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Univox CP-110 Compac-Piano

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Page last updated Aug 11, 2025

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Description

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The Univox CP-110 Compac-Piano is a fascinating blend of vintage charm and portable convenience, perfect for musicians on the move. This portable keyboard is a testament to Univox's commitment to creating accessible musical instruments without sacrificing quality. With its 61-note keybed, the CP-110 provides a versatile range suitable for a variety of musical styles, from classic rock to experimental jazz. Its compact design allows you to transport it effortlessly, making it an ideal companion for gigs, studio sessions, or casual jam sessions at home.

The CP-110 boasts a range of built-in sounds that capture the essence of classic electric pianos and organs, offering musicians a palette of tones to explore. Designed with user-friendliness in mind, it features intuitive controls that make it easy to dial in the perfect sound for any musical situation. Whether you're a seasoned performer or a budding enthusiast, the Univox CP-110 Compac-Piano offers a reliable and inspiring tool for creativity.

Key Features:

61-note keybed for a wide range of musical expression
Built-in sounds including classic electric pianos and organs
Compact and lightweight design for easy portability
User-friendly controls for quick sound adjustments
Ideal for live performances, studio recordings, or home practice sessions

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Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Univox CP-110 Compac-Piano.

Setup and maintenance

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Corrosion in the "U" bus contact often causes dead keys; using automotive chrome trim polish on a q-tip can clean and restore functionality.
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Manually adjusting the springs of dead keys can temporarily restore function, suggesting alignment or contact issues.
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Replacing the side-mounted fuse is suggested as a potential fix for power or sound issues.
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Mods and upgrades

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Replacement springs for the Univox CP-110 can be sourced from Syntaur; repairs involve straightforward soldering.
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Users suggest using the Univox as a casing for a MIDI or USB keyboard, utilizing its vintage look while upgrading its functionality.
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User experience

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Fixing the output jack resolves sound issues, demonstrating the importance of checking connections before concluding major defects.
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Features and functionality

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The Univox CP-110 lacks built-in speakers, requiring external amplification for optimal sound testing.
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The CP-110's analog divide-down architecture allows for potential repairs to specific oscillators, such as the A key generator.
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Use cases and applications

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The Univox's unique sound is likened to retro video games like Atari or Battletoads, suggesting its potential for nostalgic or experimental music projects.
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Critic Reviews

Univox Compac Piano

polynominal.com

The Univox CP-110 Compac Piano offers vintage charm and affordability but falls short with limited sound options and no editing capabilities. While its three presets—piano, honky tonk, and clavinet—provide nostalgic vibes, the lack of control and functionality may leave some players wanting more. Overall, it’s a basic instrument for those seeking simplicity, but serious musicians might find it too restrictive for their needs.

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Artist usage

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Billy Preston

Singer, Keyboardist

The Beatles

Verified via Photo

Preston is featured playing a CP-110 in this 1974 Univox ad for the Compac-Piano.

Edgar Winter

Singer, Keyboardist

The Edgar Winter Group

Verified via Photo

Edgar Winter played a Univox Compac-Piano in the early 1970s. He played the 21-pound keyboard on a strap across his shoulders.

Tony McPhee

Guitarist, Singer

The Groundhogs

Verified

In the November 1974 issue of Beat Instrumental, a MK1 Crumar Compac-Piano is pictured among the gear in Tony McPhee's home studio on page 28; it is discussed briefly on page 29. It also appears on page 24 of the March 1976 issue of Beast Instrumental.

Beat Instrumental, November 1974, "Home Studios: Tony McPhee" by Del Robinson, pgs. 28-29 (pictured)

Tony's also very interested in electronic music: 'I want to build an electronic music studio', and he enthusiastically demonstrated some gear in his present set-up. It includes a couple of ARP2600 synthesisers, a rhythm sequencer ('I found this unit invaluable'), and frequency shifter, a Compact piano and a Mellotron.

'I'm a guitarist, not a keyboards player,' commented Tony modestly. 'Though I find I'm really beginning to get into synthesisers now. They're very creative instruments and it's very much up to the individual musician what he gets out of them. I prefer the ARPs - not everyone can get along with EMS units. I know people have criticised the ARP because you have to patch across it, but I don't find this a problem.'

Tony's also got a Mellotron (although he doesn't use it much now - 'It takes too long to tune up on stage and we don't like to lose any impact at the start of a performance.'), and a Compact piano.

Beat Instrumental, March 1976, "Tony McPhee: The Hogs Return" by Chris Simmons, pg. 24 (pictured)