On the Loopmasters page for "Carl Cox Collective - My Life In Music," Carl Cox is noted for using the Focusrite Red 2.

"There's a more curious mix of budget and high-end in this rack, including Manley, Neve, Avalon and Focusrite EQs and voice channels (including the new Liquid Channel and Voicemaster Pro), and Zoom Studio effects, two Electrix MOFXs, a Line 6 Echoplex, and an old Alesis Quadraverb!"

Mentioned in this March 2009 Mix Online article about the Hello Katy Tour.

According to monitor engineer Dave “Supa” Rupsch, “It is not a very plug-in-intensive setup. I use Impact for kick and snare compression, and Bomb Factory compressors for bass DI and Katy's acoustic. As for backing vocals, good-old Smack does the job with some mild compression. On Katy's vocals, I am just using the basic onboard compressor to balance out her vast dynamic range in her in-ears [Ultimate Ears UE-7 ambients; translucent-pink with a strawberry on the side]. On all the in-ear mix outputs, I am using the Focusrite 6-band parametric EQ and a limiter; on the band I use UE-7 Pros, non-ambient. Katy likes reverb in her ears; for that, I use the ReVibe plug-in with a medium hall 'verb return: 2.5-second decay time, 28ms pre-delay.”

It can be seen in 3:27, where they show their study.

List of effects at Paul Robb's studio:

Aphex Type C2 Exciter. BBE 462 Sonic Maximiser enhancer. Drawmer DL241 dual compressor. "I generally strap this across the stereo buss. At some point I'd like to get a better compressor, though." Boss SE50. Boss SE70. "I primarily use these for distortion." Digitech VFX Valve FX. "This is an awesome distortion box. It's so bright it will rip your head off." Ensoniq DP/2. "I also use this primarily for distortion. All four of my distortion boxes [Digitech Valve FX, Roland SE50 and SE70, Ensoniq DP2] are absolutely critical to me. They're indispensable. I rarely use synthesizers anymore without running them through a guitar box." Eventide H3000 multi‑effects. FMR Audio RNC1773 Really Nice Compressor (x3). "These are my new favourite boxes. They make them in Texas, and they're incredibly cheap — 179 dollars, I think it was. But they're great, and on a par with the Drawmer compressor." Focusrite Red 2 Dual EQ. "It's mostly just gorgeous looking! Everyone who comes in here notices it. It looks like a piece of candy, you just want to bite on it. The thing is, it's so intimidating to look at, you really can't tell if it's any good or not — it doesn't need to be any good! I like it, though it's not quite good enough to strap across the whole mix: the EQ3D is on a par, even though it's half the price." Focusrite Red 7 Voice Channel. "This has a mic pre, a compressor, an enhancer and a de‑esser in it, which we use for recording vocals." Lexicon MPX1 multi‑effects. Lexicon PCM70 multi‑effects. Nightpro EQ3D filter. Peavey Analog Filter. "I actually very rarely use this. I've run some loops through it to make them sound crunchy and lo‑fi and it works OK. These techno people use outboard filters all the time — it's just that this one isn't a particularly good one, and I can't justify spending a grand on something like the Waldorf DPole or the Mutator." Roland SDE1000. "I just use this for simple delays." Roland SRV2000 reverb. SPL Vitalizer. "I think this is a lot more popular in Britain than it is here. I like it, but it has so much background hiss that I can only use it in loud noisy music. The great thing about it is the way it spreads the stereo fields, it's got some kind of phase." TC Electronic M2000 multi‑effects. Yamaha SPX90 multi‑effects. "This was the first effects box I ever bought and it's totally on its last legs. I keep it for its stereo split program, because it sounds so grainy and nice."

In a 2006 feature titled "In the Studio with Polyakov" in Sensor Magazine, Alexander Polyakov is shown using the Focusrite Red 2 effects processor.