Pricing and availability

We compare 600+ stores and found this item at 5 stores. Prices updated .

Sweetwater
4.0 (7)
$2,999.99
Guitar Center
5.0 (2)
$2,999.99
Amazon
4.0 (3)
$2,999.99 New
$2,699.99 Used (Like New)
Reverb
5.0 (1)
$2,059.48 New
$700.00 Used
B&H
5.0 (1)
$2,999.99

Average Price: $2,460

High-end/Boutique

$200

$1001+

Price Tier

Budget

Standard

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Price History

Based on price data from 3 merchants for "Allen & Heath ZED-428 24-channel Mixer with USB Audio Interface". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.

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Description

Elevate your studio and live performances with the Allen & Heath ZED-428, a 24-channel mixer that seamlessly blends traditional engineering excellence with modern USB audio interface capabilities. This mixer is your gateway to professional-grade sound mixing, offering an array of features designed to enhance your audio production. With its long-throw faders, 4-band EQ with swept mids, and six aux sends, the ZED-428 provides unparalleled control over your sound. The addition of four sub-groups and a direct output on each channel further expands your mixing capabilities, ensuring that every nuance of your audio is captured with clarity and precision.

The ZED-428 isn't just about its impressive hardware; it's a bridge between the analog and digital realms. The USB connectivity opens up a new world of possibilities, allowing you to send clean, clear audio straight into and out of your computer. Whether you're recording in the studio or performing live, this mixer gives you the flexibility to integrate with your digital setup effortlessly.

The Allen & Heath ZED-428 isn't just a mixer; it's a testament to the brand's legacy of creating mixers that meet the professional sound community's needs. Its audio circuitry is the culmination of nearly 40 years of refinement, ensuring that you're getting the best sound quality possible. For those who value both tradition and innovation, the ZED-428 is the perfect tool to enhance your creative arsenal.

Key Features:

  • 24-channel mixer with USB audio interface for seamless digital integration
  • 4-band EQ with 2 swept mids and in/out switch for precise tonal control
  • 6 auxiliary sends (2 pre, 2 post, 2 pre/post) for extensive routing options
  • 4 sub-groups and L, R, and M main mix outputs for versatile mixing setups
  • Individual channel 48V phantom power for condenser microphones
  • Direct output on every mono channel for multi-track recording
  • 2 dual stereo inputs with 4-band EQ for additional input flexibility
  • Peak and signal indication on every channel for monitoring signal strength
  • Configurable USB stereo audio in/out for direct recording and playback
  • Master level controls on all outputs for overall volume management

Product specs

Type Analog
Channels 24
Computer Connectivity USB (2 x 2)
Faders 33 x 100mm
Inputs - Mic Preamps 24 x XLR
Phantom Power 24
Inputs - Line 24 x 1/4" (CH 1-24), 4 x 1/4", 4 x RCA (CH 25-28 Stereo), 2 x RCA (2TRK)
Outputs - Main 2 x XLR (Main), 1 x XLR (Mono)
Outputs - Direct 32
Outputs - Other 2 x 1/4" (Matrix), 2 x RCA (2TRK), 4 x 1/4" (Group)
Aux Sends 2 x Pre, 2 x Post, 2 x Pre/Post
Send/Return I/O 6 x 1/4"
Busses/Groups 4 x Groups
Channel Inserts Yes (CH 1-24), 4 x 1/4" (Group)
Headphones 1 x 1/4", 1 x 1/8"
USB 1 x Type B
Talkback Yes
EQ Bands 4-band, Sweepable Hi- and Low-Mids (CH 1-24), 4-band (Stereo Channels)
Height 5.08"
Width 36.6"
Depth 22.1"
Weight 40 lbs.

FAQs

How many channels does the Allen & Heath ZED-428 Mixer support?

The Allen & Heath ZED-428 Mixer supports 24 channels, making it suitable for complex audio setups requiring multiple input sources.

Does the Allen & Heath ZED-428 Mixer have USB connectivity for recording?

Yes, the Allen & Heath ZED-428 Mixer features USB connectivity, allowing for a 2 x 2 audio interface connection to your computer for recording and playback.

What type of EQ does the Allen & Heath ZED-428 Mixer offer?

The Allen & Heath ZED-428 Mixer provides a 4-band EQ with sweepable high and low mids on channels 1-24, and a 4-band EQ on stereo channels, enabling precise tonal shaping.

Can the Allen & Heath ZED-428 Mixer supply phantom power for condenser microphones?

Yes, the Allen & Heath ZED-428 Mixer can supply phantom power to all 24 of its XLR mic inputs, making it compatible with condenser microphones.

What are the main output options on the Allen & Heath ZED-428 Mixer?

The main outputs on the Allen & Heath ZED-428 Mixer include 2 XLR outputs for the main mix, plus additional outputs such as 1 XLR for mono and 2 RCA for 2-track recording.

Is the Allen & Heath ZED-428 Mixer suitable for live sound applications?

Yes, with its multiple input channels, group outputs, and robust build, the Allen & Heath ZED-428 Mixer is well-suited for live sound reinforcement in various venues.

Reviews

PROS

  • Most musical and thoughtfully designed mixer used in various school systems

  • Super quiet preamps with plenty of headroom and a great EQ section

  • Six aux sends and silky smooth long throw faders

  • Durable build quality; described as "built like a tank"

  • Crystal clear USB recording capabilities for live demos and playback reference

  • Excellent fit and finish with 100mm faders and direct outs on each channel

  • Switchable phantom power and bypassable 4-way EQs on each channel

  • Extensive routing capability with two matrix sections, 4 subs, and 6 aux channels

  • Proven reliability over years of use in demanding environments

  • High performance for its price point, especially under $2000

CONS

  • Lacks dedicated aux returns or inserts, requiring use of channel strips for aux/efx sends

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Allen & Heath ZED-428 24-channel Mixer with USB Audio Interface.

Features and functionality

  • The ZED-428 USB port supports a 2-in, 2-out audio interface function, allowing main outputs to appear at USB and two channels to be sent from a computer.

    Source
  • The ZED R16, compared to the ZED-428, offers more digital integration with its ability to add multiple computer channels routed through specific mixer channels.

    Source
  • The ZED-428 mixer allows grouping up to 13 signals by using 7 mono group outs and 6 aux sends, providing flexibility for live sound and recording.

    Source
  • Direct outs on every channel allow post-fader audio to be sent to an interface, which is useful for multitrack recording setups.

    Source
  • The ZED-428 lacks full multitrack in/out via USB, offering only stereo, which may limit its digital integration compared to hybrid models like the ZED R16.

    Source
  • The ZED-436, a larger sibling to the ZED-428, is explored for its potential in larger setups, though it shares the same stereo-only USB constraint.

    Source

Comparisons

  • The Allen & Heath ZED R16 is highlighted as a more advanced counterpart, featuring Firewire and lightpipe connectivity along with fully parametric EQ on lower and upper mid channels.

    Source
  • The ZED-428 is better suited for live mixing and stereo recording rather than multitrack recording, offering a simpler analog experience compared to fully digital setups.

    Source
  • The Allen & Heath QU-16 is praised for its motorized faders and app-based personal mix control, offering more advanced digital features than the ZED-428.

    Source
  • The Tascam Model 24, while reliable, faces minor issues over time, whereas the QU-16 offers superior routing and digital control, highlighting differences in long-term satisfaction.

    Source

Use cases and applications

  • It's optimal for balancing live sound while simultaneously routing subgroups to an interface for recording, making it suitable for live band scenarios.

    Source
  • The ZED-428 is considered a solid choice for those with existing high-quality interfaces, like Apollo 16s, to handle multitrack recording needs.

    Source

Setup and maintenance

  • Using half-inserted jacks in the inserts can route audio without breaking the signal path, a technique for integrating with other gear.

    Source

User experience

  • Owners emphasize the value of practicing live mixing to gain a deeper understanding of sound dynamics, despite the prevalence of digital mixing options.

    Source
  • Owners find the ZED series reliable for analog mixing, but note that discontinued models like the R16 pose challenges for repair and compatibility due to obsolete technology like FireWire.

    Source

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