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In the video "Foo Fighters - The Colour and the Shape: Inside The Mix with Chris Sheldon" by Produce Like A Pro, Chris Sheldon confirms at 27:49 that he used KRK 6000 passive studio monitors while recording tracks for the Foo Fighters' album "The Colour and the Shape."

In the video titled "Foo Fighters - The Colour and the Shape: Inside The Mix with Chris Sheldon | Produce Like A Pro," Chris Sheldon, an audio engineer, mentions at 23:10 the use of the Lexicon 480L Digital Reverb and Effects processor on the snare drum while recording tracks for the Foo Fighters' album "The Colour and the Shape."

In the video titled "Foo Fighters - The Colour and the Shape: Inside The Mix with Chris Sheldon" by Produce Like A Pro, Chris Sheldon, a renowned audio engineer, is seen discussing the Urei 565 "Little Dipper" Filter Set at 17:47. He confirms that this frequency filter was utilized during the recording of the Foo Fighters' album The Colour and the Shape.

In the YouTube video titled "Foo Fighters - The Colour and the Shape: Inside The Mix with Chris Sheldon | Produce Like A Pro," at 13:39, audio engineer Chris Sheldon mentions using Avid Pro Tools for tracking the songs on the album The Colour and the Shape by the Foo Fighters.

In the video "Inside: Alanis Morissette's 'You Oughta Know' w/ Francis Buckley – Warren Huart: Produce Like A Pro," Francis Buckley mentions at 9:29 the use of Avid Pro Tools as his DAW for music production.

In the video titled "Aerosmith's 'Walk This Way' & 'Sweet Emotion': Inside the Songs w/ Jack Douglas" by Produce Like A Pro, at 22:21, Jack Douglas mentions using a Sony C-37 microphone alongside the Shure SM57 and Sennheiser 421 microphones to capture Joe's guitar through the amp during the recording of Aerosmith's "Walk This Way" and "Sweet Emotion."

In the video "Aerosmith's 'Walk This Way' & 'Sweet Emotion': Inside the Songs w/ Jack Douglas - Produce Like A Pro," Jack Douglas mentions at 22:02 that he used a Shure SM57 cardioid dynamic instrument microphone for recording Joe Perry's guitar during the production of Aerosmith's "Walk This Way" and "Sweet Emotion."

Zac can be seen with his trusty Fender Jazzmaster in this 2017 photo from Getty Images. Full caption reads:

LONG BEACH, CA - OCTOBER 01: Singer Zac Holtzman of the band Dengue Fever performs onstage during the 2nd annual Music Tastes Good Festival at Marina Green Park on October 1, 2017 in Long Beach, California. (Photo by Scott Dudelson/WireImage)

Zac is still performing with this Jazzmaster as of 2026.

In the video titled "Aerosmith's 'Walk This Way' & 'Sweet Emotion': Inside the Songs w/ Jack Douglas" by Produce Like A Pro, at the 9:14 mark, Jack Douglas identifies the distinctive tone of a 1959 Gibson Les Paul guitar being used by the band's guitarist, Brad Whitford, during the recording of Aerosmith's hits "Walk This Way" and "Sweet Emotion."

In a video titled "Static-X 'Push It': Inside the Song w/ Ulrich Wild - Warren Huart: Produce Like A Pro," Ulrich Wild mentions at the 32:51 mark that he utilized the dbx 160 Compressor/Limiter in the Master Control mixing studio in Burbank, CA.

In a video on YouTube titled "Static-X 'Push It': Inside the Song w/ Ulrich Wild - Warren Huart: Produce Like A Pro," at the 32:48 mark, Ulrich Wild, a renowned music producer and audio engineer, mentions utilizing the Lexicon PCM 42 Digital Delay, which was available in the Master Control mixing studio in Burbank, CA.

In the video titled "Static-X 'Push It': Inside the Song w/ Ulrich Wild - Warren Huart: Produce Like A Pro," Ulrich Wild mentions at 30:20 that he uses the Universal Audio Teletronix LA-2A Classic Leveling Amplifier to double-compress the track during the production of the song "Push It."

At 30:17 in the "Produce Like A Pro" YouTube video titled "Static-X 'Push It': Inside the Song w/ Ulrich Wild," Ulrich Wild, a music producer and audio engineer, mentions using the Universal Audio 1176 Classic Limiter Plugin Collection to double-compress the track during the production of the song "Push It."

In the video titled "Static-X 'Push It': Inside the Song w/ Ulrich Wild - Warren Huart: Produce Like A Pro," Ulrich Wild mentions at 30:10 that he used the AMS Neve 1073CV vertical microphone preamp and equalizer module during the production of the "Push It" track.

In a video titled Static-X "Push It": Inside the Song w/ Ulrich Wild - Warren Huart: Produce Like A Pro on YouTube, at the 25:20 mark, Ulrich Wild, a music producer, mentions using the Roland MC-303 Groovebox, which was brought to the studio by one of Static-X's guitarists, Koichi Fukuda, during the production of the track "Push It".

At 23:51 in the YouTube video "Static-X 'Push It': Inside the Song w/ Ulrich Wild - Warren Huart: Produce Like A Pro," Ulrich Wild discusses the use of the Alesis HR-16 Drum Machine, highlighting its role in generating the heavy drum sounds for the track "Push It." He also mentions how Wayne's programming was implemented with the Alesis HR-16 during the creation of the song.

In the video "Static-X 'Push It': Inside the Song w/ Ulrich Wild - Warren Huart: Produce Like A Pro" on YouTube, a Marshall Valvestate 8100 guitar amplifier head is visible in Ulrich Wild’s studio at the 16:06 mark, confirming its use for the guitar sound in the production of the "Push It" track.

In a video titled "Static-X 'Push It': Inside the Song w/ Ulrich Wild - Warren Huart: Produce Like A Pro," Ulrich Wild, a renowned music producer and audio engineer, confirms at the 14:14 mark that he used an AKG C451 B small-diaphragm condenser microphone to record percussion during the production of the track "Push It."

In the video titled "Static-X 'Push It': Inside the Song w/ Ulrich Wild - Warren Huart: Produce Like A Pro," Ulrich Wild mentions at 13:21 that he used an Electro-Voice RE20 microphone to record the amps for the track "Push It."

In the video titled "Static-X 'Push It': Inside the Song w/ Ulrich Wild - Warren Huart: Produce Like A Pro," Ulrich Wild mentions at 9:49 that he used a Neumann KM 84 microphone for recording the hi-hats on the track "Push It."