 does not feature true bypass. It uses a buffered bypass, which can slightly color the tone when the pedal is not engaged.
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How long is the maximum delay time on the Ibanez AD-80 Analog Delay?
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The Ibanez AD-80 offers a maximum delay time of approximately 300 milliseconds, providing subtle slapback to moderate echo effects.
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Is the Ibanez AD-80 Analog Delay suitable for use with a bass guitar?
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Yes, the Ibanez AD-80 can be used with a bass guitar, delivering rich, analog delay tones that complement the lower frequencies effectively.
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What power supply does the Ibanez AD-80 Analog Delay require?
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The Ibanez AD-80 uses a standard 9V power supply, compatible with most pedalboards, or it can be powered by a 9V battery for convenience.
Videos
shnobel
Vintage Ibanez AD-80 Analog Delay
Reviews
PROS
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Unique, percussive analog delay sound
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Can achieve vintage and deep tones efficiently
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Offers a warm, musical character distinct from competitors
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Considered a great investment, unlikely to lose value
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Heavier, powerful repeats with a 3-D quality
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Versatile, from slapback to 300ms delays
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Collectible with a nostalgic appeal
CONS
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Requires 18V power, less convenient than standard 9V
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Delicate, precise adjustments needed for optimal settings
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Short maximum delay time of 300ms
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Can be noisy when used with other effects
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Buffered bypass quality inferior to some competitors
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Consumes more power than similar era pedals
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Ibanez AD-80 Analog Delay.
Comparisons
Features and functionality
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The Teisco delay pedal exhibits a "bitcrushed" effect past 12 o'clock on the dial, offering a distinctive sound variation.
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The AD-80's sound is highlighted for its warm, tape-like echo reminiscent of SP-404/303 tape effects.
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The AD-80 can operate with power supplies ranging from 15 to 18VDC, but exceeding 18V is not recommended.
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Use cases and applications
User experience
Value and pricing
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In some regions, the AD-80 is more affordable than the MXR Carbon Copy, making it a budget-friendly option for analog delay enthusiasts.
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Setup and maintenance
4.0 out of 5
Based on 2 Reviews and 5 Ratings
Good pedal, not that easy to dial-in
Have owned a couple of these down the years. The most tape-sounding of all the BBD analog delays. 18V gives it a lot of power, the repeats are VERY loud and can easily overwhelm if not dialled in carefully (8 o'clock on the blend knob is roughly equivalent to 12 or 1 oclock on the Boss DM-2/DM-3). Maximum delay time is rated at 300ms but is in fact noticeably longer than the Boss DM-2/DM-3, which are also rated at 300ms. The repeats are powerful, warm and very "3-D". Cool piece of vintage kit, but somewhat impractical for modern use (requires 18V, mini-jack rather than modern industry standard barrel plug power input, will drain 2 x 9V batteries very quickly so battery power not recommended). It can also be VERY noisy when combined with other effects. Using some form of noise gate/noise suppressor before this pedal would be advisable. The buffered bypass is noticeably inferior to Boss pedals and imparts a slightly tinny, metallic quality to your tone. The first of these that I owned had a weird, phaser-style bleed into the dry signal when bypassed that I actually really liked (trippy, in a good way), but some would understandably hate it. Honestly, for all practical intents and purposes the current production Ibanez AD-Mini does the job better (much quieter, easier to dial in useable tones, smaller and 9V powered with a barrel-plug) for a fraction of the price the AD-80 now pulls.
40997
got this in a big gear trade
excellent analog delay... better sounding then AD9.... consumes more power then other boss-sized delays of the era.
Artist usage
Add artist
You can see a photo of Ranaldo's Ibanez AD80 on this site: http://www.sonicyouth.com/mustang/eq/lfx04.jpg
Trey Azagthoth uses the Ibanez AD-80 Analog Delay, as detailed on Tonehome's page dedicated to vintage guitar effects pedals.
"But my favorite delay of all time is the pink Ibanez [AD-80] delay. I have, like, 10 of those. Every time I find one, I get it, because they always break. It’s the darkest delay. Not the other Ibanez that came out later, which looks almost the same, only it’s pale pink, and it takes one 9V battery. It has to be the 18V one."
Scott Putesky used the Ibanez AD-80 Analog Delay on "SLC." It's unclear if it was used live in his early performances. This information is derived from a photo he posted on Facebook.
On June 5th, John Foxx will be taking his group The Maths to the Roundhouse in Chalk Farm London for a one-off performance of his classic album Metamatic. Now, after our feature on Benge's synths was such a hit with you lot, we thought that some of you might like to get warm under the collar and quivery of the finger tip to learn what John Foxx will be packing in the back of the van for the Roundhouse show - please check out the mouthwatering list below, and have a look at some John Foxx & The Maths on YouTube while you're at it. Find out more about this incredible event (which also features a DJ set by Gary Numan and Ade Fenton) at the Roundhouse website. John Foxx'Metatronic best-of is out now.
Synthesizers:
ARP Odyssey x 2, ARP Sequencers x 2, Crumar Multiman, EDP Wasp, Korg MonoPoly, Korg 700, Logan String Machine, Moog Mini x 2, Moog Modular plus Sequencers, Moog Opus 3, Roland Modular System 100m x 10 Modules, Roland SH2, Roland SH-101, Roland Juno 60, Sequential Circuits Multitrack
Drum machines:
Amdek Percussion Synthesiser, Boss Dr Rhythm, Linn Drum, Klone Drum, Roland CR78, Roland TR808
Effects & Processors:
Boss Chorus, Boss Flanger, Boss Phaser, Electro Harmonix electric mistress Flanger, Furman Spring Reverb, Ibanez AD80 Analog Delay, Maestro PS-1 Phase Shifter, Mu-tron Phasor, MXR Phase 100, Roland Space echo RE-201
Other Equipment
Tascam & Revox Analogue Reel to Reel Tape Machines
"The key to vocal chaos and sculpture—a drone girl’s gotta have a looper and delay to conquer the sonic realms."
Listed on the back cover of Back Against the Wall among McPhee's equipment and shown up close in Live At Anti WAA Festival 1989 at 12:55.
Ibanez Analogue Delay.
Album Usage
The Ibanez AD-80 Analog Delay has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Ibanez AD-80 Analog Delay, it is most commonly used with the following gear.
Similar
Add recommendation3 alternative and related items for Ibanez AD-80 Analog Delay, curated by the Equipboard community.
$133.60
An identical unit, sold under the Maxon brand. Not to be confused with the newer, AD80.
$79.99 - $139.99
A newer, mini delay pedal that takes visual cues from the vintage AD-80.
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