The 1898 Bösendorfer may not have a current double-repetition action; it could use a Schwander or Viennese action, affecting playability.

Pianos of this age often require a full rebuild, including action rework and possibly a soundboard replacement.

It's suggested that older Bösendorfer pianos should be voiced down in a shop to achieve a warmer, mellow sound if initially too bright.

Owners caution that older pianos can suffer from stuck keys and fast deterioration of regulation, requiring frequent maintenance.

One buyer's experience indicates older models may not tune to concert pitch due to string corrosion.

A 34-year-old Bösendorfer, if well-maintained, should not differ significantly in action mechanism from a new one, though regular maintenance is required.

One potential buyer noted that the bass of a 34-year-old Bösendorfer 200 can sound thin or cold, especially during broken chords or individual notes.

Some Bösendorfer models, especially larger ones, are noted for their unique sound qualities, which can be distinctly identified even in a concert setting.

Owners find that playing multiple pianos from the same brand is essential, as each instrument can have a distinct sound and feel, regardless of brand reputation.

It's suggested that $15K may primarily reflect the Bösendorfer brand rather than instrument quality, given potential restoration needs.

Buyers suggest negotiating 35-40% off the MSRP for used Bösendorfers since listed prices may not include extensive warranties or additional accessories.

Newer Kawai or Yamaha models are often preferred for their reliability and consistent quality over similarly priced older Bösendorfers.

Yamaha CX series, influenced by Bösendorfer, is suggested as a potential alternative for those who find older Bösendorfers unsatisfactory in tone or action.

Bösendorfers offer deep, guttural lows and strong bass, while Steinways have a lighter, more treble-focused sound, making Bösendorfers preferable for those seeking richer bass tones.

Steinway's dominance in concert halls is attributed to both its consistent sound quality and effective marketing strategies; Bösendorfers are considered less consistent but equally high quality.

Bösendorfers are praised for their singing treble voice, which is distinct from the often treble-dead zones in Steinways, offering a unique tonal experience.