Dean DeLeo
Role
Credits
Role
Credits
Dean DeLeo's Gear
This detailed gear diagram of Dean DeLeo's Army of Anyone stage setup includes a Vox AC30 combo amp.
From Belowempty.com's Dean gear archive:
When Guitar World Magazine asked "I don't hear too many effects on the [Talk Show] record", Dean answered: "There really weren't. On "John" and "Hello Hello" I used a Sixties Vox Wah. On "Hide" I used a Rotovibe, and for the solo on that, I used a Boss DS-1 distortion. On "Behind" I used a Boss Chorus."
Dean and Robert basically say that they don't need that many effects pedals, because "there's a beauty in plugging a certain guitar into a certain amp. It can have enough power to dictate a song." Dean says: "One of my favorite pairs for tracking that I used a lot on [Talk Show] and "Tiny Music..." is a '57 Les Paul TV Special that I played through a '66 Marshall 18-watt 2x10 combo. That amp loves P-90's. I used that combination on "Big Bang Baby" and "Everybody Loves My Car". Even though you're hearing different tones coming in and out, most of it was just one track of guitar instead of layers. I didn't do too much overdubbing. There may be a certain tone happening in the verse, the we'd introduce another tone in the track by using another guitar. Things stay a little less cluttered that way."
According to this gear diagram of Dean DeLeo's Army of Anyone stage, he uses two Demeter TGP-3: Guitar pre-amps.
in this picture we can see deleo holds a gibson les paul special
In this interview with Guitar Player, Dean is asked "What about effects". His reply "I use the SIB VariDrive to blow up the Snider—it’s like having an extra amp."
In this Army of Anyone tour Rig diagram published in Guitar magazine you can see Dean was travelling with his 2 70s Gibson Les Paul standards that he purchased new as a teenager.
When interviewed about the unique tones on STP's "Tiny Music and the Talk Show LP Dean revealed that he used only single coil pickups and small vintage combos with 10" or 8" speakers in the studio at that time. A complete list of the amps Dean discussed in interviews was compiled on belowempty.com
At 32:22 in the Rick Beato Rig Rundown he talks about how he got his Orange Overdrive head after seeing Dean using it during tracking of No. 4.
According to this gear diagram of Dean DeLeo's Army of Anyone stage, he uses two Rocktron Intelliverbs.
Dean DeLeo is shown using the Ampeg Scrambler Fuzz pedal in a setup described by Robert DeLeo on Twitter.
From Belowempty.com:
Tiny Music... Songs From The Vatican Gift Shop"(recorded 1995/1996) & "Talk Show" (recorded 1996)
About these albums, Dean says: "...there isn't a single humbucking pickup on the entire record. I used all single coils and P-90's and mostly amps with 8- or 10-inch speakers."
Here's which amps he used on those records: ?'60's Supro Super 1606 ?Magnatone Amps ?'50 Student Amp ?'59 280 Amp ?Vox AC10's ?a lot of lap steel amps such as Thirties Nationals (made by Valco) ?'64 Gretsch 6150 (Dean's favorite) ?'65 Gretsch 6154
In Vasoline video from 90s by Stone Temple Pilots, Dean DeLeo playing Fender Telecaster with Bigsby, but it is colored Cream.
On slide 8 Dean discusses reducing his reliance on chorus and changing his chorus sound to be more of aleslie-like '2nd guitar' sound. He discusses retiring his Roland CE-1 and replacing it with the Waza Craft and the CE-2W is pictured on his pedal board.
On slide 8 Dean talks about the slapback sound he gets from his Dunlop EP103 and its seen on his pedalboard next to the CE2W.
Harmony Rebel through the Maestro Bass Brassmaster
Dean DeLeo is associated with a '68 Vox Starstream XII, as mentioned in a tweet by STPRobertDeLeo.
Dean uses this black 78' as his main guitar for standard tuning.
Dean uses this 78' mainly for songs with slide guitar, he has a strap with built-in slide holders on this guitar.
He talks about how "I run a VHT Classic stereo amp, which has the option of 50 or 100 watts"
This detailed gear diagram of Dean DeLeo's Army of Anyone stage setup, which traces the signal flow of the equipment in his 2007 guitar rig, includes a Boss CE-1 Chorus Ensemble pedal.
Bruce Nelson: All the Les Pauls in this rig are 2009. They all have Seymour Duncan Jazz pickups in the bridge; they’re clear and they’re pretty similar to the stock pickups the 70s Les Pauls have.
"With this rig I was trying to replicate his other 70s Les Pauls and that pickup was the closest. He’s playing on the bridge 99% of the time, the only time he’ll flip to the neck is when they’re jamming or something like that between songs. We’re mostly using gauge 10 strings, but on low alternate tunings we’ll go up to 11s.”
Dean DeLeo: “The guitars that I have with me now are my B rig stuff. All the A rig stuff are the solid bodies, these Les Pauls are semi hollow. Which are very different.
"They play a little different to begin with but they’re interesting because they’re semi hollow, they can get away from you. And fortunately usually when they get away from you they’re in key! [laughs] Which is always good. It’s nice to have that extra little thing to play with.”
Slide 8 shows Dean's RJM Mastermind MIDI Controller that feeds the Rockman MIDI Octopus he's been using live since the beginning of Stone Temple Pilots. The RJM controller has replaced the old Rockman MIDIPedal that Dean used to use.
Dean uses this 77 Les Paul nicknamed "The Wino" as his main for Drop D tunings.
In video of Trippin On A Hole In A Paper Heart Dean DeLeo playing on that red stratocaster. He also recording 5 songs including this with Fender Stratocaster
Dean DeLeo used the Fender Custom Double-Neck Stratocaster in Lake Placid Blue during his live performances in 2007, as documented by Belowempty in their coverage of Stone Temple Pilots' gear from 1992 to 2012.
Dean used this guitar in the music video for "Big Bang Baby" (1996).
During the Stone Temple Pilots' 2010 live performance in New York, as seen on MetalChannel's YouTube video, Dean DeLeo plays a PRS Custom 22 guitar during the song "Sour Girl."
Dean DeLeo uses a Martin D-28 for this live acoustic performance of ‘Plush’ in 1993
Dean DeLeo used a Guild JF65-12 12-String Acoustic guitar during the 2000 VH1 Storytellers performance, as documented by Belowempty.
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