Pricing and availability
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Price
Average Price: $13,781
High-end/Boutique
$200
$1001+
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Price History
Based on price data from 3 merchants for "Allen & Heath Avantis 64 Channel Digital Mixing Console". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Step into the future of live sound mixing with the Allen & Heath Avantis 64 Channel Digital Mixing Console. Built with the cutting-edge 96 kHz XCVI FPGA engine, this mixer is designed for those who crave both power and flexibility. At the heart of the Avantis are dual 15.6" Full HD touchscreens that seamlessly integrate with its physical controls, thanks to the intuitive Continuity UI. This interface ensures that you have instant access to the parameters you use most, making your workflow faster and more intuitive than ever.
With 64 channels and 42 configurable buses, the Avantis is a powerhouse capable of handling complex audio setups. Whether you're working in a studio or live setting, you’ll appreciate the extensive I/O options, including 12 XLR inputs and outputs, plus stereo AES connections. The console is expandable via its SLink port and dual I/O ports, which support Dante, Waves, and other high-performance cards, allowing you to tailor the system to your exact needs.
For professionals seeking to elevate their mixing capabilities, the Avantis offers the dPack upgrade, which unlocks advanced processing tools from Allen & Heath’s flagship dLive system. This includes 16 Dyn8 engines and zero-latency DEEP Compressors, giving you unparalleled control over your sound. The Avantis is not just a mixer; it's a gateway to a new level of audio excellence.
Key Features:
- 96 kHz XCVI FPGA core with ultralow latency (0.7 ms)
- Dual 15.6" Full HD capacitive touchscreens with gesture control
- 64 channels / 42 configurable buses
- 12 XLR inputs and outputs, with AES connections
- SLink port for expanded connectivity
- dPack upgrade for dLive processing capabilities
- 24 assignable SoftKeys and customizable layouts
- Full metal chassis for durability
Product specs
| Type | Digital Mixer |
| Channels | 64 |
| Inputs - Mic Preamps | 12 x XLR (mic/line) |
| Phantom Power | 12 Channels |
| Outputs - Main | 12 x XLR |
| Inputs - Digital | 1 x XLR (AES/EBU) |
| Outputs - Digital | 2 x XLR (AES/EBU) |
| Busses/Groups | 42 bus architecture ; 16 x DCA Groups, 8 x Mute Groups |
| Data I/O | 2 x RJ45 (network), 1 x Locking Ethernet (S-Link) |
| Headphones | 1 x 1/8", 1 x 1/4" |
| USB | 2 x Type A |
| I/O Expansion Slots | 2 x Expansion Card Ports |
| Word Clock | 1 x BNC |
| Faders | 24 |
| A/D Resolution | 96kHz |
| Screen | Dual 15.6" touchsreen |
| Power Source | Standard IEC AC cable |
| Height | 10.59" (including feet) |
| Depth | 24.68" |
| Width | 36.1" |
| Weight | 57.4 lbs. |
FAQs
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What are the standout features of the Allen & Heath Avantis 64 Channel Digital Mixing Console?
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The Avantis features 64 channels, 42 bus architecture, dual 15.6" touchscreens, and 96kHz resolution. It offers 12 XLR mic preamps, 2 expansion card ports, and flexible routing and processing capabilities.
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How does the Allen & Heath Avantis integrate with other audio systems?
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The Avantis supports expansion through two I/O ports for Dante, Waves, and other card formats, and features SLink EtherCON for remote audio. This allows seamless integration with various audio systems and protocols.
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Is the Allen & Heath Avantis suitable for live sound and studio use?
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Yes, the Avantis is designed for both live sound and studio environments, offering advanced routing, processing, and customizable workflows suitable for a wide range of professional audio applications.
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What connectivity options are available on the Allen & Heath Avantis?
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The Avantis offers 12 XLR mic/line inputs, digital AES/EBU I/O, network connectivity via RJ45, and USB ports for data transfer and updates, ensuring comprehensive connectivity for various setups.
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How user-friendly is the Allen & Heath Avantis for new users?
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The Avantis is designed with an intuitive interface, featuring dual touchscreens and customizable layouts, making it user-friendly for both new and experienced users in various mixing scenarios.
Reviews
PROS
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Dual touch screens provide ample information and feedback for easy navigation
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Custom layers allow for maximum flexibility and tailored mix setups
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Plug and play connectivity with GX4816 stage box simplifies setup
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Ability to save and recall settings enhances versatility in program changes
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Large digital scribble strips offer an intuitive upgrade over analog labels
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16 dynamic compressor and EQ pairs add significant sound shaping capabilities
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Compatible with existing Allen & Heath configurations, reducing training time
CONS
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Initial setup and routing can be time-consuming due to high customizability
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Lack of integration with Shure's SLXD microphone systems limits some users
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Faulty modules in older models may cause glitches in fader memory
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Impromptu set changes can be challenging due to complex customization options
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Allen & Heath Avantis 64 Channel Digital Mixing Console.
Setup and maintenance
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Employing DX168 stage boxes with the dLive is recommended for easier stage cable management compared to using a single CDM64.
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Features and functionality
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The Avantis Solo supports various card options, including MADI, AES, Dante, Waves, GigaAce, and DXLink, providing significant flexibility in setup.
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Avantis Solo includes 64 channels of AMM, divisible into up to 4 zones, catering to complex corporate audio needs.
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Dual touch screens allow for simultaneous adjustments, enhancing workflow efficiency during live performances and complex setups.
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The Avantis lacks a mobile phone app for monitor mixing, unlike the dLive, but can use "custom control" for IEM mixing via iPads.
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The console supports stereo input configurations, but applying them causes a temporary unavailability of the surface.
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Comparisons
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Avantis Solo's GX4816 stagebox is half the price of Yamaha's Rio3224-D2 while offering 16 more inputs, appealing to budget-conscious buyers.
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The Avantis Solo offers a 0.7ms phase-coherent latency, significantly lower than DM7C's 1.5ms, benefiting live sound applications.
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The dLive C3500 system is favored due to its scalability and future-proofing capability, despite its higher cost compared to the Avantis.
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Compared to the X32, the Avantis offers a quicker workflow with the use of touchscreens and flexible channel placement.
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Build quality
Use cases and applications
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Some users prefer the A&H SLink/GigaAce connection over Dante for its reliability and plug-and-play convenience in live setups.
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The dLive's additional 64 mix buses are crucial for setups requiring numerous stereo IEMs and complex routing, unlike the Avantis.
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Avantis is favored for its I/O capabilities, making it suitable for venues with high input requirements like theaters and large houses of worship.
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User experience
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Avantis is praised for its intuitive layout, making it ideal for less experienced users, while the dLive offers more complex features for advanced setups.
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Users who transitioned from the SQ series report a minimal learning curve, with improvements noted in speed due to the dual touchscreens.
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Value and pricing
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Building a "surfaceless" system with the dLive using a DM0 Mixrack and external fader extenders can significantly cut costs compared to traditional surfaces.
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Software and compatibility
Based on 0 Reviews and 0 Ratings
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