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Description

The Allen & Heath GL2400-32 is a powerhouse for any live or studio setting, offering versatile dual-functionality that caters to both front-of-house (FOH) and monitor mixing. With 32 channels at your disposal, this 4-group mixing console is engineered to handle the complexities of live performances, studio recordings, and installations with remarkable ease. Whether you're touring, setting up in a house of worship, or managing a bustling conference center, the GL2400-32 stands as an adaptable solution.

Equipped with a 7x4 matrix, this mixer allows for innovative mic crosspatching, creating enhanced mono or stereo in-ear monitor (IEM) mixes and recording feeds. The console also offers a responsive 4-band EQ and Allen & Heath's latest extended headroom preamp design, ensuring clear and detailed sound. The thoughtful design includes pluggable option jumpers, XLR lamp sockets, and Sys-Link V2 expandability for seamless integration with other systems.

Built to withstand the rigors of the road, the GL2400-32 features a rugged all-steel chassis with a compact footprint, ideal for flight casing or space-limited venues. With individual nutted pot cards and an ultra-quiet mix head amp, this mixer is as durable as it is powerful.

Key Features:

  • 32 channels with 4 audio groups
  • 6 auxiliary sends with per-channel pre/post fader switching
  • Dual-functionality for FOH and monitor mixing
  • 7x4 matrix for versatile audio routing
  • Enhanced mic preamps with extended 74dB gain range
  • Ultra-low-noise mix head amp design
  • Sys-Link V2 console linking option
  • Individual phantom power and polarity switching
  • 100mm dust-protected faders
  • Internal power supply with MPS12 backup supply input

Product specs

Brand Allen & Heath
Model GL2400-32 4-Group 32-Channel Mixing Console
Year 2010s
Categories Audio Mixers, Consoles and Summing Boxes

FAQs

What are the main outputs available on the Allen & Heath GL2400-32 Mixing Console?

The GL2400-32 offers LR and M main outputs, which can be configured for various uses such as LR sum, wedge, or aux-fed sub or C master.

How many channels does the Allen & Heath GL2400-32 have?

This mixing console features a 32-channel frame, providing ample input options for complex audio setups.

Can the Allen & Heath GL2400-32 be used for both front-of-house and monitor mixing?

Yes, the GL2400-32 has dual functionality, making it suitable for both front-of-house and monitor mixing applications.

Does the Allen & Heath GL2400-32 support recording capabilities?

Yes, it includes channel direct outputs, allowing for recording capabilities directly from the console.

What type of EQ is available on the Allen & Heath GL2400-32?

The console features a responsive 4-band, 2-sweep EQ, enabling detailed sound shaping for each channel.

How many auxiliary sends does the GL2400-32 offer?

The mixer provides 6 auxiliary sends with per-channel pre/post fader switching, allowing for flexible routing options.

Is the Allen & Heath GL2400-32 equipped with a noise generator?

Yes, it includes a 1kHz oscillator and pink noise generator for testing and calibration purposes.

Reviews

PROS

  • Robust build quality, designed to withstand heavy use

  • Full EQ provides excellent sound even with neutral settings

  • 3 master outputs (L/R/M) offer flexible system configuration

  • Capable of running both mono and stereo setups effectively

  • Six auxiliary sends allow for versatile monitor mixing

  • Delivers a spacious sound with stereo effects

  • Suitable for use as a monitor mixer

  • Offers powerful integration with house sound systems

  • Great for creating a large, full sound on stage

CONS

  • Lacks RCA input/output jacks, limited to 1/4” connections

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Allen & Heath GL2400-32 4-Group 32-Channel Mixing Console.

Features and functionality

  • The console includes a unique AUX 6 that outputs to a yellow fader for the M bus, separate from the standard group faders.

    Source
  • Groups 1-4 are single mono channels, requiring pairing (1+2, 3+4) for stereo output to L+R mains.

    Source
  • The GL2400-32 lacks stereo outputs on its aux buses; these are mono, which impacts stereo broadcast setups unless configured with external solutions.

    Source
  • The Erica Synths Matrix Mixer and Pladask Elektrisk Matrise are noted for their ability to route synths through various effects, offering a blend of patchbay and mixer flexibility.

    Source

User experience

  • The subwoofer bus remains unaffected by group fader movements, which is crucial for live multi-track recordings to maintain low-frequency control.

    Source
  • Owners highlight the need for a 32-channel model when dealing with complex setups involving multiple stereo signals and ambient microphones.

    Source
  • Users appreciate the Tascam Model 12 for its live mixing capabilities, but wish it had more aux sends for greater flexibility.

    Source

Use cases and applications

  • During soundchecks, it's suggested to mix without the subwoofer to ensure upper speakers handle bass definition before finalizing with the sub.

    Source
  • For recording, matrix sends incorporate EQ and compression inserts, with direct outs used for multi-track setups.

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  • For broadcast setups, configuring group outputs independently from the main mix is essential to achieve desired routing without affecting the overall sound.

    Source
  • The Korg MW-2408 is favored for compact setups needing high input counts, offering numerous sends, aux outs, and subgroups, ideal for space-constrained environments.

    Source
  • Owners suggest using line mixers to create stereo subgroups, optimizing space and enhancing routing efficiencies in complex setups.

    Source

Comparisons

  • The Allen & Heath GL2800 is suggested for scenarios requiring more than 6 aux sends, offering 10, which is beneficial for multi-stage broadcasting.

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  • The Arturia AudioFuse 16 stands out for its single rack space design, enhancing capabilities beyond a standard mixer, especially praised for its seamless audio and MIDI control.

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  • The Midas Venice series is highlighted for its robust build and extensive routing options, often available at competitive prices in the used market.

    Source

Mods and upgrades

  • The DF Audio Minibay V2 is recommended for those needing compact patching solutions, providing flexibility without the bulk of traditional patchbays.

    Source

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