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Based on price data from 5 merchants for "Sonnox Oxford Limiter". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Elevate your mastering game with the Sonnox Oxford Limiter, a pinnacle of precision in the world of audio plugins. Designed for professional musicians and sound engineers, this limiter doesn't just maximize loudness; it redefines it. Its Enhance function delivers unparalleled volume and punch, while maintaining the clarity and detail that discerning ears demand. Whether you're aiming for transparent level control or adventurous sonic textures, the Oxford Limiter's advanced look-ahead processing ensures you achieve maximum modulation levels without the fear of distortion or clipping.
The Oxford Limiter is renowned for its comprehensive metering, which not only displays peak sample values but also monitors the true validity of the audio signal. This feature helps you avoid the common pitfall of reconstruction overloads, ensuring a clean, pristine output. Its adaptive timing features and variable soft-knee control provide flexibility, making it suitable for a variety of styles and genres. With its sophisticated dithering options, you can fine-tune your output to either 16-bit or 24-bit formats, complete with selectable noise shaping for that perfect finishing touch.
Whether you're in the studio or on stage, the Sonnox Oxford Limiter is your ticket to achieving professional-grade loudness and clarity.
Key Features:
- Advanced look-ahead processing for accurate peak limiting
- Unique Enhance function for increasing perceived loudness and punch
- Comprehensive metering with reconstruction overload monitoring
- Variable soft knee, attack, and release controls
- 16 and 24-bit dithering with selectable noise shaping
- Compatible with macOS and Windows, supporting AAX Native, AU, and VST3 formats
Product specs
| Software Type | Limiter |
| Platform | Mac, PC |
| Upgrade/Full | Full |
| Download/Boxed | Download |
| Bit Depth | 32-bit, 64-bit |
| Format | AAX Native, AAX DSP, VST2, VST3, AU |
| Authorization Type | iLok Account |
| Hardware Requirements - Mac | Intel Core 2 Duo or higher, 4GB RAM minimum |
| Hardware Requirements - PC | Intel Core 2 Duo / AMD Athlon 64 X2 or higher, 4GB RAM minimum |
| OS Requirements - Mac | OS X 10.9.5 or later |
| OS Requirements - PC | Windows 7 SP1 or later |
FAQs
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What are the main features of the Sonnox Oxford Limiter?
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The Sonnox Oxford Limiter is designed for mastering, offering precise control over loudness while maintaining transparency and sonic integrity. It includes features such as enhanced loudness control, true peak limiting, and a unique Enhance function for adding presence without distortion.
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Is the Sonnox Oxford Limiter compatible with all major DAWs?
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Yes, the Sonnox Oxford Limiter is compatible with major DAWs that support AAX Native, AAX DSP, VST2, VST3, and AU formats, making it versatile for both Mac and PC platforms.
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What are the system requirements for installing the Sonnox Oxford Limiter?
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For Mac, you need OS X 10.9.5 or later with an Intel Core 2 Duo processor and 4GB RAM. For PC, Windows 7 SP1 or later with an Intel Core 2 Duo or AMD Athlon 64 X2 processor and 4GB RAM are required.
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Does the Sonnox Oxford Limiter require an iLok for authorization?
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Yes, the Sonnox Oxford Limiter requires an iLok account for authorization, ensuring secure and flexible license management.
Videos
Sonnox Plugins
Oxford Limiter tutorial
Reviews
PROS
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Extremely transparent, maintaining audio quality even under heavy compression
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Offers exceptional loudness without sacrificing clarity
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User-friendly interface with access to all crucial parameters
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Enhances low-end and adds a unique sparkle to high-end frequencies
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Notably effective for both classical and electronic music
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The 'Enhance' feature adds useful versatility
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Consistently described as a step above other limiters in quality
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Suitable for individual channels and master bus applications
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Low CPU usage, allowing for efficient performance
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Regularly available at significant discounts during sales
CONS
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Some users prefer the Fabfilter Pro-L for limiting tasks
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Can be considered expensive when not on sale
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Sonnox Oxford Limiter.
Features and functionality
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The Sonnox Oxford Limiter is praised for its clean sound and ability to get loud without killing transients, making it well-suited for mastering and mixbus use.
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The Oxford Limiter's "enhancer" feature is highlighted for allowing users to push input levels while maintaining quality, with a recommended setup of 60ms attack and 300ms release.
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Some owners highlight that the Oxford Limiter's "Enhance" function stands out, allowing for precise input drive management, especially beneficial for professional-grade mixes.
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Value and pricing
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During sales, the Oxford Limiter can be as affordable as $15, making it a cost-effective choice compared to competitors like FabFilter Pro-L 2.
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During sales, Oxford plugins can be acquired at substantial discounts, such as the Reverb for $32.99-$54.99, making them accessible for hobbyists and professionals alike.
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Comparisons
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Some users favor the Oxford Limiter for its reliability and track record, despite newer competitors like DMG Limitless and Ozone Maximizer offering advanced features.
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Users who appreciate analog coloration note that the Oxford pairs well with analog gear, maintaining a standard that newer digital limiters sometimes lack.
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Users note that the Hornet Thrust plugin, which was reverse-engineered from the Oxford Inflator, is nearly indistinguishable from the original, offering a cost-effective alternative.
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UAD is limited to version 2 of the Sonnox Limiter, whereas the native option offers version 4, potentially affecting features and performance.
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Use cases and applications
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It's recommended to use the Oxford Limiter as the first in a double limiter setup to give a final push before applying a peak limiter, such as bx_limiter True Peak.
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The Oxford Reverb is praised for its versatility, with particular effectiveness in creating large, long-tail reverbs, and includes a built-in EQ for detailed adjustments.
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Software and compatibility
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The Oxford Limiter is now available with machine authorization, eliminating the need for a constant internet connection, enhancing usability in various settings.
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The native version of the Sonnox Oxford Limiter doesn't consume DSP resources, making it preferable for users with limited UAD DSP availability.
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Running the Sonnox Limiter on UAD can lead to sample rate upscaling, a difference compared to the native version.
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Critic Reviews
5.0 out of 5
Based on 7 Reviews and 27 Ratings
852
A Unique Limiter
It is not your standard limiter. It produces amazing results, and it really shines on the low end. The enhance feature is a bit mysterious, but once you try it and compare it on and off, you'll find it has a lot of uses. I replaced my FF Pro-L2 with this one and am not looking back. I'd recommend it. I use it on my ambient and electronic music with great success. Not only does it give a good low end, it adds some kind of sparkly goodness to the high end as well.
Sonnox has some good videos by Rich Tozzoli that show what this limiter and their other products can do.
Wait for a sale on it if you don't own it yet. Sonnox regularly has sales that discount their plugins by around 70%, from my experience.
Preferred Settings + Usage:
My usual settings for ambient and electronic music, including piano and classical music: Threshold -1.10, Input Gain as needed, Attack 0.476 ms, Release 1.06 ms, Soft Knee 1.50 dB, Auto Gain on, Safe Mode off, Enhance (Xfade) 0-30%, Output Trim 0.0 dB, Recon Meter off, Auto Comp on, Peak Hold on, Dither none. This limiter is nearly the last in line on my master. I follow it with a dithering plugin and a meter.
41029
a solid limiter from sony
this is a limiter in the ultramaximizer/finalizer camp (who else remembers finalizer?).... an oldie but a goodie from sony. Has its own vibe to a certain degree but all the digital brickwallers are pretty similar. It can be really useful printed hard on a mix that you fly out to its own stereo bus and bring up in parallel beneath the n-limited multitrack to split the difference and add some of the interesting oxford plugin character.... wanna get silly? try chaining it after inflater. The sony plugins have a sound that's hyper modern and yt unlike the pre-renaissance waves stuff and the McDSP stuff from the same era. I don't use them one very mix but I use them a lot. Been with the Oxford stuff since seeing them advertised in a sweetwater catalog well over a decade ago and I don't regret the expense.
Great
Oxford makes a lot of good plug ins! this limiter is perfect for a final mix down and is good on and individual channel and a master! i personally use it for individual channels
Artist usage
Add artist
"plugins i really like are Albino3, FM8, Sonnox oxford limiter, ALL fabfilter stuff, those are the ones i use most frequently"
In his project file for his song Bad Things on Splice, Nom De Strip lists this limiter plugin as one of the effects used.
Obviously the Dynamics, Limiter and EQ; they're standard first ports of call in many a studio I've worked in.
In a Twitter post captioned "Mastering weapons," Kdrew is shown using the Sonnox Oxford Limiter.
In the YouTube video "Shocking technique with Klaas chapter 1" by Cracklife Craked, Klaas is shown using the Sonnox Oxford Limiter plugin.
In an interview with La Tlmes, Riot discusses using the Sonnox Oxford Limiter, highlighting its innovative features such as logarithmic sidechain processing and adaptive timing with look-ahead techniques. These attributes, designed from a musical perspective, allow for creative and artistic expression beyond just achieving loudness.
In Steinberg Studio Sessions Season 2 Episode 9, at 20:00 Serg points out an instance of Sonnox Oxford Limiter opened in Cubas 8.
"Sonnox Inflator and Limiter. These two are built into my Cubase template. Inflator is great at adding some high end sprinkle without changing the dynamics drastically. It’s like a magic EQ. The limiter just adds a little more juice when needed."
How did you discover Sonnox plug ins?
It was word-of-mouth about the overall quality of Sonnox.
I tried many limiters from other high-end plug-in developers but none of them worked as I wanted.
When I used the Oxford Limiter for the first time I was completely blown away. Now it's my go-to limiter for orchestral music (even when I consider hardware options). Not only does it increase the perceived loudness more than other limiters, more importantly, it does not change the timbre or colour of the sound. That is crucial for orchestral music.
How do you use Sonnox plug-ins in your work?
I use Sonnox plug-ins exclusively on the mix and master bus of every orchestral project I mix. I believe that a great orchestral recording starts with perfect microphone placement, and a great performance from the players. After that you just need a little EQ and some limiting. I use Oxford EQs throughout the mix, and the Oxford Limiter on the final bus. There is something about Sonnox plug-ins that just makes it easier for me to get the sound I am looking for. I think the best example of my most recent work would be the recording of the latest performances of my Requiem Inês de Castro. The Oxford Limiter acts so beautifully it almost sounds as if no limiter was used at all, which to me is the highest compliment.
Album Usage
The Sonnox Oxford Limiter has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Sonnox Oxford Limiter, it is most commonly used with the following gear.
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