Thomas Dolby

"I've never sold a keyboard, even my first two-a Micromoog and a Roland JP4 with which I recorded everything in 'She Blinded My With Science.'"

Pictured performing live with Jupiter8.

"There are three sound sources", he explains. "There's an Akai S900 which has samples transferred from the Fairlight Series III, a Roland Super Jupiter and a Roland MKS20 piano module. All of those go into an Akai MIDI mixer and through two effects: a Yamaha SPX90 and an Alesis Midifex. They're all mapped by a Cooper Electronics MIDI Link, and I play them from a KX5 slung round my neck and a couple of Yamaha pedals. They put out program numbers to the MIDI link and that sends out separate program numbers to everything else. In other words I'll build up an entire patch with sound sources, a mix, effects and a stereo output, and store it. Then, when I send one program number into it from either the keyboard or from the pedal, it'll send the appropriate numbers out."

"There are three sound sources", he explains. "There's an Akai S900 which has samples transferred from the Fairlight Series III, a Roland Super Jupiter and a Roland MKS20 piano module. All of those go into an Akai MIDI mixer and through two effects: a Yamaha SPX90 and an Alesis Midifex. They're all mapped by a Cooper Electronics MIDI Link, and I play them from a KX5 slung round my neck and a couple of Yamaha pedals. They put out program numbers to the MIDI link and that sends out separate program numbers to everything else. In other words I'll build up an entire patch with sound sources, a mix, effects and a stereo output, and store it. Then, when I send one program number into it from either the keyboard or from the pedal, it'll send the appropriate numbers out."

All those vocals are captured via a Crown CM-311 headworn microphone ("You can't use a lot of distancing and mic technique, but on the plus side, I'm definitely into the mobility that I get with the Crown"), but it vies for headspace--literally--as he also wears Sensaphonics personal monitors and a head-mounted camera originally designed for the military to wear during synchronized building entries.

Pictured here with his Motif 8 on stage.

"Dolby's toybox still contains the Transcendent 2000 synthesiser that began his collection of musical diversions."

"I've never sold a keyboard, even my first two-a Micromoog and a Roland JP4 with which I recorded everything in 'She Blinded My With Science.'"

"The Transcendent was soon joined by a Moog Micromoog, a Crumar string synthesiser, a Fender Rhodes, a Roland Jupiter 4, an early PPG system (with which he performed his original solo concerts), a PPG Wave 2.2 (a gift from PPG because the original instrument was so unreliable), a Jupiter 8, a Fairlight Series II and a Fairlight Series III."

"The Transcendent was soon joined by a Moog Micromoog, a Crumar string synthesiser, a Fender Rhodes, a Roland Jupiter 4, an early PPG system (with which he performed his original solo concerts), a PPG Wave 2.2 (a gift from PPG because the original instrument was so unreliable), a Jupiter 8, a Fairlight Series II and a Fairlight Series III."

Logic acts as his MIDI host for the three keyboard controllers (CME Pro 7, Novation ReMote SL25, and a Virus TI Polar, which is the only sound source) and a variety of plug-ins, both built-in ones and others such as Stylus-RMX; Arturia's MiniMoog; RMIV drums; Slayer2 guitars; UltraFocus; Camelspace gating effect and T-racks mastering.

"Pro Tools is really the essential piece of gear. I still do a lot of my sequencing in Logic. I don't like working in Logic; I prefer Pro Tools. Unfortunately, Logic performs a lot better in terms of processing memory. I have some favorite plug-ins, things like Omnisphere, Slayer, Stylus RMX and so on. There's also a fair amount of Virus on this album - the TI Polar. I just plug it in, take the audio outputs, and I play."

Thomas is pictured here with his Voyager XL on Moog website.

Thomas Dolby is listed on Keith McMillen Artists page. He is quoted for using the QuNeo and the 12 Step.

Thomas Dolby is listed on Keith McMillen Artists page. He is quoted for using the QuNeo and the 12 Step.

"Dolby's lead vocals (which he terms "theatrical") were recorded using a Neumann u87."

"The Transcendent was soon joined by a Moog Micromoog, a Crumar string synthesiser, a Fender Rhodes, a Roland Jupiter 4, an early PPG system (with which he performed his original solo concerts), a PPG Wave 2.2 (a gift from PPG because the original instrument was so unreliable), a Jupiter 8, a Fairlight Series II and a Fairlight Series III."

"I chose to use the largest part of the space for the control room, in order to accommodate my video equipment (a small Sony 3/4-inch editing system, Fairlight CVI, and a large screen Barco projector over the mixing board) along with a large battery of electronic percussion (E-mu SP12, Linn 9000, and assorted Simmons and PPG modules) and my new Fairlight Series III and Emulator II."

""There are three sound sources", he explains. "There's an Akai S900 which has samples transferred from the Fairlight Series III, a Roland Super Jupiter and a Roland MKS20 piano module. All of those go into an Akai MIDI mixer and through two effects: a Yamaha SPX90 and an Alesis Midifex. They're all mapped by a Cooper Electronics MIDI Link, and I play them from a KX5 slung round my neck and a couple of Yamaha pedals. They put out program numbers to the MIDI link and that sends out separate program numbers to everything else. In other words I'll build up an entire patch with sound sources, a mix, effects and a stereo output, and store it. Then, when I send one program number into it from either the keyboard or from the pedal, it'll send the appropriate numbers out."

And the rig then? "Well it's based around Logic Pro 7.2, running on a Mac G5--and hopefully soon, running on a Mac Book Pro, which will be definitely lighter and easier to update on the bus or in my hotel room."

Logic acts as his MIDI host for the three keyboard controllers (CME Pro 7, Novation ReMote SL25, and a Virus TI Polar, which is the only sound source) and a variety of plug-ins, both built-in ones and others such as Stylus-RMX; Arturia's MiniMoog; RMIV drums; Slayer2 guitars; UltraFocus; Camelspace gating effect and T-racks mastering.

A Nord 3 rack unit shares rack space with a PreSonus Firepod FireWire audio interface, MOTU Express 128 MIDI interface, Shure P4M keyboard mixer, ART DTS II mic preamp, Roland JV-1080 synth, QSC amp, Juice Goose power conditioner, APC uninterruptible power supply and a Muse Receptor.

A Nord 3 rack unit shares rack space with a PreSonus Firepod FireWire audio interface, MOTU Express 128 MIDI interface, Shure P4M keyboard mixer, ART DTS II mic preamp, Roland JV-1080 synth, QSC amp, Juice Goose power conditioner, APC uninterruptible power supply and a Muse Receptor.

In a mid-1980s image on Vevo, Thomas Dolby is seen using a Roland Juno-106 synthesizer.

He is actually using a Jupiter-6 on this photo.

Thomas Dolby's Roland RD 2000 can be seen at 4:19.

Thomas Dolby's Akai MPD218 can be seen at 4:29.

At 4:35, Logic Pro X can be seen on Thomas Dolby's laptop.

At 0:14, Thomas Dolby can be seen playing an M-Audio Trigger Finger.

"I chose to use the largest part of the space for the control room, in order to accommodate my video equipment (a small Sony 3/4-inch editing system, Fairlight CVI, and a large screen Barco projector over the mixing board) along with a large battery of electronic percussion (E-mu SP12, Linn 9000, and assorted Simmons and PPG modules) and my new Fairlight Series III and Emulator II."