Chris Traynor's Gear

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"I experiment with lots of gear but the stuff I rely on most is my 73 Les Paul custom, which has been on every record I have ever recorded, and my 66 ES 355."

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Chris Traynor has used the Lovepedal Kalamazoo Overdrive Pedal Gold Limited Edition extensively over the years, as mentioned in his Twitter post.

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My favorite type of pedal is without a doubt Fuzz. I think you can tell a lot about when a person grew up by the kind of Fuzz they like. My favorite vintage Fuzz is a Sov Tek green civil war era big muff. I have two of them that I just treasure. Jeorge Tripps makes a new version of this pedal for Way Huge called a Russian Pickle, and that’s what I have been using lately.

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One of his current favorites is a Les Paul Standard that was stripped and refinished by his friend Dave Johnson and Area 59 Hysteric Parts

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"I have 2 Kurt Cobain road worns. This is one where I tried to put a gold foil in but I had to change the neck angle and didn't like the way it plays. I love these guitars but I haven't found one that sounds the way I want it to. I'll keep experimenting with different pick ups."

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Traynor uses a Marshall EL34, according to this article, which says, "He likes combining the characteristics of multiple amps to achieve his tone, also using a Marshall EL34 100/100…"

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This article states, "Traynor controls the Axe-FX with a Voodoo Lab Ground Control (the same one he's used on tour for 10 years). He also uses a Boss TU-2…"

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According to this article, by Premier Guitar, Traynor "also uses a Boss TU-2, a Dunlop Jerry Cantrell Signature Cry Baby, and an Ernie Ball VP JR Volume Pedal.

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Another proud owner of the MXR M-101 Phase 90 Pedal is Chris Traynor according his official artist page on Dunlop's site.

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According to Dunlop's official artist page for Chris he uses a MXR MC401 Boost/Line Driver.

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"I have a historic Les Paul Standard and a refinished Explorer. Right now on tour, I have three Les Pauls and an Explorer, and then Gibson just sent me a black American Explorer that I’ve been playing at the Staples Center in Vegas, which I really love. I grew up playing Gibson and fell in love with the shape, and that’s what feels most natural to me and looks the best and sounds the best."

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"I started using this pedal in Helmet because it was the only pedal that would give a clear, good quality gain...They're super road worthy and I've used it on every single record I've recorded," says Chris Traynor, at 0:35 in this video.

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"I always carry a Dunlop wah, Phase 90 (Re-issue), whammy pedal, vintage 808, Blue Box and a box full of delays, compressors and choruses"

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"I experiment with lots of gear but the stuff I rely on most is my 73 Les Paul custom, which has been on every record I have ever recorded, and my 66 ES 355."

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you can see in the comments below that image on Instagram that he confirms it was a blacktop baritone telecaster... and you can see him using it in here https://www.instagram.com/p/BEwNKeOLiVS/?taken-by=ct3guitar

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According to Maxon's website, Traynor uses the Maxon SD-9 Super Distortion.

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"That's my 1969 Stratocaster. The real deal."

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Used during Institute era.

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My live rig with Bush is a monster. My guitar runs through a Fractal AXFX XL II+…

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My live rig with Bush is a monster. My guitar runs through volume pedal, then a Jerry Cantrell wah, into the front of a Fractal AXFX XL II+, it splits out of the FX loop into a Voodoo amps modded Marshall JMP-1with a gold Marshall EL34 100/100 and into a first revision Mesa Boogie Dual Rectifier. Both amp signals send to 2 separate Rivera silent sister iso cabinets loaded with Eminence EJ1250’s. Each speaker has 2 microphones, and modded Sure Sm 57, and a Sennheiser 421.

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My favorite type of pedal is without a doubt Fuzz. I think you can tell a lot about when a person grew up by the kind of Fuzz they like. My favorite vintage Fuzz is a Sov Tek green civil war era big muff. I have two of them that I just treasure. Jeorge Tripps makes a new version of this pedal for Way Huge called a Russian Pickle, and that’s what I have been using lately.

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My favorite type of pedal is without a doubt Fuzz. I think you can tell a lot about when a person grew up by the kind of Fuzz they like. My favorite vintage Fuzz is a Sov Tek green civil war era big muff. I have two of them that I just treasure. Jeorge Tripps makes a new version of this pedal for Way Huge called a Russian Pickle, and that’s what I have been using lately. My second favorite effect is an echoplex ep-2, but that is very temperamental machine. I love using the Diamond Memory Lane 2, it’s my favorite tap tempo delay of all time, and I usually have that on my board for studio sessions.

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You’re stranded on a desert island – which three (3) of the following do you want to have? I’m assuming the Island has electricity, so… Instruments: I want to say my 63 SG junior with a P90 in the bridge, but I’m afraid that would be hard to fix if something happened to it, so I am going to bring a parts telecaster that I put together with a vintage gold foil in the neck. You can drag a tele off the back of a pickup truck and it will still be playable.

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In this Premier Guitar rig rundown, it states, "Traynor uses a duo of Fractal Audio Axe-FX II units, which he's used since the company's very first iterations of the units."

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In this article, by Premier Guitar, it says, "[Traynor] uses a Mesa Boogie Dual Rectifier (first revision) with a Divided by 13 FTR 37…"

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This article, by Premier Guitar, states that Traynor "uses a Mesa Boogie Dual Rectifier (first revision) with a Divided by 13 FTR 37 (not pictured), which he also relies upon heavily in the studio. He likes combining the characteristics of multiple amps to achieve his tone, also using a Marshall EL34 100/100 and a Marshall JMP-1…"

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"Traynor controls the Axe-FX with a Voodoo Lab Ground Control," it says, in this article, by Premier Guitar.

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This article says that Traynor "also uses a Boss TU-2, a Dunlop Jerry Cantrell Signature Cry Baby…"

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Chris uses a Dunlop UV-1 Univibe. Source.

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"I always carry a Dunlop wah, Phase 90 (Re-issue), whammy pedal, vintage 808, Blue Box and a box full of delays, compressors and choruses."

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