In this image, Vangelis can be seen at Nemo Studios surrounded with studio equipment, including a Hammond B3.

Mentioned in this November 23, 2017 Premier Guitar interview.

Are your guitars recorded direct to the board or do you have guitar amps and effects set up in your studio as well?

I got amps and I got direct. I got the old 50-watt Ampeg with the two 12s. I mean, you name it. The old Epiphone, the old Gibson, the old Fender Twin Reverb—all that old stuff, I got it. I got the B-3 organ. I mean, fully blown. Musicians come in and have a field day. It’s like having a studio with things you can touch. These are things you can actually get on and play. And I don’t care what era a musician was brought up in, when he’s able to sit down, jam, mess around, and experiment—when he can do that—that’s when he fully gets a chance to open up with his own self-expression and beat it out of himself. I think it’s very important to be able to beat it out, because otherwise you sit there and play with yourself. And I just don’t like playing with myself like that [laughs].

A Color Map of the Sun Credits

In this video Cory Henry can be seen playing a Hammond B3 organ.

The bass pedals were used for the bassline of "Hang On St. Christopher" and "Straight to the Top (Rhumba)", as documented on this page from the website Tom Waits Library.

TW (1987): "Little Jamaican shoeshine music, there (Hang On St. Christopher). Kind of a depraved Vaudeville train announcer. Ummm. . . It was really great to see Bill Schimmel, classically trained at Juilliard, on his hands and knees, playing the pedals of the B-3 organ with his fists. Working up a sweat. It was worth it just for that. Has kind of a little bit of a North African horn action going on --- that's Ralph Carney and Greg Cohen." (Source: "From the set of Ironweed, Tom Waits talks with Rip Rense" New York Post: Rip Rense. Early 1987)

MR (1987): "Cohorts include guitarist Marc Ribot, percussionist Michael Blair, bassist and horn arranger Greg Cohen, Ralph Camey on saxophone and William Schimmel on a variety of equipment, from accordion to Leslie bass pedals. Waits' instruments include pump organ, guitar, mellotron, even something called the optigon." (Source: "Tom Waits is flying upside down (on purpose)" Musician: Mark Rowland. October, 1987)

TW (1987): "I want to take the Leslie bass pedals and raise them up to a kitchen table so you can play them with your fists (on stage). Which is what we did in the studio on "Hang On St. Christopher."* I'm trying to put together the right way of seeing the music. I worry about these things. If I didn't, it would be easier.*" (Source: "Tom Waits is flying upside down (on purpose)" Musician: Mark Rowland. October, 1987)

Q (1987): Still, a bassline played using the footpedals of a Hammond organ? TW: "I used upright bass for so long, it's hard for me to find an electric bass that I like," he explains. "So that was the closest I could get. It's like a drum with a note in it, you know, real fat and out of focus. Bill Schimmel, the accordion player, played them with his hands. I'm thinking of taking them on the road and raising them to the level of a marimba." (Source: "Better Waits Than Ever" Music & Sound Output: Bill Forman. Vol. 7, No. 11. October, 1987)

TW (1987): "Things that happened in those sessions were really good. Especially when people were playing instruments they weren't familiar with. I had Ralph Carney, the sax player, on several cuts where he played three saxes at once. And then Bill Schimmel playing the pedals, Greg Cohen playing alto horn... Sometimes approaching an instrument you're unfamiliar with, the discovery process is good."(Source: "Better Waits Than Ever" Music & Sound Output: Bill Forman. Vol. 7, No. 11. October, 1987)

In 1971, Ray acquires a Hammond B3 Portable Organ (a Bill Beer "chop") for use on the Post-Morrison tours. He can be seen playing it during the band's appearances on Beat-Club and The Old Grey Whistle Test. It becomes his main touring instrument along with the Fender Rhodes Electric Piano through 1972.

In his YouTube video "TOP 20 KEYBOARD INTROS OF ALL TIME," Rick Beato features the Hammond B-3, showcasing its use in several of his videos.

"As the band exploded into the opening notes, Steve Winwood, seated behind his famous Hammond B3 organ"

Steven Dandick The Space at Westbury / Westbury, NY Live Show Reviews | May 29th, 2015

In this video, Jon Lord talks about his Hammond B3. These are the most common drawbar settings (for "the beast" sound):

• The first four (lower) drawbars near maximum or maximum
• The last two (higher) drawbars on 1, 2 or 3, depending on the amplification and acoustics of the environment.
• Al the other 3 middle drawbars on minimum or mute.

It would be something like (in values): 888800022

In this photo, Stephen Stills can be seen playing a Hammond B3 organ. The B3 was Stills's most frequently used keyboard.

In the inner booklet of "Sinfonía para adolescentes," Charly García is listed as playing the Hammond B-3 organ.

Tom Scholz on His Hammond B3 Organ.