Mac G5 is included in the "COMPUTERS, DAWs, RECORDING HARDWARE" list.

A pair of Mac G5 towers can be seen behind him.

"The process of writing, arranging and ultimately recording began in Satriani's home studio, a spaceship-like enclave containing a Pro Tools HD2 system running on an Apple G5, a set of Roland V-Drums, a couple of keyboards and, of course, a whole lot of guitar amps."

Eno's Apple Macintosh G5 sits behind the stage generating the images that make up his morphing 77 Million Paintings exhibit.

Given Ryan Ulyate’s long-standing involvement with a handful of old rockers, it’s perhaps surprising to find that he works entirely ‘in the box’. However, the fact that he “froze” his system in 2006 means that until very recently he worked with Quad G5 Power PC Macs from that year, running Mac OS 10.4 and Pro Tools HD version 7.4cs11, and 95 percent of his processing was applied with just two plug-ins. All the Tom Petty-related albums he’s engineered were recorded on this system.

“I’ve been very happy using the same Pro Tools system for seven years, because everything works, and I don’t spend my time chasing down the latest upgrades. Once Pro Tools got to version 7.4, all the main really important mix features had been integrated, and any new developments since then have not really been that important for our process. In any case, I value stability over being cutting edge. The two plug-ins I use for most of my processing are the Massenburg DesignWorks Hi-Res Parametric EQ, and the TDM version of the UA 1176, which is not compatible with Macs that run on Intel. I love that plug-in so much that it’s one reason I froze my system in 2006, as well as Tom’s system, which is exactly the same system as mine.

In an interview featured on Kreativsound, Tom Rowlands of The Chemical Brothers discusses their creative process in the studio, mentioning their use of the Apple Mac G5 to explore new sounds in electronic music.

"I have a Mac Pro and a Power Mac G5 in my recording studio, a Mac Pro at home and I’m inseperable from my 15” MacBook. On top of that, I have two iPhones and several iPods, I like to keep hold of the older models. At the moment, I’m very tempted by the MacBook Air. I tell you, it’s a passion…"

As the center of his studio, BT uses M-Audio's Radium61 61-Key USB MIDI Controller to drive his system, complemented by an array of Pioneer Pro DJ gear. He has both a Macintosh G5, running Logic Pro with Digidesign's Pro Tools HD hardware systems, and a G4, allowing him to run older software and hardware interfaces. Additionally, there are multiple AMD Dual-core Opteron computers running Native Instruments' Kontakt 2 with EastWest/Quantum Leap Symphonic Orchestra and Symphonic Choir libraries as well as Quantum Leap Colossus and Stormdrum and Native Instruments' Kompakt. The space is nothing if not versatile. For his score for 2004's "Monster," BT wanted a more organic sound, so vocals, guitars and percussion overdubs were done in various room at his home. For this, he used a variety of mics, some of the many guitars hanging on his wall and Neve microphone preamps.

A Mac G5 tower can be seen in Vince Clarke's studio at 12:25.

The gear they used included an Apple Mac G5 running Digidesign Pro Tools; a bevy of period keyboards including an ARP Solina, Korg MS20, Sequential Circuits Prophet 5, Wurlitzer, Memorymoog, Moog Source and Minimoog; a classic Roland TR-808 drum machine; and some modern synths such as an Elektron Monomachine and a Manikin Memotron. They patched and mixed everything through a 24-channel Trident Series 65 console, and also employed a '70s-era Rogers drum set, various MoogerFooger processors and three Neumann U47 mics.

In the EMusician article "STRAIGHT SHOOTER," James Murphy is mentioned using an Apple Mac G5 as part of his music production setup.

PowerMac G5 is included in the list of hardware used to record the Recoil album "subHuman."