Overstayer Stereo Compressor

5.0 (2)

1 Review

0 wishlisted

3 saved

Page last updated Mar 30, 2026

Pricing and availability

Store

Reviews

Price

^* Product prices and availability are updated by Equipboard every 24hrs and are subject to change. Equipboard may receive compensation for purchases made at participating retailers linked on this site. This compensation does not affect what products or prices are displayed, or the order of prices listed. For more information, please refer to our affiliate disclosure.

Description

Edit description

Unlock your creative potential with the Overstayer Stereo Compressor, an essential tool for any studio looking to add depth and polish to their recordings. Designed with precision and versatility in mind, this compressor is perfect for both seasoned professionals and budding audio engineers. The Overstayer Stereo Compressor delivers smooth, transparent compression that enhances the richness of your sound without losing its original character. Its intuitive interface allows for effortless control, making it easy to dial in the perfect amount of compression for any audio source.

With its robust construction and reliable performance, the Overstayer Stereo Compressor is built to withstand the rigors of daily studio use. Whether you're working on vocals, guitars, or drum tracks, this compressor provides consistent results, ensuring every element in your mix holds its place with clarity and precision. The unit features a range of controls, including threshold, ratio, attack, and release, granting you complete command over your sound dynamics.

Key Features:

Stereo compressor with transparent sound for studio-quality recordings
Intuitive interface for easy operation
Comprehensive control options: threshold, ratio, attack, release
Suitable for a wide range of audio sources including vocals, guitars, and drums
Durable construction designed for professional studio use

Reviews

Add review

5.0 out of 5

Based on 1 Review and 2 Ratings

5 star

4 star

3 star

2 star

1 star

jimmarchi1

40991

almost 5 years ago

the subgroup bus slayer

stereo FET compressor with dual ganged controls.... transformerless.... 1176 based circuit but transformerless.... fixed ratio, in gain, attack release, auto time constants, sidechain filter and BLEND CONTROL. sounds like its fixed at maybe 8:1. Discontinued currently. This thing smacks. At high input settings it goes from mean and dirty to ruthlessly filthy at the twist of the drive knob and can be blended to taste without wasting aux sends or busses. But its also great and controlling extreme peaks of percussive or just fast stereo material when set conservatively. It has a voice of its own with a very transparent frequency response especially with the side chain engaged to focus on high frequency transients but it excels as a parallel smash and distort box. The metering is awful but the way you use this guy its all ear tuning. This is an excellent FET compressor in true stereo for overheads or busses.... pairs well with the valley dynamite. Cons? hard to rack without a kit and doesn't play well with other half rack mounting schemes. Not worth docking a star, it sounds great.

Preferred Settings + Usage:

Cranked input, high drive, fast time constants RMS compressing at about 1/3 to 2/3 effect blend into a valley dynamite or 610 peak limiting on a parallel bus adds a lot of balls to drums or rhythm section groups that also tickle the 2bus.

Roles:

Guitarist Bassist Keyboardist

Genres:

Electronic Orchestra Alternative rock