-s.webp?v=1782480550)
-xl.webp?v=1782480550)
Pricing and availability
We compare 600+ stores and found this item at 1 store. Prices updated .
Store
Reviews
Price
Average Price: $344
Standard/Professional
$300
$801+
Price Tier
Budget
Standard
High-end
* Product prices and availability are updated by Equipboard every 24hrs and are subject to change. Equipboard may receive compensation for purchases made at participating retailers linked on this site. This compensation does not affect what products or prices are displayed, or the order of prices listed. For more information, please refer to our affiliate disclosure.
Description
Prepare to unleash a sonic storm with the Line 6 HD147 guitar amplifier head, a powerhouse crafted for the modern guitarist craving versatility and raw power. With a staggering 300 watts of stereo power, the HD147 is your ticket to a world of tonal possibilities, ranging from pristine cleans to earth-shattering high-gain madness. This amp head is not just about volume; it's about sculpting your sound with precision and character.
Line 6 has meticulously curated a collection of 14 custom amp models, including inspirations from legendary boutique heads like the Diezel VH4, Peavey 5150, and Marshall JCM2000. Whether you're after the aggressive bite of the Big Bottom model or the shimmering clarity of Octone, the HD147 has you covered. And for those who crave even more, its integrated effects are a treasure trove: dive into vintage-inspired delays, lush modulations, and classic reverbs, all derived from Line 6's acclaimed pedal line-up.
But the magic doesn't stop there. The HD147 boasts MIDI compatibility, offering deep editing potential for those who love to tweak and experiment. With stereo XLR outputs, you can capture that award-winning amp tone directly, making it a perfect companion both on stage and in the studio.
Key Features:
- 300-watt Stereo Current Based Power Amp
- 14 custom amp models inspired by iconic boutique amps
- Integrated effects including delay, modulation, and reverb
- MIDI compatibility for deep editing
- Stereo XLR direct outputs for pristine amp tone capture
- Mix and match cabinet models for flexible sound customization
Product specs
| Brand | Line 6 |
| Model | HD147 300-Watt Stereo Digital Modeling Guitar Amp Head |
| Finish | Silver |
| Year | 2003 - 2010 |
| Made In | China |
| Categories | Guitar Heads, Guitar Modeling Amps |
| Built-In Effects | Built-In Effects |
| Color Family | Black |
| Electronics | Solid State |
| Impedance | 16 ohms, 4 ohms, 8 ohms |
| Number of Channels | 4 Channels |
| Number of Inputs | 1 Input |
| Output Power (Watts) | 300 |
| Power Tube Type | None |
| Reverb | Digital Reverb |
FAQs
-
What are the core tonal characteristics of the Line 6 HD147 amp head?
-
The Line 6 HD147 offers a wide range of tones with 8 vintage amp models, 10 modern tones, and 14 custom tones. It delivers everything from crystal clean sounds to heavy, grinding distortion, making it versatile for various musical styles.
-
How loud is the Line 6 HD147, and is it suitable for live performances?
-
With 300 watts of stereo power, the Line 6 HD147 is obscenely loud and provides ample headroom, making it more than capable of handling live performances and large venues.
-
Does the Line 6 HD147 support MIDI connectivity for advanced control?
-
Yes, the Line 6 HD147 is MIDI compatible, allowing access to deep editing and the ToneTransfer Library, enhancing its functionality for detailed sound customization.
-
Can the Line 6 HD147 be used with a foot controller, and what features does it offer?
-
The HD147 can be used with an FBV Shortboard foot controller, offering access to 36 presets, dedicated channel switches, reverb and FX loop switches, and a wah/volume pedal with toe switch on/off.
-
What is the impedance compatibility of the Line 6 HD147 amp head?
-
The Line 6 HD147 is compatible with 16 ohms, 4 ohms, and 8 ohms, making it versatile for use with various speaker cabinets.
Videos
doyleaudio
Line 6 HD147 with Dave Sheldon from Doyle Audio
Line 6 HD147 with Dave Sheldon from Doyle Audio
doyleaudio
Line6 HD147 Demonstration
TheToillMainn
Line 6 HD147 Run Down
DarkKnight369
Solid State Amp shoot out! Peavey Transtube VS Line 6 HD147
Death Metal Devin (DMD)
Reviews
PROS
-
Versatile with a wide range of tones
-
Durable, withstands extreme conditions without damage
-
Includes high-performance, unique amp models
-
Built-in reverb and delay enhance sound quality
-
Practical for live use with user-friendly features
-
Compatible with Line 6 Editor for deep customization
-
Offers original tones not based on specific amps
-
Exceptional clean tones, reminiscent of Fender and Roland
-
FBV Shortboard compatibility for enhanced control
CONS
-
Dated processing affects blues and country-style tones
-
Models don’t accurately mimic the amps they’re named after
-
Infamous 'Insane' distortion tone considered poor
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Line 6 HD147.
Features and functionality
Use cases and applications
-
This amp head excels in high-volume settings and pairs well with a floorboard for a comprehensive sound upgrade, particularly suited for guitar cable amp users.
Source -
The HD147 can be used effectively with a Helix, allowing users to run a real amp on stage while using any desired preamp model.
Source
Build quality
-
The knobs on the HD147 are prone to movement due to cabinet vibrations, causing abrupt EQ shifts, indicating a potential design flaw in knob stiffness.
Source
User experience
-
Owners have noted that the HD147’s LED lighting adds a visually striking element during performances, enhancing its stage presence.
Source
Comparisons
-
The HD147, priced below half of a Seymour Duncan PowerStage, provides a budget-friendly alternative for those seeking a stereo power solution.
Source
Software and compatibility
-
Unlike the Fractal, the Helix lacks impedance matching software, impacting the speaker-amp relationship for users seeking authentic amp feel.
Source -
The HD147 struggles with detection in Line 6 Edit software when using low-quality USB MIDI cables; investing in a higher quality cable is recommended for successful connection.
Source -
The M-Vave MS-1 Bluetooth adapter is recognized by the HD147 but fails to handle patch up/downloads effectively, indicating limited compatibility for comprehensive software usage.
Source
5.0 out of 5
Based on 2 Reviews and 2 Ratings
271
Reliable backup
No matter what other amp I use, this HD147 is always behind it. When I inevitably get bored of an amp, or an amp breaks, this HD147 fills the gap until the next amp comes along. This is the one amp I keep coming back to, year after year. It's not very good at sounding like the amps it claims to model, but if you ignore the model names and simply go by what your ears hear, there is a large range of good tones in here. The JCM 2000 model, for example, sounds nothing like my actual Marshall JCM 2000, but it's still a nice rhythm tone in its own right. The more blues and country-style tones aren't very good and expose the dated processing in this amp, but all the fully clean tones and everything from standard rock gain upwards sound at least decent. Special mention has to go to Line 6's original tones which are not based on any specific amp, but were made simply by Line 6 trying to make a nice sound; in most cases, they succeeded. Their 'Insane' distortion tone is legendarily bad, but all their other 'originals' sound extremely good and cover a wide range of tones. Their original clean tones are especially good, mostly sounding like a hybrid of a Fender blackface/silverface and a Roland JC.
Most importantly, the HD147 is the single toughest and most practical amp I've owned or used. You have to really go out of your way to try to break it, and it has every kind of connection and function you could need in a general-purpose amplifier. In addition it has been well designed for live use. When using it with the FBV Shortboard floor controller, for example, activating the wah pedal automatically adds in a small volume boost, so it can be used for solos without needing to also adjust the volume separately. The whole front panel is also free to be adjusted on the fly, like any analogue amp's controls are, so if you decide you need a little more bass for one particular room or a little more treble or anything like that, you can dial in that adjustment exactly the same as you would with a regular amp.
The Vetta and Vetta II amps do offer more advanced processing but they also aren't as practical live; other modelling (or "profiling", as some brands market themselves) amps offer more accurate reproductions of popular valve amps, but those also typically are not as practical in terms of live use. And, other than rack-mounted units, most of them are not as tough, either. My personal HD147 has been subjected to rapid and extreme temperature changes, liquid spills, and being dropped on concrete, and other than a few scratches to the outer plastic is otherwise unharmed. The fact it is 15 years old, has never required a service and not a single pot crackles is quite outstanding.
These amps have been discontinued for a long time and never built up enough of a reputation (in fact, had their reputation dragged down by the similarly-named Spider 150HD) for them to retain much value, so you can buy these in good condition at a fairly low cost. My advice to anybody other than blues and country players is if you see one of these advertised at a price you can afford, check that it still works of course but buy it right away. This is one of those amps you likely won't record your #1 album with but it'll always be there either in your studio or as your backup head, always ready to go and able to fill in nearly any task you ask of it. It's not the very best tone you can get but it's so tough and so practical that it is an absolute must-have.
Very well-rounded
I would certainly rate this head higher up on the scale. I've owned it for years and never had a channel that has disappointed me. Very well diverse. The FPV long board combination alongside definitely is a must if you're even able to find it. And to those who were fooled by the to combination alongside definitely is a must if you're even able to find it. And to those who were fooled by the Tool decal, I don't feel bad
Artist usage
Add artist
Matt used a Line6 HD147 Modelling amplifier for radio shows when the full rig was not required.
This Line 6 HD147 is owned by Frank Iero
Used on Home recordings and Stomachaches." - Frank
Acordding to the official page of Line 6, Ben Moody used this amp as the only amplifier for the Evanescence World Tour.
Pat can be seen in front of a Line 6 HD147 amp in his photo
Trond Holter used the Line 6 HD147 guitar amplifier head during Wig Wam's tours from 2004 to 2007, as shown in a user-uploaded photo.
James shows & discusses his use of this in this video : www.youtube.com/watch?v=q7h20so9jSE
Seo Taiji used the Line 6 HD147 guitar amplifier head during the release of his first album in 1998, as shown in a user-uploaded photo on Photobucket.
Oliver Nikolas Schmid uses the Line 6 HD147, as described on the Lacrimas Profundere website, supported by the screenshot provided.
Album Usage
The Line 6 HD147 has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Line 6 HD147, it is most commonly used with the following gear.
-s.webp?v=1782480957)
Similar
Add recommendation4 alternative and related items for Line 6 HD147, curated by the Equipboard community.
More Line 6 Guitar Amplifier Heads
$306.75 - $479.99
.jpg?v=1782437451)
$584.10 - $3,421.95
in Guitar Amplifier Heads Rank
$1,282.00 - $1,999.99
in Guitar Amplifier Heads Rank
$1,943.00 - $3,299.00
in Guitar Amplifier Heads Rank
.jpeg?v=1782442038)
$950.00 - $1,999.99
in Guitar Amplifier Heads Rank
$1,599.00 - $1,848.00
in Guitar Amplifier Heads Rank
$240.00
in Guitar Amplifier Heads Rank
$1,239.00 - $2,398.00
in Guitar Amplifier Heads Rank
-m.webp?v=1782512438)
$1,699.00 - $2,899.99
in Guitar Amplifier Heads Rank
$771.12 - $2,449.99
in Guitar Amplifier Heads Rank
$600.00 - $949.00
in Guitar Amplifier Heads Rank
$600.00
in Guitar Amplifier Heads Rank
$2,016.78 - $3,199.99
in Guitar Amplifier Heads Rank
$2,999.00 - $3,488.23
in Guitar Amplifier Heads Rank
$1,499.00 - $2,149.99
in Guitar Amplifier Heads Rank
$2,199.99 - $2,299.99
in Guitar Amplifier Heads Rank
$1,659.00 - $3,421.95
in Guitar Amplifier Heads Rank
$1,399.99 - $1,519.99
in Guitar Amplifier Heads Rank
$1,399.99 - $1,519.99
in Guitar Amplifier Heads Rank
$1,379.00 - $1,699.00
in Guitar Amplifier Heads Rank
Accessories & Related Items
Community setups
Gear Guides
Most Popular Guitar Amplifier Heads
Most Popular Brands
-
Added to Equipboard on by
rasmus_dahl_laursenGear IQ 51
-
